{"id":11259,"date":"2022-02-18T09:29:07","date_gmt":"2022-02-18T08:29:07","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=11259"},"modified":"2022-03-08T09:47:01","modified_gmt":"2022-03-08T08:47:01","slug":"the-legacy-of-ricoeurs-time-and-narrative-1983-85-from-plot-to-experientiality","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/the-legacy-of-ricoeurs-time-and-narrative-1983-85-from-plot-to-experientiality\/","title":{"rendered":"The Legacy of Ric\u0153ur’s Time and Narrative (1983-85) : From Plot to Experientiality"},"content":{"rendered":"\n

Comment Ric\u0153ur a-t-il transform\u00e9 les \u00e9tudes narratives ?<\/strong><\/p>\n\n\n\n\n\n\n\n

\n
\n

Les trois volumes de Temps et r\u00e9cit<\/em>, publi\u00e9s par Paul Ric\u0153ur au milieu des ann\u00e9es 1980, ont sans doute jou\u00e9 un r\u00f4le essentiel dans le \u00ab tournant narratif \u00bb op\u00e9r\u00e9 par les sciences humaines et sociales \u00e0 cette p\u00e9riode.<\/p>\n\n\n\n

P. Ric\u0153ur y affirme que la fiction et l’historiographie, bien que formellement diff\u00e9rentes, reconfigurent notre exp\u00e9rience temporelle \u00e0 travers une op\u00e9ration de \u00ab mise en intrigue \u00bb, soulignant ainsi le lien, mais aussi le d\u00e9calage, entre l’exp\u00e9rience et sa mise en r\u00e9cit. Ce faisant, P. Ric\u0153ur a mis en \u00e9vidence ce qui appara\u00eet aujourd’hui comme l’une des fonctions anthropologiques cruciales de la narrativit\u00e9.<\/p>\n\n\n\n

\u00c9dit\u00e9 par Rapha\u00ebl Baroni (\u00c9cole de fran\u00e7ais langue \u00e9trang\u00e8re<\/a>, Centre interdisciplinaire d\u2019\u00e9tude des litt\u00e9ratures<\/a>) et Adrien Paschoud, ce num\u00e9ro de Poetics Today <\/em>illustre, \u00e0 travers les \u00e9tudes r\u00e9unies, l’h\u00e9ritage de Ric\u0153ur, qui peut \u00eatre vu r\u00e9trospectivement comme le cha\u00eenon manquant entre la narratologie classique et postclassique, ainsi qu’entre la narratologie contemporaine et le champ plus large des \u00e9tudes narratives.<\/p>\n\n\n\n

Ce volume est coordonn\u00e9 avec un num\u00e9ro des Cahiers de Narratologie<\/em> (L\u2019h\u00e9ritage de Ric\u0153ur : du r\u00e9cit \u00e0 l\u2019exp\u00e9rience<\/a>) et marque ainsi un dialogue entre la th\u00e9orie du r\u00e9cit francophone et une narratologie mondialis\u00e9e.<\/p>\n\n\n\n

Rapha\u00ebl Baroni, Adrien Paschoud (\u00e9ds), The Legacy of Ric\u0153ur’s Time and Narrative<\/em> (1983-85) : From Plot to Experientiality<\/a>, Poetics Today<\/em> n\u00b042\/3, Durham, Duke University Press, 2021.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Rapha\u00ebl Baroni<\/strong><\/p>\n\n\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Narratologie et enseignement du fran\u00e7ais<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les outils narratologiques pour l\u2019enseignement du fran\u00e7ais: bilan et perspectives<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Lire Houellebecq. Essais de critique polyphonique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00ab Le Long Voyage de L\u00e9na \u00bb : regards crois\u00e9s sur une bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’h\u00e9ritage de Ric\u0153ur : du r\u00e9cit \u00e0 l’exp\u00e9rience<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

The Legacy of Ric\u0153ur’s Time and Narrative (1983-85) : From Plot to Experientiality<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Enseigner la bande dessin\u00e9e comme (de la) litt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

I meccanismi dell\u2019intreccio<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Introduction \u00e0 l’\u00e9tude des cultures num\u00e9riques. La transition num\u00e9rique des m\u00e9dias<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les avatars du chapitre en bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Rouages de l’intrigue. Les outils de la narratologie postclassique pour l’analyse des textes litt\u00e9raires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les \u00ab\u00a0voix \u00bb de Michel Houellebecq<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Narrative Sequence in Contemporary Narratology<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Repenser le r\u00e9cit avec les s\u00e9ries t\u00e9l\u00e9vis\u00e9es<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les passions en litt\u00e9rature. De la th\u00e9orie \u00e0 l’enseignement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L\u2019\u0152uvre du temps. Po\u00e9tique de la discordance narrative<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Historiographie, litt\u00e9rature et philosophie : une longue et difficile conversation triangulaire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Tension narrative. Suspense, curiosit\u00e9 et surprise<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le savoir des genres<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

Comment Ric\u0153ur a-t-il transform\u00e9 les \u00e9tudes narratives ?<\/p>\n","protected":false},"author":719,"featured_media":11260,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3057,1444,1213,3226,119,3264,107,3225],"class_list":{"0":"post-11259","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3057","9":"tag-centre-interdisciplinaire-detude-des-litteratures","10":"tag-ecole-de-francais-langue-etrangere","11":"tag-experience","12":"tag-narratologie","13":"tag-newsletter-35","14":"tag-raphael-baroni","15":"tag-ricoeur"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=11259"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/11259\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/11260"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=11259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=11259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=11259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}