{"id":10986,"date":"2021-10-22T13:57:11","date_gmt":"2021-10-22T11:57:11","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=10986"},"modified":"2021-11-04T11:36:05","modified_gmt":"2021-11-04T10:36:05","slug":"theories-de-ladaptation","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/theories-de-ladaptation\/","title":{"rendered":"Th\u00e9ories de l’adaptation"},"content":{"rendered":"\n

Des comptes rendus d\u2019ouvrages r\u00e9cents sur la question de l’adaptation.<\/strong><\/p>\n\n\n\n\n\n\n\n

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L\u2019actuelle effervescence des \u00e9tudes sur l’adaptation cin\u00e9matographique offre l\u2019occasion de faire le point sur cette question. <\/p>\n\n\n\n

Il en ressort que les ouvrages r\u00e9cents, et ceux qui en rendent compte dans ce dossier critique d\u2019Acta fabula<\/em>, d\u00e9sertent la voie classique, qui visait \u00e0 comparer le film \u00e0 sa source livresque pour \u00e9valuer la fid\u00e9lit\u00e9 de l’adaptation, au profit d’angles d’approche plus divers et plus larges. Ce constat incite \u00e0 penser que le moment est sans doute venu d’adapter les th\u00e9ories de l’adaptation.<\/p>\n\n\n\n

R\u00e9uni par Laure Cordonier (Section de fran\u00e7ais<\/a>, Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma<\/a>), ce dossier propose neuf comptes rendus disponibles int\u00e9gralement en libre acc\u00e8s.<\/p>\n\n\n\n

Laure Cordonier (dir.), Th\u00e9ories de l’adaptation<\/a><\/em>, Acta fabula. La revue des parutions<\/em>, vol. 22, n\u00b0 7, dossier critique n\u00b0 62, ao\u00fbt-septembre 2021.<\/p>\n<\/div>\n\n\n\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Laure Cordonier<\/strong><\/p>\n\n\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Th\u00e9ories de l’adaptation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Arnaud Desplechin<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n
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Des comptes rendus d\u2019ouvrages r\u00e9cents sur la question de l’adaptation.<\/p>\n","protected":false},"author":719,"featured_media":10976,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3,5],"tags":[3057,13,59,3150,1063,8,3166,2347,1233,1212,3149],"class_list":{"0":"post-10986","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"category-sciences-theoriques","10":"tag-3057","11":"tag-bande-dessinee","12":"tag-cinema","13":"tag-cinema-danimation","14":"tag-laure-cordonier","15":"tag-litterature","16":"tag-newsletter-32","17":"tag-open-access","18":"tag-section-dhistoire-et-esthetique-du-cinema","19":"tag-section-de-francais","20":"tag-theorie-de-ladaptation"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=10986"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10986\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/10976"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=10986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=10986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=10986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}