{"id":10731,"date":"2021-08-23T09:26:06","date_gmt":"2021-08-23T07:26:06","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=10731"},"modified":"2021-09-02T10:29:13","modified_gmt":"2021-09-02T08:29:13","slug":"techniques-et-machines-de-cinema-objets-gestes-discours","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/","title":{"rendered":"Techniques et machines de cin\u00e9ma, objets, gestes, discours"},"content":{"rendered":"\n<p><strong>L&rsquo;imaginaire technique du cin\u00e9ma.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>La \u00abtransition num\u00e9rique\u00bb a eu pour cons\u00e9quence un regain d\u2019int\u00e9r\u00eat pour les questions li\u00e9es aux techniques, longtemps rest\u00e9es tr\u00e8s marginales dans les \u00e9tudes audiovisuelles.<\/p>\n\n\n\n<p>Ce num\u00e9ro sp\u00e9cial de la revue <em>\u00c9crans<\/em>, dirig\u00e9 par Gilles Mo\u00ebllic, Laurent Le Forestier et Beno\u00eet Turquety (tous deux de la <a rel=\"noreferrer noopener\" href=\"https:\/\/www.unil.ch\/cin\/home.html\" data-type=\"URL\" data-id=\"https:\/\/www.unil.ch\/cin\/home.html\" target=\"_blank\">Section d&rsquo;histoire et d&rsquo;esth\u00e9tique du cin\u00e9ma<\/a>, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.unil.ch\/cec\/home.html\" data-type=\"URL\" data-id=\"https:\/\/www.unil.ch\/cec\/home.html\" target=\"_blank\">Centre d&rsquo;\u00e9tudes cin\u00e9matographiques<\/a>), s&rsquo;attache \u00e0 l&rsquo;histoire des techniques cin\u00e9matographiques en d\u00e9veloppant les probl\u00e9matiques th\u00e9oriques et \u00e9pist\u00e9mologiques \u00e0 partir d&rsquo;une s\u00e9rie d&rsquo;\u00e9tudes de cas pr\u00e9cis, depuis le cin\u00e9ma des premiers temps jusqu&rsquo;\u00e0 la p\u00e9riode contemporaine. Y sont analys\u00e9s des \u0153uvres de cin\u00e9astes-techniciens (R. W. Paul, Emile Cohl, Nag et Gis\u00e8le Ansorge), des machines (les instruments du montage, les cam\u00e9ras Bolex et Aaton), des dispositifs (le studio d&rsquo;enregistrement, la cam\u00e9ra virtuelle) et des discours technologiques, de th\u00e9orie ou d&rsquo;imagination.<\/p>\n\n\n\n<p>Cet ouvrage r\u00e9unit pour l\u2019essentiel des textes issus d\u2019un colloque s\u2019inscrivant dans le programme doctoral international \u00abHistoire et historiographie du cin\u00e9ma\u00bb et dans le partenariat de recherche TECHN\u00c8S, qui rassemblent les Universit\u00e9s de Lausanne (Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma), de Montr\u00e9al (laboratoire Cin\u00e9m\u00e9dias) et Rennes 2 (laboratoire de cin\u00e9ma).<\/p>\n\n\n\n<p>Laurent Le Forestier, Gilles Mou\u00ebllic, Beno\u00eet Turquety (dir.), <em><a href=\"https:\/\/classiques-garnier.com\/ecrans-2020-1-n-13-techniques-et-machines-de-cinema-objets-gestes-discours.html\" data-type=\"URL\" data-id=\"https:\/\/classiques-garnier.com\/ecrans-2020-1-n-13-techniques-et-machines-de-cinema-objets-gestes-discours.html\" target=\"_blank\" rel=\"noreferrer noopener\">Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/em>, <em>\u00c9crans<\/em>, 2020-1, n\u00b013, Paris, Classiques Garnier, 2020.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img alt=\"\" decoding=\"async\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/08\/TURQUETY_Techniques_cover-1.jpg\" alt=\"\" class=\"wp-image-10737\" width=\"300\" \/><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-black-background-color has-black-color is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Laurent Le Forestier<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11650\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/de-lassemblage-au-montage-cinematographique-instauration-et-standardisation-dune-pratique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_FORESTIER_2022_assemblage_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_FORESTIER_2022_assemblage_cover.jpg 798w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_FORESTIER_2022_assemblage_cover-435x654.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/06\/LE_FORESTIER_2022_assemblage_cover-768x1155.jpg 768w\" sizes=\"auto, (max-width: 798px) 100vw, 798px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/de-lassemblage-au-montage-cinematographique-instauration-et-standardisation-dune-pratique\/\">De l&rsquo;assemblage au montage cin\u00e9matographique. Instauration et standardisation d&rsquo;une pratique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10731\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/08\/TURQUETY_Techniques_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/\">Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-3299\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lanalyse-des-films-en-pratique-31-exemples-commentes-danalyse-filmique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"849\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv.jpg 849w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-435x615.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-212x300.jpg 212w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-768x1086.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/LEFORESTIER_Analyse_couv-724x1024.jpg 724w\" sizes=\"auto, (max-width: 849px) 100vw, 849px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lanalyse-des-films-en-pratique-31-exemples-commentes-danalyse-filmique\/\">L&rsquo;Analyse des films en pratique. 31 exemples comment\u00e9s d&rsquo;analyse filmique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2471\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/2471\/\"><img loading=\"lazy\" decoding=\"async\" width=\"384\" height=\"476\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/LEFORESTIER_Transfo_Bazin-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/LEFORESTIER_Transfo_Bazin-1.jpg 384w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/LEFORESTIER_Transfo_Bazin-1-242x300.jpg 242w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/2471\/\">La transformation Bazin<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2781\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-film-sur-lart-entre-histoire-de-lart-et-documentaire-de-creation\/\"><img loading=\"lazy\" decoding=\"async\" width=\"957\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv.jpg 957w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv-435x545.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv-239x300.jpg 239w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv-768x963.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/ROBERT_FilmArt_couv-817x1024.jpg 817w\" sizes=\"auto, (max-width: 957px) 100vw, 957px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-film-sur-lart-entre-histoire-de-lart-et-documentaire-de-creation\/\">Le film sur l&rsquo;art : entre histoire de l&rsquo;art et documentaire de cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<p><strong>Beno\u00eet Turquety<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11973\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/politiques-de-la-technicite-corps-monde-et-medias-avec-gilbert-simondon\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/politiques-de-la-technicite-corps-monde-et-medias-avec-gilbert-simondon\/\">Politiques de la technicit\u00e9. Corps, monde et m\u00e9dias avec Gilbert Simondon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11416\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-direct-et-le-numerique-techniques-et-politiques-des-medias-decentralises\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1500\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover.jpg 1000w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-direct-et-le-numerique-techniques-et-politiques-des-medias-decentralises\/\">Le \u00ab Direct \u00bb et le num\u00e9rique. Techniques et politiques des m\u00e9dias d\u00e9centralis\u00e9s<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10731\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/08\/TURQUETY_Techniques_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/\">Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8540\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/des-avant-dernieres-machines-cinema-techniques-histoire\/\"><img loading=\"lazy\" decoding=\"async\" width=\"815\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0.jpg 815w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0-435x640.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0-768x1131.jpg 768w\" sizes=\"auto, (max-width: 815px) 100vw, 815px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/des-avant-dernieres-machines-cinema-techniques-histoire\/\">Des avant-derni\u00e8res machines. Cin\u00e9ma, techniques, histoire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7295\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/daniele-huillet-jean-marie-straub-objectivists-in-cinema\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/daniele-huillet-jean-marie-straub-objectivists-in-cinema\/\">Dani\u00e8le Huillet, Jean-Marie Straub: \u00ab\u00a0Objectivists\u00a0\u00bb in Cinema<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7107\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/medium-format-configuration-the-displacements-of-film\/\"><img loading=\"lazy\" decoding=\"async\" width=\"856\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover.jpg 856w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover-435x610.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover-768x1077.jpg 768w\" sizes=\"auto, (max-width: 856px) 100vw, 856px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/medium-format-configuration-the-displacements-of-film\/\">Medium, Format, Configuration: The Displacements of Film<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6622\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/inventing-cinema-machines-gestures-and-media-history\/\"><img loading=\"lazy\" decoding=\"async\" width=\"933\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover.jpg 933w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover-435x559.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover-768x988.jpg 768w\" sizes=\"auto, (max-width: 933px) 100vw, 933px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/inventing-cinema-machines-gestures-and-media-history\/\">Inventing Cinema: Machines, Gestures and Media History<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6214\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/des-je-prononce-yeux-apres-des-je\/\"><img loading=\"lazy\" decoding=\"async\" width=\"821\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv.jpg 821w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv-435x636.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv-768x1123.jpg 768w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/des-je-prononce-yeux-apres-des-je\/\">Des je (prononc\u00e9 yeux) \/ Apr\u00e8s des je<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5673\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lamateur-en-cinema-un-autre-paradigme\/\"><img loading=\"lazy\" decoding=\"async\" width=\"759\" height=\"1000\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/TURQUETY_Amateur_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/TURQUETY_Amateur_couv.jpg 759w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/TURQUETY_Amateur_couv-435x573.jpg 435w\" sizes=\"auto, (max-width: 759px) 100vw, 759px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lamateur-en-cinema-un-autre-paradigme\/\">L&rsquo;amateur en cin\u00e9ma. Un autre paradigme<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;imaginaire technique du cin\u00e9ma<\/p>\n","protected":false},"author":719,"featured_media":10737,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[3058,1647,1374,59,678,2510,3106,1233,1393],"class_list":{"0":"post-10731","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-3058","9":"tag-benoit-turquety","10":"tag-centre-detudes-cinematographiques-cec","11":"tag-cinema","12":"tag-laurent-le-forestier","13":"tag-machines","14":"tag-newsletter-30","15":"tag-section-dhistoire-et-esthetique-du-cinema","16":"tag-techniques"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=10731"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10731\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/10737"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=10731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=10731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=10731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}