{"id":10582,"date":"2021-06-28T10:05:30","date_gmt":"2021-06-28T08:05:30","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=10582"},"modified":"2024-05-24T16:27:33","modified_gmt":"2024-05-24T14:27:33","slug":"ephemeral-spectacles-exhibition-spaces-and-museums-1750-1918","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/ephemeral-spectacles-exhibition-spaces-and-museums-1750-1918\/","title":{"rendered":"Ephemeral Spectacles, Exhibition Spaces and Museums 1750-1918"},"content":{"rendered":"\n

Quels dispositifs pour les expositions \u00e9ph\u00e9m\u00e8res entre 1750 et 1918?<\/strong><\/p>\n\n\n\n\n\n\n\n

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L\u2019examen des expositions \u00e9ph\u00e9m\u00e8res entre 1750 et 1918 d\u00e9montre qu\u2019elles fonctionnaient comme des microcosmes dans lesquels la r\u00e9alit\u00e9 \u00e9tait montr\u00e9e, simul\u00e9e, mise en sc\u00e8ne, imagin\u00e9e, v\u00e9cue et connue et qu\u2019elles rev\u00eataient ainsi une dimension de spectacle.<\/p>\n\n\n\n

\u00c9dit\u00e9 par Dominique Bauer et Camilla Murgia (Section d\u2019histoire de l\u2019art<\/a>), cet ouvrage s\u2019attache \u00e0 examiner un large \u00e9ventail de dispositifs d\u2019exposition qui rev\u00eatent un caract\u00e8re \u00e9ph\u00e9m\u00e8re par la pr\u00e9carit\u00e9 de leur structure, mais \u00e9galement leur capacit\u00e9 \u00e0 s\u2019adapter \u00e0 l\u2019espace dans lequel ils se d\u00e9veloppent. Les cabinets de curiosit\u00e9s, les mus\u00e9es portatifs, les jardins de spectacle, les cosmoramas et un certain nombre d\u2019espaces d\u2019exposition alternatifs et non conventionnels sont examin\u00e9s en d\u00e9tail.<\/p>\n\n\n\n

Ce volume prolonge la th\u00e9matique des expositions \u00e9ph\u00e9m\u00e8res abord\u00e9e dans un premier volume (The Home, Nations and Empires, and Ephemeral Exhibition Spaces 1750-1918<\/a><\/em>) paru simultan\u00e9ment et consacr\u00e9 aux espaces investis par ce type d\u2019installation.<\/p>\n\n\n\n

Dominique Bauer, Camilla Murgia (eds), Ephemeral Spectacles, Exhibition Spaces and Museums 1750-1918<\/a><\/em>, Amsterdam, Amsterdam University Press, 2021.<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n

Camilla Murgia<\/strong><\/p>\n\n\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Staging and the Arts in Nineteenth-Century France: Appearing, Revealing, Disappearing<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

The Home, Nations and Empires, and Ephemeral Exhibition Spaces 1750-1918<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Ephemeral Spectacles, Exhibition Spaces and Museums 1750-1918<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Quels dispositifs pour les expositions \u00e9ph\u00e9m\u00e8res entre 1750 et 1918?<\/p>\n","protected":false},"author":719,"featured_media":10574,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[3057,3085,1222,3086,712,842,3089,1214],"class_list":{"0":"post-10582","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-3057","10":"tag-camilla-murgia","11":"tag-centre-detudes-theatrales-cet","12":"tag-ephemere","13":"tag-espace","14":"tag-exposition","15":"tag-newsletter-29","16":"tag-section-dhistoire-de-lart"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=10582"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10582\/revisions"}],"predecessor-version":[{"id":12987,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10582\/revisions\/12987"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/10574"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=10582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=10582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=10582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}