{"id":10283,"date":"2021-03-24T08:57:49","date_gmt":"2021-03-24T07:57:49","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=10283"},"modified":"2021-05-25T09:41:24","modified_gmt":"2021-05-25T07:41:24","slug":"gaspare-ambrogio-visconti-e-la-milano-di-fine-quattrocento-politica-arti-e-lettere","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/gaspare-ambrogio-visconti-e-la-milano-di-fine-quattrocento-politica-arti-e-lettere\/","title":{"rendered":"Gaspare Ambrogio Visconti e la Milano di fine Quattrocento. Politica, arti e lettere"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"> <strong>Profil d&rsquo;un po\u00e8te aristocrate, ami des artistes, et de sa ville, Milan.<\/strong><!--more--><\/p>\n<p>\u00c0 la fin du XVe si\u00e8cle, la Milan des Sforza conna\u00eet un d\u00e9veloppement artistique et culturel incroyable et devient, en peu de temps, l&rsquo;un des principaux centres de la Renaissance italienne. Ce tournant s\u2019op\u00e8re gr\u00e2ce \u00e0 une \u00e9lite urbaine riche et curieuse au sein de laquelle Gaspare Ambrogio Visconti joue un r\u00f4le de premier plan.<\/p>\n<p>Aristocrate appartenant \u00e0 la plus ancienne g\u00e9n\u00e9ration de Lombards, m\u00e9c\u00e8ne raffin\u00e9 qui accueillait chez lui des musiciens, des hommes de lettres et des artistes, po\u00e8te en langue vernaculaire capable de s&rsquo;engager dans tous les principaux genres litt\u00e9raires en vogue, la figure de Visconti est soumise dans cet ouvrage \u00e0 une approche qui associe le regard de l\u2019historien tant \u00e0 celui de l\u2019historien de l\u2019art qu\u2019\u00e0 celui de l\u2019historien de la litt\u00e9rature.<\/p>\n<p>Les \u00e9tudes r\u00e9unies par Simone Albonico et Simone Moro (tous deux de la <a href=\"https:\/\/www.unil.ch\/ital\/home.html\" target=\"_blank\" rel=\"noopener\">Section d\u2019italien<\/a>) proposent ainsi une vision innovante non seulement du po\u00e8te, mais aussi du contexte politique, social et culturel milanais qui, pendant ces ann\u00e9es, abrite des personnalit\u00e9s telles que Bramante ou L\u00e9onard de Vinci.<\/p>\n<p>Simone Albonico, Simone Moro (a cura di), <a href=\"https:\/\/www.viella.it\/libro\/9788833131320\" target=\"_blank\" rel=\"noopener\"><em>Gaspare Ambrogio Visconti e la Milano di fine Quattrocento. Politica, arti e lettere<\/em><\/a>, Roma, Viella, 2020.<\/p>\n<p>&nbsp;<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-10286\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover.jpg\" alt=\"\" width=\"300\" height=\"419\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover.jpg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover-435x607.jpg 435w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>PROJET DE RECHERCHE ASSOCI\u00c9<\/strong><\/h6>\n<ul>\n<li><a href=\"https:\/\/p3.snf.ch\/project-159171\" target=\"_blank\" rel=\"noopener\">Gaspare Ambrogio Visconti : poeta aristocratico. Profilo storico-letterario ed edizione critica e commentata dei <em>Rithimi<\/em> (1493)<\/a><\/li>\n<\/ul>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><strong><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=1056450&amp;LanCode=37\" target=\"_blank\" rel=\"noopener\">Simone Albonico<\/a><\/strong><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-13135\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover.jpeg 818w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-435x638.jpeg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2024\/07\/STANGA_2024_Commedia-dantesca_cover-768x1127.jpeg 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/progetto-e-struttura-della-commedia-dantesca\/\">Progetto e struttura della Commedia dantesca<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11282\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\"><img loading=\"lazy\" decoding=\"async\" width=\"906\" height=\"1280\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1.jpg 906w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-435x615.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/02\/STANGA_2021_Rimari_cover-1-768x1085.jpg 768w\" sizes=\"auto, (max-width: 906px) 100vw, 906px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-divina-commedia-rimari-rimario-alfabetico-rimario-strutturale\/\">La Divina Commedia \u2013 Rimari. Rimario alfabetico. Rimario strutturale<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10283\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/gaspare-ambrogio-visconti-e-la-milano-di-fine-quattrocento-politica-arti-e-lettere\/\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"837\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover.jpg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/03\/ALBONICO_MORO_Visconti_cover-435x607.jpg 435w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/gaspare-ambrogio-visconti-e-la-milano-di-fine-quattrocento-politica-arti-e-lettere\/\">Gaspare Ambrogio Visconti e la Milano di fine Quattrocento. Politica, arti e lettere<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5023\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/misure-del-testo-metodi-problemi-e-frontiere-della-metrica-italiana\/\"><img loading=\"lazy\" decoding=\"async\" width=\"908\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final.jpg 908w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final-435x575.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/01\/JURI_ALBONICO_Quaderni_couv_final-768x1015.jpg 768w\" sizes=\"auto, (max-width: 908px) 100vw, 908px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/misure-del-testo-metodi-problemi-e-frontiere-della-metrica-italiana\/\">Misure del testo. Metodi, problemi e frontiere della metrica italiana<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-2543\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/santi-santita-e-agiografie-nellitalia-settentrionale-percorsi-letterari-e-storico-artistici-tra-medioevo-e-eta-moderna\/\"><img loading=\"lazy\" decoding=\"async\" width=\"830\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1.jpg 830w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-435x629.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-208x300.jpg 208w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-768x1110.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/02\/CoverSanti_1-708x1024.jpg 708w\" sizes=\"auto, (max-width: 830px) 100vw, 830px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/santi-santita-e-agiografie-nellitalia-settentrionale-percorsi-letterari-e-storico-artistici-tra-medioevo-e-eta-moderna\/\">Santi, santit\u00e0 e agiografie nell\u2019Italia settentrionale. Percorsi letterari e storico-artistici tra Medioevo e et\u00e0 moderna<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10156\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/courts-and-courtly-cultures-in-early-modern-italy-and-europe-models-and-languages\/\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"846\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/98babdca7d6327f9778f0acccee4291d_w600_h_mw_mh_cs_cx_cy.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/98babdca7d6327f9778f0acccee4291d_w600_h_mw_mh_cs_cx_cy.jpg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/98babdca7d6327f9778f0acccee4291d_w600_h_mw_mh_cs_cx_cy-435x613.jpg 435w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/courts-and-courtly-cultures-in-early-modern-italy-and-europe-models-and-languages\/\">Courts and Courtly Cultures in Early Modern Italy and Europe. Models and Languages<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6235\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lautore-e-il-suo-archivio\/\"><img loading=\"lazy\" decoding=\"async\" width=\"519\" height=\"827\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/autore_suo_archivio-cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/autore_suo_archivio-cover.png 519w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/autore_suo_archivio-cover-435x693.png 435w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lautore-e-il-suo-archivio\/\">L&rsquo;autore e il suo archivio<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8954\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/marco-praloran-1955-2011-lo-stile-di-uno-studioso-atti-del-convegno-universita-di-losanna-8-9-settembre-2012\/\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"705\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3446.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3446.jpg 500w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/3446-435x613.jpg 435w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/marco-praloran-1955-2011-lo-stile-di-uno-studioso-atti-del-convegno-universita-di-losanna-8-9-settembre-2012\/\">Marco Praloran 1955-2011. Lo stile di uno studioso. Atti del convegno, Universit\u00e0 di Losanna, 8-9 settembre 2012<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Profil d&rsquo;un po\u00e8te aristocrate, ami des artistes, et de sa ville, Milan.<\/p>\n","protected":false},"author":719,"featured_media":10286,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3,4],"tags":[3058,10,640,8,694,3032,1240,708,463,3022,404],"class_list":{"0":"post-10283","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"category-sciences-historiques","10":"tag-3058","11":"tag-histoire","12":"tag-histoire-de-lart","13":"tag-litterature","14":"tag-milan","15":"tag-newsletter-26","16":"tag-section-ditalien","17":"tag-simone-albonico","18":"tag-simone-moro","19":"tag-visconti-sforza","20":"tag-xve-siecle"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=10283"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10283\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/10286"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=10283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=10283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=10283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}