{"id":10269,"date":"2021-03-22T09:42:31","date_gmt":"2021-03-22T08:42:31","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=10269"},"modified":"2024-05-24T16:27:53","modified_gmt":"2024-05-24T14:27:53","slug":"pierre-corneille-trois-discours-sur-le-poeme-dramatique","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/pierre-corneille-trois-discours-sur-le-poeme-dramatique\/","title":{"rendered":"Pierre Corneille, Trois discours sur le po\u00e8me dramatique"},"content":{"rendered":"
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\u00c9dition critique de la \u00ab Po\u00e9tique \u00bb du dramaturge fran\u00e7ais.<\/strong><\/p>\n

En 1660, Corneille donnait une \u00e9dition en trois volumes de son Th\u00e9\u00e2tre complet<\/em>, qui faisait de son \u0153uvre un monument. D\u00e8s lors, faut-il lire les Trois Discours sur le po\u00e8me dramatique<\/em>, qui ouvrent chacun des volumes, comme une mani\u00e8re de testament po\u00e9tique d\u00e9livr\u00e9 par un dramaturge vieillissant, qui quitterait ainsi la sc\u00e8ne en prenant cong\u00e9 de son public ?<\/p>\n

Loin de n\u2019offrir qu\u2019un commentaire de ses pi\u00e8ces, Corneille entendait proposer non seulement une po\u00e9tique \u00e0 l\u2019usage des dramaturges de son temps, mais encore renouveler le geste inaugural de la th\u00e9orie litt\u00e9raire.<\/p>\n

Lisons donc ces Discours<\/em> comme s\u2019il s\u2019agissait de la Po\u00e9tique<\/em> d\u2019Aristote, r\u00e9dig\u00e9e par Sophocle et donn\u00e9e par lui en pr\u00e9face d\u2019\u0152dipe Roi<\/em>.<\/p>\n

Cette \u00e9dition revue et corrig\u00e9e de Marc Escola (Section de fran\u00e7ais<\/a>) et B\u00e9n\u00e9dicte Louvat contient un dossier qui d\u00e9veloppe trois th\u00e9matiques : 1. Les fondements de la doctrine classique ; 2. La fabrique du po\u00e8me dramatique ; 3. Plaire et instruire : rh\u00e9torique dramatique.<\/p>\n

Pierre Corneille, Trois Discours sur le po\u00e8me dramatique<\/em><\/a>, \u00e9dition revue et corrig\u00e9e de Marc Escola et B\u00e9n\u00e9dicte Louvat, Paris, GF-Flammarion, 2021 (premi\u00e8re \u00e9dition 1999).<\/p>\n<\/div><\/div>\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marc Escola<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pierre Corneille, Le Menteur (1644)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Cin\u00e9ma des Lumi\u00e8res. Diderot, Deleuze, Eisenstein<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Osez (re)lire Moli\u00e8re<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Critique et cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Misanthrope corrig\u00e9. Critique et cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pierre Corneille, Trois discours sur le po\u00e8me dramatique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

D\u00e9battre d’une fiction<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Avec Denis Gu\u00e9noun. Hypoth\u00e8ses sur la politique, le th\u00e9\u00e2tre, l’Europe, la philosophie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Nouvelles recherches sur le th\u00e9\u00e2tre classique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les fins interm\u00e9diaires dans les fictions narratives des XVIIe et XVIIIe si\u00e8cles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La classe de composition. Autour de \u00ab\u00a0Composition\u00a0\u00bb de Michel Charles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Penser par notions<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pierre Corneille, Horace<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Jean Racine, Iphig\u00e9nie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pierre Corneille, La Place royale<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Pascal, Pens\u00e9es<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pascal, Pens\u00e9es sur la justice; Trois Discours sur la condition des Grands<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c9dition critique de la \u00ab Po\u00e9tique \u00bb du dramaturge fran\u00e7ais.<\/p>\n","protected":false},"author":719,"featured_media":10271,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3057,1222,1250,1444,1433,3032,535,1212,151,1466],"class_list":{"0":"post-10269","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3057","9":"tag-centre-detudes-theatrales-cet","10":"tag-centre-des-sciences-historiques-de-la-culture","11":"tag-centre-interdisciplinaire-detude-des-litteratures","12":"tag-marc-escola","13":"tag-newsletter-26","14":"tag-poetique","15":"tag-section-de-francais","16":"tag-theatre","17":"tag-theorie-litteraire"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=10269"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10269\/revisions"}],"predecessor-version":[{"id":12989,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10269\/revisions\/12989"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/10271"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=10269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=10269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=10269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}