{"id":10146,"date":"2021-02-23T06:40:33","date_gmt":"2021-02-23T05:40:33","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=10146"},"modified":"2021-02-17T11:56:45","modified_gmt":"2021-02-17T10:56:45","slug":"photolitterature-2","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/photolitterature-2\/","title":{"rendered":"Photolitt\u00e9rature"},"content":{"rendered":"
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Dialogues entre deux modes d’expression.<\/strong><\/p>\n
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La notion de \u201cphotolitt\u00e9rature\u201d d\u00e9signe des \u0153uvres diverses, qui ont pour point commun d\u2019explorer le dialogue entre la photographie et la litt\u00e9rature. La possibilit\u00e9 de points de contact \u2013 ou de rupture \u2013 entre ces deux m\u00e9dias a passionn\u00e9 les \u00e9crivain\u00b7e\u00b7s depuis la premi\u00e8re partie du XIXe si\u00e8cle.<\/p>\n

Ce num\u00e9ro d’Archipel <\/em>fait se rencontrer textes de fiction et commentaires critiques empruntant \u00e0 cette notion riche, pour explorer les diff\u00e9rents points de croisement de ces deux arts a priori distincts: mise en sc\u00e8ne de personnages de photographes, utilisation de clich\u00e9s dans une logique d’enqu\u00eate, ou encore r\u00e9flexion th\u00e9orique sur la nature de l’image reproduite.<\/p>\n

Publi\u00e9 avec le soutien de la Section de fran\u00e7ais<\/a> de la Facult\u00e9 des lettres, il rassemble quatorze textes in\u00e9dits, provenant notamment de professeures de l\u2019Universit\u00e9 de Lausanne, telles que Marta Caraion et Dominique Kunz Westerhoff, mais \u00e9galement des participant\u00b7e\u00b7s de l’atelier d’\u00e9criture cr\u00e9ative anim\u00e9 par Anne-Lise Delacr\u00e9taz (\u00c9cole de fran\u00e7ais langue \u00e9trang\u00e8re<\/a>).<\/p>\n<\/div>\n

Archipel – Revue litt\u00e9raire romande, n\u00b0 42, Photolitt\u00e9rature<\/em><\/a>, Lausanne, Archipel, 2020.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marta Caraion<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9crire les choses. Litt\u00e9rature et culture mat\u00e9rielle, 1830-2020<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

G\u00e9ographie des t\u00e9n\u00e8bres. Bucarest \u2212 Transnistrie \u2212 Odessa, 1941-1981<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Figures du travail<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Photolitt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Comment la litt\u00e9rature pense les objets. Th\u00e9orie litt\u00e9raire de la culture mat\u00e9rielle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Litt\u00e9rature, image, p\u00e9riodicit\u00e9 (XVIIe-XIXe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Penser par notions<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le rire : formes et fonctions du comique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Photolitt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Usages de l’objet. Litt\u00e9rature, histoire, arts et techniques. XIXe-XXe si\u00e8cles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le d\u00e9tail et l\u2019indice : entre litt\u00e9rature, histoire de l\u2019art et \u00e9pist\u00e9mologie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00abLes Philosophes de la vapeur et des allumettes chimiques\u00bb : litt\u00e9rature, sciences et industrie en 1855<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Objets en libert\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

Anne-Lise Delacr\u00e9taz<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Henri Roorda, \u00abD\u00e9bourrer les cr\u00e2nes\u00bb. \u00c9crits pacifistes (1915-1924)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Henri Roorda. Envers, en prose et contre tout<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"bldd<\/a>\n\t\t\t\t\t\t\t\t

Henri Roorda, \u00abR\u00e9citer moins, r\u00e9sister mieux\u00bb. \u00c9crits p\u00e9dagogiques<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Catherine Colomb, Les Esprits de la terre<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Photolitt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Catherine Colomb. En plein et lointain avenir<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

Dominique Kunz Westerhoff<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les livres d’artistes d’Edwin Engelberts. Un \u00e9diteur d’art, ses peintres et ses po\u00e8tes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Photolitt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9dith Boissonnas. L’\u00e9criture \u00e0 l’\u00e9tat brut<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Narrations visuelles, visions narratives<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Neige, blanc, papier: po\u00e9sie et arts visuels \u00e0 l\u2019\u00e2ge contemporain<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Dialogues entre deux modes d’expression.<\/p>\n","protected":false},"author":1002146,"featured_media":10147,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[1954,2562,46,1065,1213,8,810,3002,38,1212,52,447],"class_list":{"0":"post-10146","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-anne-lise-delacretaz","10":"tag-archipel","11":"tag-art","12":"tag-dominique-kunz-westerhoff","13":"tag-ecole-de-francais-langue-etrangere","14":"tag-litterature","15":"tag-marta-caraion","16":"tag-newsletter-25","17":"tag-photographie","18":"tag-section-de-francais","19":"tag-xixe-siecle","20":"tag-xxe-siecle"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=10146"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10146\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/10147"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=10146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=10146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=10146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}