{"id":10142,"date":"2010-02-09T14:53:25","date_gmt":"2010-02-09T13:53:25","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=10142"},"modified":"2021-02-09T15:48:05","modified_gmt":"2021-02-09T14:48:05","slug":"stimmung-mood","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/stimmung-mood\/","title":{"rendered":"Stimmung \/ Mood"},"content":{"rendered":"
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\u00ab\u00a0In the Mood\u00a0\u00bb.<\/strong><\/p>\n

R\u00e9put\u00e9 intraduisible, le mot allemand de \u00ab\u00a0Stimmung\u00a0\u00bb peut renvoyer \u00e0 une humeur ou un \u00e9tat d’\u00e2me (propre \u00e0 soi-m\u00eame), ou \u00e0 une atmosph\u00e8re, un climat, nous liant aux autres ou \u00e0 l’environnement. En esth\u00e9tique, il peut renvoyer \u00e0 des pratiques musicales, des sp\u00e9culations math\u00e9matico-cosmologiques ou encore \u00e0 des concepts psychophysiologiques.<\/p>\n

Adoptant une approche philologique, artistique et culturelle, ce num\u00e9ro \u00e9dit\u00e9 par Hans-Georg von Arburg (Section d’allemand<\/a>) traite aussi bien de l’harmonie dans le crime chez Kleist, que du changement d’humeur chez Kant, en passant par les voix muettes du cin\u00e9ma et des \u00e9changes entre peinture et musique.<\/p>\n

Hans-Georg von Arburg (Hg.), Stimmung\/Mood<\/em><\/a>, K\u00f6ln, B\u00f6hlau, 2010.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Hans-Georg von Arburg<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Physiognomisches Schreiben. Stilistik, Rhetorik und Poetik einer gestaldeutenden Kulturtechnik<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Kippfiguren \/ Figures r\u00e9versibles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Stimmung \/ Mood<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00ab\u00a0In the Mood\u00a0\u00bb.<\/p>\n","protected":false},"author":1002146,"featured_media":10143,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3,5],"tags":[46,59,947,8,343,272,217,416,1207],"class_list":{"0":"post-10142","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"category-sciences-theoriques","10":"tag-art","11":"tag-cinema","12":"tag-hans-georg-von-arburg","13":"tag-litterature","14":"tag-litterature-allemande","15":"tag-musique","16":"tag-peinture","17":"tag-philologie","18":"tag-section-dallemand"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=10142"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10142\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/10143"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=10142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=10142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=10142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}