{"id":10136,"date":"2012-02-09T14:34:51","date_gmt":"2012-02-09T13:34:51","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=10136"},"modified":"2021-02-09T14:46:15","modified_gmt":"2021-02-09T13:46:15","slug":"kippfiguren-figures-reversibles","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/kippfiguren-figures-reversibles\/","title":{"rendered":"Kippfiguren \/ Figures r\u00e9versibles"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong>Des ambigu\u00eft\u00e9s esth\u00e9tiques.<\/strong><!--more--><\/p>\n<p>Que se passe-t-il lorsqu&rsquo;une interpr\u00e9tation alternative d&rsquo;une \u0153uvre d&rsquo;art nous captive ? Par exemple, quand une seule et m\u00eame image nous montre soit un lapin, soit un canard ? Ce num\u00e9ro de la revue <em>Figurationen<\/em> postule que ce qui s&rsquo;av\u00e8re d\u00e9cisif dans de telles figures r\u00e9versibles, est en r\u00e9alit\u00e9 le \u00ab\u00a0mouvement de basculement\u00a0\u00bb vers ces perceptions ambigu\u00ebs.<\/p>\n<p>Co\u00e9dit\u00e9 par Hans-Georg von Arburg (<a href=\"https:\/\/www.unil.ch\/all\/fr\/home.html\">Section d&rsquo;allemand<\/a>), ce volume examine l&rsquo;esth\u00e9tique et la s\u00e9miotique de ce ph\u00e9nom\u00e8ne dans la peinture, la photographie, le cin\u00e9ma et la litt\u00e9rature. Les contributions combinent ainsi des perspectives d&rsquo;histoire de l&rsquo;art, d&rsquo;\u00e9tudes litt\u00e9raires, de la philosophie et de la psychologie.<\/p>\n<p>Marie Theres Stauffer, Hans-Georg von Arburg (Hg.), <a href=\"https:\/\/www.vandenhoeck-ruprecht-verlage.com\/zeitschriften-und-kapitel\/50773\/figurationen-2012-jg-13-no-2-kippfiguren\/figures-reversibles\" target=\"_blank\" rel=\"noopener\"><em>Kippfiguren\/Figures r\u00e9versibles<\/em><\/a>, K\u00f6ln, B\u00f6hlau, 2012.<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-10137\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/978-3-412-20849-3_600x600.jpg\" alt=\"\" width=\"300\" height=\"434\" \/><\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<div id=\"watch-headline-title\">\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=1027386&amp;LanCode=37\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Hans-Georg von Arburg<\/strong><\/a><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-3496\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/physiognomisches-schreiben-stilistik-rhetorik-und-poetik-einer-gestaldeutenden-kulturtechnik\/\"><img loading=\"lazy\" decoding=\"async\" width=\"803\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/Cover-von-Arburg_Physiognomisches-Schreiben.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/Cover-von-Arburg_Physiognomisches-Schreiben.jpg 803w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/Cover-von-Arburg_Physiognomisches-Schreiben-435x650.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/Cover-von-Arburg_Physiognomisches-Schreiben-201x300.jpg 201w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/Cover-von-Arburg_Physiognomisches-Schreiben-768x1148.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/05\/Cover-von-Arburg_Physiognomisches-Schreiben-685x1024.jpg 685w\" sizes=\"auto, (max-width: 803px) 100vw, 803px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/physiognomisches-schreiben-stilistik-rhetorik-und-poetik-einer-gestaldeutenden-kulturtechnik\/\">Physiognomisches Schreiben. Stilistik, Rhetorik und Poetik einer gestaldeutenden Kulturtechnik<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10136\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/kippfiguren-figures-reversibles\/\"><img loading=\"lazy\" decoding=\"async\" width=\"415\" height=\"600\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/978-3-412-20849-3_600x600.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/kippfiguren-figures-reversibles\/\">Kippfiguren \/ Figures r\u00e9versibles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10142\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/stimmung-mood\/\"><img loading=\"lazy\" decoding=\"async\" width=\"844\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/qq.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/qq.jpg 844w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/qq-435x618.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/qq-768x1092.jpg 768w\" sizes=\"auto, (max-width: 844px) 100vw, 844px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/stimmung-mood\/\">Stimmung \/ Mood<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Des ambigu\u00eft\u00e9s esth\u00e9tiques.<\/p>\n","protected":false},"author":1002146,"featured_media":10137,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3,5],"tags":[3000,59,189,431,947,640,2869,939,8,217,17,38,781,1207,2241],"class_list":{"0":"post-10136","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"category-sciences-theoriques","10":"tag-ambiguite","11":"tag-cinema","12":"tag-esthetique","13":"tag-etudes-litteraires","14":"tag-hans-georg-von-arburg","15":"tag-histoire-de-lart","16":"tag-interpretation","17":"tag-jugement-esthetique","18":"tag-litterature","19":"tag-peinture","20":"tag-philosophie","21":"tag-photographie","22":"tag-psychologie","23":"tag-section-dallemand","24":"tag-semiotique"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=10136"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/10136\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/10137"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=10136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=10136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=10136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}