{"id":6719,"date":"2020-01-14T15:23:36","date_gmt":"2020-01-14T14:23:36","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?page_id=6719"},"modified":"2026-04-30T14:45:25","modified_gmt":"2026-04-30T12:45:25","slug":"videos","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/labelettres\/videos\/","title":{"rendered":"Zoom sur\u2026"},"content":{"rendered":"\n<p>Zoom sur quelques ouvrages en vid\u00e9o:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2026<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"La politique cach\u00e9e dans les objets du quotidien\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/JsJZFdXxi_I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Guillaume Poisson (dir.), <em><a href=\"https:\/\/wp.unil.ch\/labelettres\/objets-iconophores-du-politique-au-tournant-des-lumieres\/\" target=\"_blank\" rel=\"noreferrer noopener\">Objets iconophores du politique au tournant des Lumi\u00e8res<\/a><\/em>, Gen\u00e8ve, Slatkine, coll. Annales Benjamin Constant 50, 2025.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Entre utopie et r\u00e9alit\u00e9: comment la ville r\u00eav\u00e9e influence-t-elle le paysage urbain?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/7eQryMOswXs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Panayota Badinou, Sylvian Fachard, Helder Mendes Baiao (\u00e9ds), <em><a href=\"https:\/\/shs.cairn.info\/la-ville-ideale--9782940648313?lang=fr\" target=\"_blank\" rel=\"noreferrer noopener\">La ville id\u00e9ale. Entre utopie et r\u00e9alit\u00e9<\/a><\/em>, Lausanne, BSN Press, 2025.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le quotidien des Suisses sous les ordres de Napol\u00e9on Bonaparte\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/mEGvWnnpLt0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Johan Vaucher, <em><a href=\"https:\/\/www.cabedita.ch\/home\/1035-les-suisses-de-bonaparte-9782889850266.html\" target=\"_blank\" rel=\"noreferrer noopener\">Les Suisses de Bonaparte, dans la tourmente des guerres imp\u00e9riales<\/a><\/em>, Bi\u00e8re, Cab\u00e9dita, 2025.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2025<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"F\u00e9lix Vallotton: l&#039;\u00e9crivain derri\u00e8re le peintre\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/7JAYdZLHI7s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>F\u00e9lix Vallotton, <em><a href=\"https:\/\/editionszoe.ch\/livre\/romans-et-theatre\/\" target=\"_blank\" rel=\"noreferrer noopener\">Romans et Th\u00e9\u00e2tre<\/a><\/em>, Daniel Maggetti (dir.), Gen\u00e8ve, \u00c9ditions Zo\u00e9, 2025.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Henri Roorda. Envers, en prose et contre tout\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/V3dUIHyxooI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Alain Ausoni, Anne-Lise Delacr\u00e9taz, <em><a href=\"https:\/\/www.savoirsuisse.org\/produit\/242\/9782889156757\/henri-roorda\" target=\"_blank\" rel=\"noreferrer noopener\">Henri Roorda. Envers, en prose et contre tout<\/a><\/em>, Lausanne, Presses polytechniques et universitaires romandes, coll. \u00abSavoir suisse\u00bb, 2025.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Revoir Tanner (TV\/Cin\u00e9ma). Questions d\u2019espace, rapports de genre\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/2lbJb2_4YHE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Vincent Annen, Jeanne Modoux, <em><a href=\"https:\/\/wp.unil.ch\/labelettres\/revoir-tanner-tv-cinema-questions-despace-rapports-de-genre\/\" target=\"_blank\" rel=\"noreferrer noopener\">Revoir Tanner (TV\/Cin\u00e9ma). Questions d\u2019espace, rapports de genre<\/a><\/em>, pr\u00e9face d\u2019Alain Boillat, Gollion, Infolio, 2024.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le nocturne \u00e9clair\u00e9 par la musicologie et l&#039;histoire de l&#039;art\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/DKbrO-M_4gQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Constance Frei (\u00e9d.), <em><a href=\"https:\/\/www.unil.ch\/edl\/fr\/home\/menuinst\/table-des-sommaires\/2020-2024\/325-2024-4.html\" target=\"_blank\" rel=\"noreferrer noopener\">Le nocturne. La nuit \u00e9clair\u00e9e par la musicologie et l\u2019histoire de l\u2019art<\/a><\/em>, <em>\u00c9tudes de lettres<\/em>, n\u00b0325, Lausanne, Universit\u00e9 de Lausanne, 2024.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2024<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gis\u00e8le Ansorge, figure importante de la culture romande\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/y0P7P58Y-GQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Chlo\u00e9 Hofmann,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/gisele-ansorge-la-camera-le-pinceau-et-la-plume\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/gisele-ansorge-la-camera-le-pinceau-et-la-plume\/\">Gis\u00e8le Ansorge, la cam\u00e9ra, le pinceau et la plume<\/a><\/em>, Gollion, Infolio, 2024.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"La riche histoire architecturale de l\u2019Ouest lausannois\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/sWn4EksGz8g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Dave L\u00fcthi, Gilles Prod\u2019hom (dir.),&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/louest-lausannois-patrimoine-bati\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/louest-lausannois-patrimoine-bati\/\" target=\"_blank\" rel=\"noreferrer noopener\">L\u2019Ouest lausannois \u2013 Patrimoine b\u00e2ti<\/a><\/em>, Berne, Soci\u00e9t\u00e9 d\u2019histoire de l\u2019art en Suisse, Architecture de poche 7, 2024.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Qu&#039;est-ce qu&#039;un personnage?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/iWf6fGV5HRg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Kevin Curran, Vincent Laughery, Andy Reilly, Josefa Terribilini,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/quest-ce-quun-personnage\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/quest-ce-quun-personnage\/\">Qu\u2019est-ce qu\u2019un personnage?<\/a><\/em>, Lausanne, Presses polytechniques et universitaires romandes\/\u00c9pist\u00e9m\u00e9, 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le pupitre et le scrutin\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/PsTSx5OxY5g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Nathalie Dahn-Singh,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-pupitre-et-le-scrutin-leducation-du-peuple-a-la-citoyennete-dans-les-cantons-de-vaud-et-de-fribourg-1815-1860\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/le-pupitre-et-le-scrutin-leducation-du-peuple-a-la-citoyennete-dans-les-cantons-de-vaud-et-de-fribourg-1815-1860\/\">Le pupitre et le scrutin. L\u2019\u00e9ducation du peuple \u00e0 la citoyennet\u00e9 dans les cantons de Vaud et de Fribourg (1815-1860)<\/a><\/em>, Neuch\u00e2tel, Alphil, 2023.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Antoine Meillet, un linguiste toujours \u00e0 la page\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/4MqKfb0hDKw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Robin Meyer, S\u00e9bastien Moret (\u00e9ds), <em><a href=\"https:\/\/wp.unil.ch\/labelettres\/antoine-meillet-regards-linguistiques-et-historiques-sur-sa-vie-et-son-oeuvre\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/antoine-meillet-regards-linguistiques-et-historiques-sur-sa-vie-et-son-oeuvre\/\">Antoine Meillet. Regards linguistiques et historiques sur sa vie et son \u0153uvre<\/a><\/em>, <em>\u00c9tudes de lettres<\/em>, n\u00b0322, Lausanne, Universit\u00e9 de Lausanne, 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u00c0 la red\u00e9couverte d\u2019une femme de lettres lausannoise\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/esvIsiaI3mw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Marion Curchod, <em><a href=\"https:\/\/wp.unil.ch\/labelettres\/isabelle-de-montolieu-leclat-dune-plume\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/isabelle-de-montolieu-leclat-dune-plume\/\" target=\"_blank\" rel=\"noreferrer noopener\">Isabelle de Montolieu. L\u2019\u00e9clat d\u2019une plume<\/a><\/em>, Gollion, Infolio, 2023.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2023<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Un tableau document\u00e9 et choral du fran\u00e7ais dans ses diversit\u00e9s\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/DkeBUM2SrfM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>St\u00e9phanie Pahud, Pascal Singy,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/pas-de-langue-de-bois-nouvelles-orthographes-neologismes-parlers-identitaires-le-francais-dans-tous-ses-etats-et-debats\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/pas-de-langue-de-bois-nouvelles-orthographes-neologismes-parlers-identitaires-le-francais-dans-tous-ses-etats-et-debats\/\">Pas de langue de bois! Nouvelles orthographes, n\u00e9ologismes, parlers identitaires\u2026 Le fran\u00e7ais dans tous ses \u00e9tats et d\u00e9bats<\/a><\/em>, Lausanne, Favre, 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"L&#039;architecture suisse est allemande!\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/C3pvqRVi3ic?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Dave L\u00fcthi,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/cousins-germains-les-architectes-suisses-formes-en-allemagne-1800-1920\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/cousins-germains-les-architectes-suisses-formes-en-allemagne-1800-1920\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cousins germains. Les architectes suisses form\u00e9s en Allemagne 1800-1920<\/a><\/em>, Lausanne, EPFL PRESS, 2023.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Quelle dimension culturelle pour le jeu vid\u00e9o aujourd\u2019hui?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/1C8icx30qG8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Selim Krichane, Isaac Pante, Yannick Rochat (\u00e9ds),&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/penser-avec-la-culture-videoludique-discours-pratiques-pedagogie\/\" target=\"_blank\" rel=\"noreferrer noopener\">Penser (avec) la culture vid\u00e9oludique. Discours, pratiques, p\u00e9dagogie<\/a><\/em>, Li\u00e8ge, Presses universitaires de Li\u00e8ge, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"L\u2019\u00e9criture ou le devenir technologique du langage\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/JEU5uM1U-yM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Jean-Louis Lebrave, Rudolf Mahrer (\u00e9ds),&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/machines-a-ecrire\/\" target=\"_blank\" rel=\"noreferrer noopener\">Machines \u00e0 \u00e9crire<\/a><\/em>,&nbsp;<em>Genesis (Manuscrits-Recherche-Invention)<\/em>&nbsp;55, Paris, Presses universitaires de la Sorbonne, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Quand la t\u00e9l\u00e9vision \u00e9tait un nouveau m\u00e9dia\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/b0Tz1QVHLIE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Anne-Katrin Weber,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/television-before-tv-new-media-and-exhibition-culture-in-europe-and-the-usa-1928-1939\/\" target=\"_blank\" rel=\"noreferrer noopener\">Television before TV. New Media and Exhibition Culture in Europe and the USA, 1928-1939<\/a><\/em>, Amsterdam, Amsterdam University Press, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Un manuel de hindi pour un apprentissage complet et novateur de la langue\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/aFxAWyZdNgE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Nicola Pozza,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-hindi-comme-en-inde-niveau-debutant\/\" target=\"_blank\" rel=\"noreferrer noopener\">Le hindi\u2026 comme en Inde. Niveau d\u00e9butant<\/a><\/em>, Rennes, Presses Universitaires de Rennes, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Au son de la lyre multim\u00e9dia\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/IpVheRoMTC4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Antonio Rodriguez, Kirsten Stirling (\u00e9ds),&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/lyre-multimedia-nouveaux-objets-pour-la-critique-de-la-poesie\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lyre multim\u00e9dia. Nouveaux objets pour la critique de la po\u00e9sie<\/a><\/em>,&nbsp;<em>\u00c9tudes de lettres<\/em>, n\u00b0319, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2022<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Premi\u00e8re \u00e9dition d&#039;un manuscrit oubli\u00e9 de la vie de sainte Catherine d&#039;Alexandrie\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/7IW0Uttlkko?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Tanguy Donnet (\u00e9d.),&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/katharina-von-alexandrien-verslegende-viii-nach-dem-codex-donaueschingen-116-der-badischen-landesbibliothek-in-karlsruhe\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/katharina-von-alexandrien-verslegende-viii-nach-dem-codex-donaueschingen-116-der-badischen-landesbibliothek-in-karlsruhe\/\" target=\"_blank\" rel=\"noreferrer noopener\">Katharina von Alexandrien. Verslegende VIII. Nach dem Codex Donaueschingen 116 der Badischen Landesbibliothek in Karlsruhe<\/a><\/em>, Berlin\/Boston, De Gruyter, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Comment am\u00e9liorer les \u0153uvres r\u00e9ussies ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/FcTyRowzMN4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Marc Escola,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-misanthrope-corrige-critique-et-creation\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/le-misanthrope-corrige-critique-et-creation\/\" target=\"_blank\" rel=\"noreferrer noopener\">Le Misanthrope corrig\u00e9. Critique et cr\u00e9ation<\/a><\/em>, Paris, Hermann, coll. \u00ab&nbsp;Fictions pensantes&nbsp;\u00bb, 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Peut-on enseigner la bande dessin\u00e9e comme on enseigne la litt\u00e9rature?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/FpUUz_1nTLI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Rapha\u00ebl Baroni, Gaspard Turin (\u00e9ds), <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/enseigner-la-bande-dessinee-comme-de-la-litterature\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/enseigner-la-bande-dessinee-comme-de-la-litterature\/\" target=\"_blank\">Enseigner la bande dessin\u00e9e comme (de la) litt\u00e9rature<\/a><\/em>, <em>Transpositio<\/em>, n\u00b0 4, Universit\u00e9 de Gen\u00e8ve, 2021.<br><br>Rapha\u00ebl Baroni, Alain Boillat, Danielle Chaperon, Alain Corbellari, Philippe Kaenel (\u00e9ds), <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-long-voyage-de-lena-regards-croises-sur-une-bande-dessinee\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/le-long-voyage-de-lena-regards-croises-sur-une-bande-dessinee\/\" target=\"_blank\">\u00ab Le Long Voyage de L\u00e9na \u00bb : regards crois\u00e9s sur une bande dessin\u00e9e<\/a><\/em>, <em>Transpositio<\/em>, n\u00b05, Universit\u00e9 de Gen\u00e8ve, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Philosophie de la culture: tentative de d\u00e9finition et proposition de corpus\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/YzXn0Q7Iix8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Matthieu Amat, Carole Maign\u00e9 (dir.), <em><a href=\"https:\/\/wp.unil.ch\/labelettres\/philosophie-de-la-culture\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/philosophie-de-la-culture\/\" target=\"_blank\" rel=\"noreferrer noopener\">Philosophie de la culture. Formes de vie, valeurs, symboles<\/a>,<\/em> Paris, Vrin, 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"L\u2019\u00e9ducation domestique au XVIIIe si\u00e8cle au prisme des \u00e9crits de ses acteurs\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/erKu8yY21sQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Sylvie Moret Petrini,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/lenfance-sous-la-plume-la-diffusion-de-lecriture-educative-en-suisse-romande-1750-1820\/\" target=\"_blank\">L\u2019enfance sous la plume. La diffusion de l\u2019\u00e9criture \u00e9ducative en Suisse romande, 1750-1820<\/a><\/em>, Rennes, Presses universitaires de Rennes, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Benjamin Constant: \u00ab\u00a0Libert\u00e9 en tout \u00bb\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/uhYJ9bts6do?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>L\u00e9onard Burnand,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/benjamin-constant\/\" target=\"_blank\">Benjamin Constant<\/a><\/em>, Paris, Perrin, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cingria en kal\u00e9idoscope\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/3hM8O2iNkjU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/lextincteur-et-lincendiaire\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/lextincteur-et-lincendiaire\/\" target=\"_blank\">Cingria. L\u2019Extincteur et l\u2019Incendiaire<\/a><\/em>, album con\u00e7u par Oc\u00e9ane Guillemin, avec la collaboration d\u2019Alice Bottarelli, sous la direction de Daniel Maggetti, Gen\u00e8ve, \u00c9ditions la Baconni\u00e8re, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Blaise Cendrars \u00ab en fanfare\u00a0\u00bb\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/VrvxIs_Te0M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Christine Le Quellec Cottier, Claude Leroy (\u00e9ds), <a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/constellation-cendrars-n5\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/constellation-cendrars-n5\/\" target=\"_blank\"><em>Constellation Cendrars<\/em> 5<\/a>, revue des associations CEBC et AIBC,&nbsp;Paris, Garnier, 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Du papier peint \u00e0 la petite cuill\u00e8re en argent, le riche patrimoine du Domaine de La Doges\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/Zgl4dUqEwCg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>B\u00e9atrice Lovis (dir.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-domaine-de-la-doges-au-temps-des-palezieux-dit-falconnet-deux-siecles-dhistoire-1821-2021\/\" target=\"_blank\">Le Domaine de La Doges. Au temps des Pal\u00e9zieux dit<\/a><\/em> <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-domaine-de-la-doges-au-temps-des-palezieux-dit-falconnet-deux-siecles-dhistoire-1821-2021\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/le-domaine-de-la-doges-au-temps-des-palezieux-dit-falconnet-deux-siecles-dhistoire-1821-2021\/\" target=\"_blank\">Falconnet, deux si\u00e8cles d\u2019histoire 1821-2021<\/a><\/em>, Gen\u00e8ve, \u00c9ditions Slatkine, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2021<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Plurilinguisme et m\u00e9lange linguistique de la culture europ\u00e9enne\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/c_vfF5Hq-Ok?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Lorenzo Tomasin, <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/europa-romanza-sette-storie-linguistiche\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/europa-romanza-sette-storie-linguistiche\/\" target=\"_blank\">Europa romanza. Sette storie linguistiche<\/a><\/em>, Torino, Einaudi, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Retour sur l&#039;essor de la vie th\u00e9\u00e2trale romande\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/UMnfRnBaslM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>B\u00e9atrice Lovis, Olivier Robert (\u00e9ds),&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/theatre-et-societe-en-suisse-romande-de-la-fin-de-lancien-regime-a-lentre-deux-guerres-pratiques-et-enjeux-socioculturels\/\" target=\"_blank\"><em>Th\u00e9\u00e2tre et soci\u00e9t\u00e9 en Suisse romande de la fin de l\u2019Ancien R\u00e9gime \u00e0 l\u2019entre-deux-guerres. Pratiques et enjeux socioculturels<\/em><\/a>,&nbsp;<em>\u00c9tudes de lettres<\/em>, n\u00b0315, 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pourquoi la guerre para\u00eet-elle si s\u00e9duisante dans la culture populaire am\u00e9ricaine ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/l-gY00R6HgI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Agnieszka Soltysik Monnet,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/combat-death-in-contemporary-american-culture-popular-conceptions-of-war-since-wwii\/\" target=\"_blank\">Combat Death in Contemporary American<\/a><\/em> <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/combat-death-in-contemporary-american-culture-popular-conceptions-of-war-since-wwii\/\" target=\"_blank\">Culture: Popular Conceptions of War since WWII<\/a><\/em>, Lanham, Lexington Books, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Portrait d&#039;un humaniste \u00e0 la crois\u00e9e de la science et de l&#039;art\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/BAgDyQIEkf8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Gilles Monney, Camille Noverraz, Vincent Barras,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/pierre-decker-medecin-et-collectionneur\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/pierre-decker-medecin-et-collectionneur\/\" target=\"_blank\">Pierre Decker, m\u00e9decin et collectionneur,<\/a><\/em> BHMS Editions, Lausanne, 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Des lectures in\u00e9dites de nos paysages\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/_NV2japHGas?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Florence Gaillard, Daniel Maggetti, St\u00e9phane P\u00e9termann,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/lignes-de-cretes-promenades-litteraires-en-montagne\/\" target=\"_blank\">Lignes de cr\u00eates. Promenades litt\u00e9raires en montagne<\/a><\/em>, textes g\u00e9omorphologiques de Jonathan Bussard et Emmanuel Reynard, photographies d\u2019Olga Cafiero, Lausanne, Noir sur Blanc, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Je est un monstre\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/I6wjmalsGS4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Marc Atallah (dir.), <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-parade-monstrueuse-la-naissance-des-monstres-modernes\/\" target=\"_blank\">La Parade monstrueuse. La naissance des monstres modernes<\/a><\/em>, Paris, Cernunnos\/Dargaud, 2020.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Une pens\u00e9e litt\u00e9raire de la culture mat\u00e9rielle\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/uqmc65Devn4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Marta Caraion,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/comment-la-litterature-pense-les-objets-theorie-litteraire-de-la-culture-materielle\/\" target=\"_blank\">Comment la litt\u00e9rature pense les objets. Th\u00e9orie litt\u00e9raire de la culture mat\u00e9rielle<\/a><\/em>, Ceyz\u00e9rieu, Champ Vallon, Collection \u00abD\u00e9tours\u00bb, 2020.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2020<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le Christ au miroir de la photographie contemporaine\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/-uKo7-VWRx0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Nathalie Dietschy,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/the-figure-of-christ-in-contemporary-photography\/\" target=\"_blank\">The Figure of Christ in Contemporary Photography<\/a><\/em>, London, Reaktion Books, 2020.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"L&#039;essor du m\u00e9tier d&#039;iconographe\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/H5kpPyXwR2o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Olivier Lugon,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/nicolas-bouvier-iconographe\" target=\"_blank\">Nicolas Bouvier iconographe<\/a><\/em>, Gen\u00e8ve, Biblioth\u00e8que de Gen\u00e8ve\/Gollion, Infolio, 2020.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"1980: seuil du monde contemporain ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/yCNwH4jRgRE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>J\u00e9r\u00f4me Meizoz, Gilles Philippe (\u00e9ds),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/1980-lan-zero-du-monde-contemporain\/\" target=\"_blank\">1980: L\u2019an z\u00e9ro du monde contemporain ?<\/a><\/em>,&nbsp;<em>\u00c9tudes de lettres<\/em>, n\u00b0312, 1\/2020.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tre\u0301sors du royaume du Bosphore Cimme\u0301rien\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/Na9UzEpGquc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Pascal Burgunder (\u00e9d.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/etudes-bosporanes-sur-un-royaume-aux-confins-du-monde-greco-romain\/\" target=\"_blank\">\u00c9tudes bosporanes. Sur un royaume aux confins du monde gr\u00e9co-romain<\/a><\/em>,&nbsp;<em>\u00c9tudes de lettres<\/em>, n\u00b0309, 1-2\/2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2019<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Les contes revisit\u00e9s\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/J1IypEIiVco?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Cyrille Fran\u00e7ois, Martine Hennard Dutheil de la Roch\u00e8re (\u00e9ds.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-nouvelle-jeunesse-des-contes-transcreations-des-recueils-de-perrault-et-des-grimm\/\" target=\"_blank\">La nouvelle jeunesse des contes. Transcr\u00e9ations des recueils de Perrault et des Grimm<\/a><\/em>,&nbsp;<em>\u00c9tudes de lettres,<\/em>&nbsp;n\u00b0310, 2019.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Un vade-mecum pour (re)d\u00e9couvrir l&#039;Anthropole\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/UbceVKSQqbc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Aline Jeandrevin (dir.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.call-me-edouard.com\/fr\/livres\/du-bfsh2-a-l-anthropole-19\/\" target=\"_blank\">Du BFSH2 \u00e0 l\u2019Anthropole. Vade-mecum<\/a><\/em>, Vevey, Gen\u00e8ve, \u00e9ditions Call me Edouard, 2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Les couples de pouvoir dans l&#039;Antiquit\u00e9\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/n21NhbMMKLc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Anne Bielman S\u00e1nchez (ed.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/power-couples-in-antiquity-transversal-perspectives\" target=\"_blank\">Power Couples in Antiquity. Transversal Perspectives<\/a><\/em>, Oxford, New York, Routledge, 2019.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"R\u00e9surgences de l&#039;imaginaire m\u00e9di\u00e9val\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/Z-XCfaCXht8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Alain Corbellari,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-moyen-age-a-travers-les-ages\/\" target=\"_blank\">Le Moyen \u00c2ge \u00e0 travers les \u00e2ges<\/a><\/em>, Neuch\u00e2tel, Alphil, coll. \u00abFocus\u00bb, 2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Qu&#039;est-ce qui caract\u00e9rise la communication digitale ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/H-mXgsJUKr0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Marcel Burger (dir.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/se-mettre-en-scene-en-ligne-la-communication-digitale-vol-2\/\" target=\"_blank\">Se mettre en sc\u00e8ne en ligne. La communication digitale<\/a><\/em>, vol. 2, Cahiers de l\u2019ILSL, n\u00b059, mai 2019.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Qui \u00e9tait Ramuz ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/URyV-AF4VJk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>St\u00e9phane P\u00e9termann,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/c-f-ramuz-sentir-vivre-et-battre-le-mot\/\" target=\"_blank\">C. F. Ramuz. Sentir vivre et battre le mot<\/a><\/em>, Lausanne, Presses polytechniques et universitaires romandes, coll. \u00ab&nbsp;Savoir suisse&nbsp;\u00bb, 2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u00c9tudier la photographie dans sa quantit\u00e9\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/p3EBhSwWgxQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Estelle Blaschke, Davide Nerini (dir.),&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/cable-copie-code-photographie-et-technologies-de-linformation\/\" target=\"_blank\">\u00ab C\u00e2ble, copie, code. Photographie et technologies de l\u2019information \u00bb<\/a>,&nbsp;<em>Transbordeur : photographie, histoire, soci\u00e9t\u00e9<\/em>, n\u00b03, Paris, Macula, 2019.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zoom sur quelques ouvrages en vid\u00e9o: 2026 Guillaume Poisson (dir.), Objets iconophores du politique au tournant des Lumi\u00e8res, Gen\u00e8ve, Slatkine, coll. Annales Benjamin Constant 50, 2025. Panayota Badinou, Sylvian Fachard, Helder Mendes Baiao (\u00e9ds), La ville id\u00e9ale. Entre utopie et<\/p>\n","protected":false},"author":1001334,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"class_list":["post-6719","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/6719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001334"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=6719"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/6719\/revisions"}],"predecessor-version":[{"id":16198,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/6719\/revisions\/16198"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=6719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}