{"id":6719,"date":"2020-01-14T15:23:36","date_gmt":"2020-01-14T14:23:36","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?page_id=6719"},"modified":"2026-06-04T14:18:17","modified_gmt":"2026-06-04T12:18:17","slug":"videos","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/labelettres\/videos\/","title":{"rendered":"Zoom sur\u2026"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Zoom sur quelques ouvrages en vid\u00e9o:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2026<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Photographie: de la mine \u00e0 la banque\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/HyEYzKEmgMQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Claire-Lise Deblu\u00eb, Olivier Lugon, Marie Sandoz, Anne-Katrin Weber <em>et al.<\/em> (\u00e9ds), <em><a href=\"https:\/\/www.editionsmacula.com\/livre\/transbordeur-photographie-histoire-societe-n-10\/\" target=\"_blank\" rel=\"noreferrer noopener\">L\u2019argent. <em>Photographie, ressources, travail, monnaie<\/em><\/a><\/em>, <em>Transbordeur: photographie, histoire, soci\u00e9t\u00e9<\/em>, n\u00b010, Paris, Macula, 2026.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"La politique cach\u00e9e dans les objets du quotidien\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/JsJZFdXxi_I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Guillaume Poisson (dir.), <em><a href=\"https:\/\/wp.unil.ch\/labelettres\/objets-iconophores-du-politique-au-tournant-des-lumieres\/\" target=\"_blank\" rel=\"noreferrer noopener\">Objets iconophores du politique au tournant des Lumi\u00e8res<\/a><\/em>, Gen\u00e8ve, Slatkine, coll. Annales Benjamin Constant 50, 2025.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Entre utopie et r\u00e9alit\u00e9: comment la ville r\u00eav\u00e9e influence-t-elle le paysage urbain?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/7eQryMOswXs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Panayota Badinou, Sylvian Fachard, Helder Mendes Baiao (\u00e9ds), <em><a href=\"https:\/\/shs.cairn.info\/la-ville-ideale--9782940648313?lang=fr\" target=\"_blank\" rel=\"noreferrer noopener\">La ville id\u00e9ale. Entre utopie et r\u00e9alit\u00e9<\/a><\/em>, Lausanne, BSN Press, 2025.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le quotidien des Suisses sous les ordres de Napol\u00e9on Bonaparte\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/mEGvWnnpLt0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Johan Vaucher, <em><a href=\"https:\/\/www.cabedita.ch\/home\/1035-les-suisses-de-bonaparte-9782889850266.html\" target=\"_blank\" rel=\"noreferrer noopener\">Les Suisses de Bonaparte, dans la tourmente des guerres imp\u00e9riales<\/a><\/em>, Bi\u00e8re, Cab\u00e9dita, 2025.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2025<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"F\u00e9lix Vallotton: l&amp;apos;\u00e9crivain derri\u00e8re le peintre\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/7JAYdZLHI7s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">F\u00e9lix Vallotton, <em><a href=\"https:\/\/editionszoe.ch\/livre\/romans-et-theatre\/\" target=\"_blank\" rel=\"noreferrer noopener\">Romans et Th\u00e9\u00e2tre<\/a><\/em>, Daniel Maggetti (dir.), Gen\u00e8ve, \u00c9ditions Zo\u00e9, 2025.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Henri Roorda. Envers, en prose et contre tout\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/V3dUIHyxooI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Alain Ausoni, Anne-Lise Delacr\u00e9taz, <em><a href=\"https:\/\/www.savoirsuisse.org\/produit\/242\/9782889156757\/henri-roorda\" target=\"_blank\" rel=\"noreferrer noopener\">Henri Roorda. Envers, en prose et contre tout<\/a><\/em>, Lausanne, Presses polytechniques et universitaires romandes, coll. \u00abSavoir suisse\u00bb, 2025.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Revoir Tanner (TV\/Cin\u00e9ma). Questions d\u2019espace, rapports de genre\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/2lbJb2_4YHE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Vincent Annen, Jeanne Modoux, <em><a href=\"https:\/\/wp.unil.ch\/labelettres\/revoir-tanner-tv-cinema-questions-despace-rapports-de-genre\/\" target=\"_blank\" rel=\"noreferrer noopener\">Revoir Tanner (TV\/Cin\u00e9ma). Questions d\u2019espace, rapports de genre<\/a><\/em>, pr\u00e9face d\u2019Alain Boillat, Gollion, Infolio, 2024.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le nocturne \u00e9clair\u00e9 par la musicologie et l&amp;apos;histoire de l&amp;apos;art\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/DKbrO-M_4gQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Constance Frei (\u00e9d.), <em><a href=\"https:\/\/www.unil.ch\/edl\/fr\/home\/menuinst\/table-des-sommaires\/2020-2024\/325-2024-4.html\" target=\"_blank\" rel=\"noreferrer noopener\">Le nocturne. La nuit \u00e9clair\u00e9e par la musicologie et l\u2019histoire de l\u2019art<\/a><\/em>, <em>\u00c9tudes de lettres<\/em>, n\u00b0325, Lausanne, Universit\u00e9 de Lausanne, 2024.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2024<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gis\u00e8le Ansorge, figure importante de la culture romande\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/y0P7P58Y-GQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Chlo\u00e9 Hofmann,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/gisele-ansorge-la-camera-le-pinceau-et-la-plume\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/gisele-ansorge-la-camera-le-pinceau-et-la-plume\/\">Gis\u00e8le Ansorge, la cam\u00e9ra, le pinceau et la plume<\/a><\/em>, Gollion, Infolio, 2024.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"La riche histoire architecturale de l\u2019Ouest lausannois\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/sWn4EksGz8g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Dave L\u00fcthi, Gilles Prod\u2019hom (dir.),&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/louest-lausannois-patrimoine-bati\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/louest-lausannois-patrimoine-bati\/\" target=\"_blank\" rel=\"noreferrer noopener\">L\u2019Ouest lausannois \u2013 Patrimoine b\u00e2ti<\/a><\/em>, Berne, Soci\u00e9t\u00e9 d\u2019histoire de l\u2019art en Suisse, Architecture de poche 7, 2024.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Qu&amp;apos;est-ce qu&amp;apos;un personnage?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/iWf6fGV5HRg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Kevin Curran, Vincent Laughery, Andy Reilly, Josefa Terribilini,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/quest-ce-quun-personnage\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/quest-ce-quun-personnage\/\">Qu\u2019est-ce qu\u2019un personnage?<\/a><\/em>, Lausanne, Presses polytechniques et universitaires romandes\/\u00c9pist\u00e9m\u00e9, 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le pupitre et le scrutin\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/PsTSx5OxY5g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nathalie Dahn-Singh,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-pupitre-et-le-scrutin-leducation-du-peuple-a-la-citoyennete-dans-les-cantons-de-vaud-et-de-fribourg-1815-1860\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/le-pupitre-et-le-scrutin-leducation-du-peuple-a-la-citoyennete-dans-les-cantons-de-vaud-et-de-fribourg-1815-1860\/\">Le pupitre et le scrutin. L\u2019\u00e9ducation du peuple \u00e0 la citoyennet\u00e9 dans les cantons de Vaud et de Fribourg (1815-1860)<\/a><\/em>, Neuch\u00e2tel, Alphil, 2023.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Antoine Meillet, un linguiste toujours \u00e0 la page\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/4MqKfb0hDKw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Robin Meyer, S\u00e9bastien Moret (\u00e9ds), <em><a href=\"https:\/\/wp.unil.ch\/labelettres\/antoine-meillet-regards-linguistiques-et-historiques-sur-sa-vie-et-son-oeuvre\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/antoine-meillet-regards-linguistiques-et-historiques-sur-sa-vie-et-son-oeuvre\/\">Antoine Meillet. Regards linguistiques et historiques sur sa vie et son \u0153uvre<\/a><\/em>, <em>\u00c9tudes de lettres<\/em>, n\u00b0322, Lausanne, Universit\u00e9 de Lausanne, 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u00c0 la red\u00e9couverte d\u2019une femme de lettres lausannoise\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/esvIsiaI3mw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Marion Curchod, <em><a href=\"https:\/\/wp.unil.ch\/labelettres\/isabelle-de-montolieu-leclat-dune-plume\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/isabelle-de-montolieu-leclat-dune-plume\/\" target=\"_blank\" rel=\"noreferrer noopener\">Isabelle de Montolieu. L\u2019\u00e9clat d\u2019une plume<\/a><\/em>, Gollion, Infolio, 2023.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2023<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Un tableau document\u00e9 et choral du fran\u00e7ais dans ses diversit\u00e9s\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/DkeBUM2SrfM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">St\u00e9phanie Pahud, Pascal Singy,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/pas-de-langue-de-bois-nouvelles-orthographes-neologismes-parlers-identitaires-le-francais-dans-tous-ses-etats-et-debats\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/pas-de-langue-de-bois-nouvelles-orthographes-neologismes-parlers-identitaires-le-francais-dans-tous-ses-etats-et-debats\/\">Pas de langue de bois! Nouvelles orthographes, n\u00e9ologismes, parlers identitaires\u2026 Le fran\u00e7ais dans tous ses \u00e9tats et d\u00e9bats<\/a><\/em>, Lausanne, Favre, 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"L&amp;apos;architecture suisse est allemande!\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/C3pvqRVi3ic?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Dave L\u00fcthi,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/cousins-germains-les-architectes-suisses-formes-en-allemagne-1800-1920\/\" data-type=\"link\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/cousins-germains-les-architectes-suisses-formes-en-allemagne-1800-1920\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cousins germains. Les architectes suisses form\u00e9s en Allemagne 1800-1920<\/a><\/em>, Lausanne, EPFL PRESS, 2023.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Quelle dimension culturelle pour le jeu vid\u00e9o aujourd\u2019hui?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/1C8icx30qG8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Selim Krichane, Isaac Pante, Yannick Rochat (\u00e9ds),&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/penser-avec-la-culture-videoludique-discours-pratiques-pedagogie\/\" target=\"_blank\" rel=\"noreferrer noopener\">Penser (avec) la culture vid\u00e9oludique. Discours, pratiques, p\u00e9dagogie<\/a><\/em>, Li\u00e8ge, Presses universitaires de Li\u00e8ge, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"L\u2019\u00e9criture ou le devenir technologique du langage\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/JEU5uM1U-yM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Jean-Louis Lebrave, Rudolf Mahrer (\u00e9ds),&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/machines-a-ecrire\/\" target=\"_blank\" rel=\"noreferrer noopener\">Machines \u00e0 \u00e9crire<\/a><\/em>,&nbsp;<em>Genesis (Manuscrits-Recherche-Invention)<\/em>&nbsp;55, Paris, Presses universitaires de la Sorbonne, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Quand la t\u00e9l\u00e9vision \u00e9tait un nouveau m\u00e9dia\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/b0Tz1QVHLIE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Anne-Katrin Weber,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/television-before-tv-new-media-and-exhibition-culture-in-europe-and-the-usa-1928-1939\/\" target=\"_blank\" rel=\"noreferrer noopener\">Television before TV. New Media and Exhibition Culture in Europe and the USA, 1928-1939<\/a><\/em>, Amsterdam, Amsterdam University Press, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Un manuel de hindi pour un apprentissage complet et novateur de la langue\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/aFxAWyZdNgE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nicola Pozza,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-hindi-comme-en-inde-niveau-debutant\/\" target=\"_blank\" rel=\"noreferrer noopener\">Le hindi\u2026 comme en Inde. Niveau d\u00e9butant<\/a><\/em>, Rennes, Presses Universitaires de Rennes, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Au son de la lyre multim\u00e9dia\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/IpVheRoMTC4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Antonio Rodriguez, Kirsten Stirling (\u00e9ds),&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/lyre-multimedia-nouveaux-objets-pour-la-critique-de-la-poesie\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lyre multim\u00e9dia. Nouveaux objets pour la critique de la po\u00e9sie<\/a><\/em>,&nbsp;<em>\u00c9tudes de lettres<\/em>, n\u00b0319, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2022<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Premi\u00e8re \u00e9dition d&amp;apos;un manuscrit oubli\u00e9 de la vie de sainte Catherine d&amp;apos;Alexandrie\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/7IW0Uttlkko?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Tanguy Donnet (\u00e9d.),&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/katharina-von-alexandrien-verslegende-viii-nach-dem-codex-donaueschingen-116-der-badischen-landesbibliothek-in-karlsruhe\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/katharina-von-alexandrien-verslegende-viii-nach-dem-codex-donaueschingen-116-der-badischen-landesbibliothek-in-karlsruhe\/\" target=\"_blank\" rel=\"noreferrer noopener\">Katharina von Alexandrien. Verslegende VIII. Nach dem Codex Donaueschingen 116 der Badischen Landesbibliothek in Karlsruhe<\/a><\/em>, Berlin\/Boston, De Gruyter, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Comment am\u00e9liorer les \u0153uvres r\u00e9ussies ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/FcTyRowzMN4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Marc Escola,&nbsp;<em><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-misanthrope-corrige-critique-et-creation\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/le-misanthrope-corrige-critique-et-creation\/\" target=\"_blank\" rel=\"noreferrer noopener\">Le Misanthrope corrig\u00e9. Critique et cr\u00e9ation<\/a><\/em>, Paris, Hermann, coll. \u00ab&nbsp;Fictions pensantes&nbsp;\u00bb, 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Peut-on enseigner la bande dessin\u00e9e comme on enseigne la litt\u00e9rature?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/FpUUz_1nTLI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Rapha\u00ebl Baroni, Gaspard Turin (\u00e9ds), <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/enseigner-la-bande-dessinee-comme-de-la-litterature\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/enseigner-la-bande-dessinee-comme-de-la-litterature\/\" target=\"_blank\">Enseigner la bande dessin\u00e9e comme (de la) litt\u00e9rature<\/a><\/em>, <em>Transpositio<\/em>, n\u00b0 4, Universit\u00e9 de Gen\u00e8ve, 2021.<br><br>Rapha\u00ebl Baroni, Alain Boillat, Danielle Chaperon, Alain Corbellari, Philippe Kaenel (\u00e9ds), <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-long-voyage-de-lena-regards-croises-sur-une-bande-dessinee\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/le-long-voyage-de-lena-regards-croises-sur-une-bande-dessinee\/\" target=\"_blank\">\u00ab Le Long Voyage de L\u00e9na \u00bb : regards crois\u00e9s sur une bande dessin\u00e9e<\/a><\/em>, <em>Transpositio<\/em>, n\u00b05, Universit\u00e9 de Gen\u00e8ve, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Philosophie de la culture: tentative de d\u00e9finition et proposition de corpus\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/YzXn0Q7Iix8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Matthieu Amat, Carole Maign\u00e9 (dir.), <em><a href=\"https:\/\/wp.unil.ch\/labelettres\/philosophie-de-la-culture\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/philosophie-de-la-culture\/\" target=\"_blank\" rel=\"noreferrer noopener\">Philosophie de la culture. Formes de vie, valeurs, symboles<\/a>,<\/em> Paris, Vrin, 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"L\u2019\u00e9ducation domestique au XVIIIe si\u00e8cle au prisme des \u00e9crits de ses acteurs\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/erKu8yY21sQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Sylvie Moret Petrini,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/lenfance-sous-la-plume-la-diffusion-de-lecriture-educative-en-suisse-romande-1750-1820\/\" target=\"_blank\">L\u2019enfance sous la plume. La diffusion de l\u2019\u00e9criture \u00e9ducative en Suisse romande, 1750-1820<\/a><\/em>, Rennes, Presses universitaires de Rennes, 2022.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Benjamin Constant: \u00ab\u00a0Libert\u00e9 en tout \u00bb\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/uhYJ9bts6do?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">L\u00e9onard Burnand,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/benjamin-constant\/\" target=\"_blank\">Benjamin Constant<\/a><\/em>, Paris, Perrin, 2022.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cingria en kal\u00e9idoscope\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/3hM8O2iNkjU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/lextincteur-et-lincendiaire\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/lextincteur-et-lincendiaire\/\" target=\"_blank\">Cingria. L\u2019Extincteur et l\u2019Incendiaire<\/a><\/em>, album con\u00e7u par Oc\u00e9ane Guillemin, avec la collaboration d\u2019Alice Bottarelli, sous la direction de Daniel Maggetti, Gen\u00e8ve, \u00c9ditions la Baconni\u00e8re, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Blaise Cendrars \u00ab en fanfare\u00a0\u00bb\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/VrvxIs_Te0M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Christine Le Quellec Cottier, Claude Leroy (\u00e9ds), <a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/constellation-cendrars-n5\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/constellation-cendrars-n5\/\" target=\"_blank\"><em>Constellation Cendrars<\/em> 5<\/a>, revue des associations CEBC et AIBC,&nbsp;Paris, Garnier, 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Du papier peint \u00e0 la petite cuill\u00e8re en argent, le riche patrimoine du Domaine de La Doges\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/Zgl4dUqEwCg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">B\u00e9atrice Lovis (dir.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-domaine-de-la-doges-au-temps-des-palezieux-dit-falconnet-deux-siecles-dhistoire-1821-2021\/\" target=\"_blank\">Le Domaine de La Doges. Au temps des Pal\u00e9zieux dit<\/a><\/em> <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-domaine-de-la-doges-au-temps-des-palezieux-dit-falconnet-deux-siecles-dhistoire-1821-2021\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/le-domaine-de-la-doges-au-temps-des-palezieux-dit-falconnet-deux-siecles-dhistoire-1821-2021\/\" target=\"_blank\">Falconnet, deux si\u00e8cles d\u2019histoire 1821-2021<\/a><\/em>, Gen\u00e8ve, \u00c9ditions Slatkine, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2021<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Plurilinguisme et m\u00e9lange linguistique de la culture europ\u00e9enne\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/c_vfF5Hq-Ok?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Lorenzo Tomasin, <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/europa-romanza-sette-storie-linguistiche\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/europa-romanza-sette-storie-linguistiche\/\" target=\"_blank\">Europa romanza. Sette storie linguistiche<\/a><\/em>, Torino, Einaudi, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Retour sur l&amp;apos;essor de la vie th\u00e9\u00e2trale romande\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/UMnfRnBaslM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">B\u00e9atrice Lovis, Olivier Robert (\u00e9ds),&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/theatre-et-societe-en-suisse-romande-de-la-fin-de-lancien-regime-a-lentre-deux-guerres-pratiques-et-enjeux-socioculturels\/\" target=\"_blank\"><em>Th\u00e9\u00e2tre et soci\u00e9t\u00e9 en Suisse romande de la fin de l\u2019Ancien R\u00e9gime \u00e0 l\u2019entre-deux-guerres. Pratiques et enjeux socioculturels<\/em><\/a>,&nbsp;<em>\u00c9tudes de lettres<\/em>, n\u00b0315, 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pourquoi la guerre para\u00eet-elle si s\u00e9duisante dans la culture populaire am\u00e9ricaine ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/l-gY00R6HgI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Agnieszka Soltysik Monnet,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/combat-death-in-contemporary-american-culture-popular-conceptions-of-war-since-wwii\/\" target=\"_blank\">Combat Death in Contemporary American<\/a><\/em> <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/combat-death-in-contemporary-american-culture-popular-conceptions-of-war-since-wwii\/\" target=\"_blank\">Culture: Popular Conceptions of War since WWII<\/a><\/em>, Lanham, Lexington Books, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Portrait d&amp;apos;un humaniste \u00e0 la crois\u00e9e de la science et de l&amp;apos;art\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/BAgDyQIEkf8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Gilles Monney, Camille Noverraz, Vincent Barras,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/pierre-decker-medecin-et-collectionneur\/\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/labelettres\/pierre-decker-medecin-et-collectionneur\/\" target=\"_blank\">Pierre Decker, m\u00e9decin et collectionneur,<\/a><\/em> BHMS Editions, Lausanne, 2021.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Des lectures in\u00e9dites de nos paysages\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/_NV2japHGas?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Florence Gaillard, Daniel Maggetti, St\u00e9phane P\u00e9termann,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/lignes-de-cretes-promenades-litteraires-en-montagne\/\" target=\"_blank\">Lignes de cr\u00eates. Promenades litt\u00e9raires en montagne<\/a><\/em>, textes g\u00e9omorphologiques de Jonathan Bussard et Emmanuel Reynard, photographies d\u2019Olga Cafiero, Lausanne, Noir sur Blanc, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Je est un monstre\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/I6wjmalsGS4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Marc Atallah (dir.), <em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-parade-monstrueuse-la-naissance-des-monstres-modernes\/\" target=\"_blank\">La Parade monstrueuse. La naissance des monstres modernes<\/a><\/em>, Paris, Cernunnos\/Dargaud, 2020.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Une pens\u00e9e litt\u00e9raire de la culture mat\u00e9rielle\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/uqmc65Devn4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Marta Caraion,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/comment-la-litterature-pense-les-objets-theorie-litteraire-de-la-culture-materielle\/\" target=\"_blank\">Comment la litt\u00e9rature pense les objets. Th\u00e9orie litt\u00e9raire de la culture mat\u00e9rielle<\/a><\/em>, Ceyz\u00e9rieu, Champ Vallon, Collection \u00abD\u00e9tours\u00bb, 2020.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2020<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le Christ au miroir de la photographie contemporaine\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/-uKo7-VWRx0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nathalie Dietschy,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/the-figure-of-christ-in-contemporary-photography\/\" target=\"_blank\">The Figure of Christ in Contemporary Photography<\/a><\/em>, London, Reaktion Books, 2020.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"L&amp;apos;essor du m\u00e9tier d&amp;apos;iconographe\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/H5kpPyXwR2o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Olivier Lugon,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/nicolas-bouvier-iconographe\" target=\"_blank\">Nicolas Bouvier iconographe<\/a><\/em>, Gen\u00e8ve, Biblioth\u00e8que de Gen\u00e8ve\/Gollion, Infolio, 2020.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"1980: seuil du monde contemporain ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/yCNwH4jRgRE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">J\u00e9r\u00f4me Meizoz, Gilles Philippe (\u00e9ds),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/1980-lan-zero-du-monde-contemporain\/\" target=\"_blank\">1980: L\u2019an z\u00e9ro du monde contemporain ?<\/a><\/em>,&nbsp;<em>\u00c9tudes de lettres<\/em>, n\u00b0312, 1\/2020.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tre\u0301sors du royaume du Bosphore Cimme\u0301rien\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/Na9UzEpGquc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Pascal Burgunder (\u00e9d.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/etudes-bosporanes-sur-un-royaume-aux-confins-du-monde-greco-romain\/\" target=\"_blank\">\u00c9tudes bosporanes. Sur un royaume aux confins du monde gr\u00e9co-romain<\/a><\/em>,&nbsp;<em>\u00c9tudes de lettres<\/em>, n\u00b0309, 1-2\/2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>2019<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Les contes revisit\u00e9s\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/J1IypEIiVco?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cyrille Fran\u00e7ois, Martine Hennard Dutheil de la Roch\u00e8re (\u00e9ds.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-nouvelle-jeunesse-des-contes-transcreations-des-recueils-de-perrault-et-des-grimm\/\" target=\"_blank\">La nouvelle jeunesse des contes. Transcr\u00e9ations des recueils de Perrault et des Grimm<\/a><\/em>,&nbsp;<em>\u00c9tudes de lettres,<\/em>&nbsp;n\u00b0310, 2019.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Un vade-mecum pour (re)d\u00e9couvrir l&amp;apos;Anthropole\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/UbceVKSQqbc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Aline Jeandrevin (dir.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.call-me-edouard.com\/fr\/livres\/du-bfsh2-a-l-anthropole-19\/\" target=\"_blank\">Du BFSH2 \u00e0 l\u2019Anthropole. Vade-mecum<\/a><\/em>, Vevey, Gen\u00e8ve, \u00e9ditions Call me Edouard, 2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Les couples de pouvoir dans l&amp;apos;Antiquit\u00e9\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/n21NhbMMKLc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Anne Bielman S\u00e1nchez (ed.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/power-couples-in-antiquity-transversal-perspectives\" target=\"_blank\">Power Couples in Antiquity. Transversal Perspectives<\/a><\/em>, Oxford, New York, Routledge, 2019.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"R\u00e9surgences de l&amp;apos;imaginaire m\u00e9di\u00e9val\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/Z-XCfaCXht8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Alain Corbellari,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-moyen-age-a-travers-les-ages\/\" target=\"_blank\">Le Moyen \u00c2ge \u00e0 travers les \u00e2ges<\/a><\/em>, Neuch\u00e2tel, Alphil, coll. \u00abFocus\u00bb, 2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Qu&amp;apos;est-ce qui caract\u00e9rise la communication digitale ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/H-mXgsJUKr0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Marcel Burger (dir.),&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/se-mettre-en-scene-en-ligne-la-communication-digitale-vol-2\/\" target=\"_blank\">Se mettre en sc\u00e8ne en ligne. La communication digitale<\/a><\/em>, vol. 2, Cahiers de l\u2019ILSL, n\u00b059, mai 2019.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Qui \u00e9tait Ramuz ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/URyV-AF4VJk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">St\u00e9phane P\u00e9termann,&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/c-f-ramuz-sentir-vivre-et-battre-le-mot\/\" target=\"_blank\">C. F. Ramuz. Sentir vivre et battre le mot<\/a><\/em>, Lausanne, Presses polytechniques et universitaires romandes, coll. \u00ab&nbsp;Savoir suisse&nbsp;\u00bb, 2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u00c9tudier la photographie dans sa quantit\u00e9\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/p3EBhSwWgxQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Estelle Blaschke, Davide Nerini (dir.),&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/wp.unil.ch\/labelettres\/cable-copie-code-photographie-et-technologies-de-linformation\/\" target=\"_blank\">\u00ab C\u00e2ble, copie, code. Photographie et technologies de l\u2019information \u00bb<\/a>,&nbsp;<em>Transbordeur : photographie, histoire, soci\u00e9t\u00e9<\/em>, n\u00b03, Paris, Macula, 2019.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zoom sur quelques ouvrages en vid\u00e9o: 2026 Claire-Lise Deblu\u00eb, Olivier Lugon, Marie Sandoz, Anne-Katrin Weber et al. (\u00e9ds), L\u2019argent. Photographie, ressources, travail, monnaie, Transbordeur: photographie, histoire, soci\u00e9t\u00e9, n\u00b010, Paris, Macula, 2026. Guillaume Poisson (dir.), Objets iconophores du politique au tournant<\/p>\n","protected":false},"author":1001334,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"class_list":["post-6719","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/6719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001334"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=6719"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/6719\/revisions"}],"predecessor-version":[{"id":16307,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/6719\/revisions\/16307"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=6719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}