{"id":345,"date":"2017-06-15T12:16:33","date_gmt":"2017-06-15T10:16:33","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?page_id=345"},"modified":"2025-03-19T09:48:23","modified_gmt":"2025-03-19T08:48:23","slug":"arts-et-medias","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/labelettres\/arts-et-medias\/","title":{"rendered":"Arts et m\u00e9dias"},"content":{"rendered":"
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\r\n\t\t\t\r\n\t\t\t\t\"Le\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLe immagini a Roma nell\u2019alto medioevo. 1. Dall\u2019atrio alla navata<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Objets\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tObjets iconophores du politique au tournant des Lumi\u00e8res<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Isabelle\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tIsabelle de Charri\u00e8re, d\u2019Utrecht \u00e0 Colombier. Une femme de lettres engag\u00e9e au si\u00e8cle des Lumi\u00e8res<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Le\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLe corps acteur dans le th\u00e9\u00e2tre antique<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"La\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLa ville id\u00e9ale. Entre utopie et r\u00e9alit\u00e9<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Retour\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tRetour vers le vivant: valoriser les archives filmiques et sonores des arts du spectacle<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Images\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tImages op\u00e9rationnelles: agencements utilitaires des images en mouvement<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Cultures\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tCultures paysannes<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Un\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tUn si\u00e8cle de radio-t\u00e9l\u00e9vision. Le service public audiovisuel en Suisse romande<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Les\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLes r\u00e9seaux de personnages: nouveaux outils d’analyse. Narrations interactives, jeux vid\u00e9o et adaptations<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Echoes\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tEchoes and Frequencies: Tele-Visions and Wireless Technologies 19th-21st Centuries<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"L’arbre\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tL’arbre \u00e0 lettres. Le\u00e7ons inaugurales 2024-2025<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Le\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLe ch\u00e2teau de La Sarraz et ses collections<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\tLe Crime de Sylvestre Bonnard (1879-1922). \u00c9dition num\u00e9rique comparative<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\tP\u00e9riodiques d’architectes. Professionnalisation de l’architecture en Suisse (1830-1914)<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"L’outre-humain.\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tL’outre-humain. Automates, performances m\u00e9caniques et cultures spectaculaires<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Le\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLe Hors-champ: extensions d’un lieu<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Consentir.\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tConsentir. Pour une \u00e9thique interdisciplinaire du consentement<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Urbanisme\"\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tUrbanisme<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Lire\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLire le ciel. Sous les \u00e9toiles en M\u00e9diterran\u00e9e<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>\t<\/div>\r\n\t\t
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Load More <\/i> <\/span><\/div>\r\n\r\n\t\t\t<\/div>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"

LabeLettres: les publications des chercheuses et chercheurs de la Facult\u00e9 des lettres de l’Universit\u00e9 de Lausanne.<\/p>\n","protected":false},"author":719,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-345","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/719"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=345"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/345\/revisions"}],"predecessor-version":[{"id":13710,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/345\/revisions\/13710"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}