{"id":32,"date":"2016-12-16T18:29:31","date_gmt":"2016-12-16T17:29:31","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?page_id=32"},"modified":"2025-03-20T10:21:10","modified_gmt":"2025-03-20T09:21:10","slug":"accueil","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/labelettres\/","title":{"rendered":"Accueil"},"content":{"rendered":"
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\r\n\t\t\t\r\n\t\t\t\t\"S\u00e9bastien\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tS\u00e9bastien Le Clerc (1637-1714). Art et science \u00e0 l’aube des Lumi\u00e8res<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Atrapados\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tAtrapados por la prehistoria. Investigacion sobre el arte y los tiempos<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Grands\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tGrands corpus: jeux d’\u00e9chelles et enjeux m\u00e9thodologiques en litt\u00e9rature compar\u00e9e<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Sketches\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tSketches in Venetan Dialectology. Studies of Morphology, Sociolinguistics and Lexicon<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Judith\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tJudith Schlanger. Une vie dans les livres<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Contre-je:\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tContre-je: genre et \u00e9nonciations minoritaires en litt\u00e9rature<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Gustave\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tGustave Roud, D’une chambre d’hiver. Lettres \u00e0 Edmond Th\u00e9voz 1925-1976<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"C.F.\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tC.F. Ramuz, Vie de Samuel Belet<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"C.F.\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tC.F. Ramuz, Anti-po\u00e9tique et autres propos sur l\u2019\u00e9criture<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Ritournelle\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tRitournelle maternelle<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Le\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLe trouble et la gr\u00e2ce. Les saintes trans de \u00abLa L\u00e9gende dor\u00e9e\u00bb<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"La\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLa coop\u00e9ration intellectuelle. Relations scientifiques et diplomatie culturelle \u00e0 la Soci\u00e9t\u00e9 des Nations (1919-1939)<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"La\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLa sculpture bourguignonne du XVe si\u00e8cle. \u0152uvres, artistes, questions<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Regimes\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tRegimes of Colombianidad: Beauty, Citizenship, Sex<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"An\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tAn Untold Story: Alice Boner and P.K. Mittra<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Quel\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tQuel d\u00e9sir en nos troubles?<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Tactilit\u00e9s\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tTactilit\u00e9s appareill\u00e9es. Les op\u00e9rations du voir et du toucher<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"La\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tLa didactique et l\u2019ouverture \u00e0 l\u2019interdisciplinarit\u00e9<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Autorinnen-\u00dcbersetzerinnen\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tAutorinnen-\u00dcbersetzerinnen 1750-1850. Verschr\u00e4nkungen von Schreiben und \u00dcbersetzen in der literarischen Praxis von Frauen<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>
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\r\n\t\t\t\r\n\t\t\t\t\"Sociabilit\u00e9s\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t

\r\n\t\t\tSociabilit\u00e9s et spectacles chez George Sand<\/a>\r\n\t\t<\/h2>\r\n\r\n\t\t\t<\/div>\r\n<\/div>\t<\/div>\r\n\t\t
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Load More <\/i> <\/span><\/div>\r\n\r\n\t\t\t<\/div>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"

LabeLettres: les publications des chercheuses et chercheurs de la Facult\u00e9 des lettres de l’Universit\u00e9 de Lausanne.<\/p>\n","protected":false},"author":1001334,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"class_list":["post-32","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/32","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001334"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=32"}],"version-history":[{"count":3,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/32\/revisions"}],"predecessor-version":[{"id":13717,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/pages\/32\/revisions\/13717"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=32"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}