{"id":2192,"date":"2021-09-27T15:20:38","date_gmt":"2021-09-27T13:20:38","guid":{"rendered":"https:\/\/wp.unil.ch\/grebd\/?page_id=2192"},"modified":"2021-10-14T07:20:39","modified_gmt":"2021-10-14T05:20:39","slug":"colloque-reconfiguration-en","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/grebd\/recherche\/colloques\/colloque-reconfiguration-en\/","title":{"rendered":"Transfer, Reconfiguration and Digital Transition in Graphic Narratives"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">University of Lausanne, October 21 to 23 2021<\/h5>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/wp.unil.ch\/grebd\/recherche\/colloques\/colloque-reconfigurations\/\" data-type=\"page\" data-id=\"2124\">Version fran\u00e7aise<\/a><\/strong> <\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1088\" src=\"https:\/\/wp.unil.ch\/grebd\/files\/2021\/09\/illustre_colloque-1.jpg\" alt=\"\" class=\"wp-image-2147\" srcset=\"https:\/\/wp.unil.ch\/grebd\/files\/2021\/09\/illustre_colloque-1.jpg 1920w, https:\/\/wp.unil.ch\/grebd\/files\/2021\/09\/illustre_colloque-1-300x170.jpg 300w, https:\/\/wp.unil.ch\/grebd\/files\/2021\/09\/illustre_colloque-1-1024x580.jpg 1024w, https:\/\/wp.unil.ch\/grebd\/files\/2021\/09\/illustre_colloque-1-768x435.jpg 768w, https:\/\/wp.unil.ch\/grebd\/files\/2021\/09\/illustre_colloque-1-1536x870.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption>\u00a9 Olivier Stucky, 2021<\/figcaption><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">Presentation of the conference<\/h5>\n\n\n\n<p>This event is part of the two-part international conference: \u00ab\u00a0Narrative Forms &amp; Medium\u00a0\u00bb. The first part of the colloquium: \u00ab\u00a0Impact de la s\u00e9rialit\u00e9 sur le r\u00e9cit audiovisuel\u00a0\u00bb, organized by Alain Boillat and Valentine Robert, will be held at the UNIL from October 20 to 21, 2021 (<a rel=\"noreferrer noopener\" href=\"https:\/\/agenda.unil.ch\/display\/1630595708331\" target=\"_blank\">more information here<\/a>).<\/p>\n\n\n\n<p>This second part of the conference, mixing scientific communications and round tables, aims at questioning the interdependence between the media supports and the narrative forms which are deployed in the particular framework of the comics. One of the specificities of this medium is precisely that it is defined by the projection of a sequence of images on the surface that serves as its support, which explains this particular focus. The diversified questionings that make up the program of these three days, as much from the point of view of the approaches, the methods as of the convened objects, fall under particularly contemporary stakes. Indeed, the problem of the evolution of the cultural identity of comics in connection with the emergence of digital technologies is very current, because this one seems to have deeply modified the production, diffusion and consumption of graphic narratives.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">Hosts<\/h5>\n\n\n\n<p>International conference organized in the framework of the Sinergia research project \u00ab\u00a0Reconfiguring Comics in Our Digital Era\u00a0\u00bb, funded by the SNSF: CRSII5_180359.<\/p>\n\n\n\n<p><strong>Organisers:<\/strong> Rapha\u00ebl Baroni, Ga\u00eblle Kovaliv and Olivier Stucky<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">Useful information<\/h5>\n\n\n\n<p>\u2014 Physical access to conferences is restricted to COVID certificate holders.<br>\u2014 The conferences will be broadcasted on Zoom. It is necessary to <a href=\"#inscription\" data-type=\"internal\" data-id=\"#inscription\">register<\/a> to obtain the access link to the virtual room.<br>\u2014 In order to guarantee the fluidity of the organization and the respect of the limitations of occupation of the room, <a href=\"#inscription\" data-type=\"internal\" data-id=\"#inscription\">registration<\/a> is necessary.<\/p>\n\n\n\n<p><strong>Registration form at the<a href=\"#inscription\" data-type=\"internal\" data-id=\"#inscription\"> bottom of this page<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">Programme<\/h5>\n\n\n\n<p><strong>Thursday 21.10<\/strong> \u2013 <strong>Site: UNIL | Room: Amphip\u00f4le 340<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>13:00<\/td><td>Introduction<br>\u2014 Rapha\u00ebl Baroni, Ga\u00eblle Kovaliv &amp; Olivier Stucky<\/td><\/tr><tr><td>13:15<\/td><td>Lanterne magique et bande dessin\u00e9e : pour une arch\u00e9ologie pragmatique de la projection et du d\u00e9filement narratif<br>\u2014 Philippe Marion<\/td><\/tr><tr><td>14:00<\/td><td>Pour une critique de l&rsquo;h\u00e9g\u00e9monie de l&rsquo;album : attention et plaisir esth\u00e9tique dans la lecture de magazines de bandes dessin\u00e9es<br>\u2014 Matthieu  Letourneux<\/td><\/tr><tr><td>15:15<\/td><td>Une rem\u00e9diatisation particuli\u00e8re&nbsp;: les <em>Cit\u00e9s obscures<\/em> de Schuiten-Peeters comme bande dessin\u00e9e \u00ab&nbsp;\u00e9largie&nbsp;\u00bb ou \u00ab&nbsp;\u00e9clat\u00e9e&nbsp;\u00bb ?<br>\u2014 Jan Baetens<\/td><\/tr><tr><td>16:00<\/td><td>Lire des albums de bande dessin\u00e9e sur \u00e9crans. L\u2019exemple de l\u2019interface d\u2019Izneo<br>\u2014 Olivier Stucky<\/td><\/tr><tr><td>16:45<\/td><td>Media materialities and aesthetic regimes of reading\/viewing webcomics<br>\u2014 Benjamim Picado<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><strong>Friday 22.10 \u2013 <strong>Site: UNIL | Room: Amphip\u00f4le 340<\/strong><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>09:00<\/td><td>Accueil des participants<\/td><\/tr><tr><td>09:15<\/td><td>La bande dessin\u00e9e digitale, \u00e9l\u00e9ments d\u2019esth\u00e9tique \u00e0 la lumi\u00e8re d\u2019<em>Anne Frank au pays du Manga<\/em><br>\u2014 Magali Boudissa<\/td><\/tr><tr><td>10:00<\/td><td>Quand la BD met le Turbo, le r\u00e9cit de bande dessin\u00e9e au risque du r\u00e9gime de mat\u00e9rialit\u00e9 num\u00e9rique<br>\u2014 Pascal Robert<\/td><\/tr><tr><td>10:45<\/td><td>Vers une bande dessin\u00e9e num\u00e9rique post-interface&nbsp;?<br>\u2014 Anthony Rageul<\/td><\/tr><tr><td>13:00<\/td><td>Postdigital Comics: On the Playful Aesthetics of a New(ish) Narrative Form<br>\u2014 Jan-No\u00ebl Thon (\u00c0 distance)<\/td><\/tr><tr><td>13:45<\/td><td>Quand l\u2019\u00e9coute s\u2019ajoute au voir&nbsp;: l\u2019identit\u00e9 \u00e9volutive du 9\u1d49 art \u00e0 l\u2019heure de la BD num\u00e9rique sonore.<br>\u2014 Philippe Paolucci (\u00c0 distance)<\/td><\/tr><tr><td>14:30<\/td><td>Treasure Maps: Cartooning before \u201cComics\u201d and the Future of the Form<br>\u2014 Jared Gardner (\u00c0 distance)<\/td><\/tr><tr><td>15:45<\/td><td>Figural Iconic Solidarity<br>\u2014 Kai Mikkonen &amp; Jean Braithwaite<\/td><\/tr><tr><td>16:30<\/td><td>Reading and understanding comics<br>\u2014 Neil Cohn<\/td><\/tr><tr><td>17:15<\/td><td>Beyond the Shadow of the Z: How We Read European Bande Dessin\u00e9e<br>\u2014 Rapha\u00ebl Baroni &amp; Bahar Aydemir<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><strong>Saturday 23.10  \u2013 Site: Biblioth\u00e8que municipale Chauderon<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>09:30<\/td><td>Ce que le num\u00e9rique fait au papier. Comment la bande dessin\u00e9e nativement num\u00e9rique influence le champ de la bande dessin\u00e9e analogique<br>\u2014 Ga\u00eblle Kovaliv<\/td><\/tr><tr><td>10:15<\/td><td>Le canon et l\u2019\u00e9cran. Le patrimoine de la bande dessin\u00e9e et les archives num\u00e9ris\u00e9es<br>\u2014 Sylvain Lesage<\/td><\/tr><tr><td>11:15<\/td><td>Table ronde&nbsp;: Cr\u00e9ation et \u00e9dition de bande dessin\u00e9e num\u00e9rique<br>\u2014 Lisa Mandel, Tony &amp; Yannis La Macchia<\/td><\/tr><tr><td>14:00<\/td><td>Table ronde&nbsp;: Sauvegarde et conservation num\u00e9rique de la bande dessin\u00e9e<br>\u2014 Boris Br\u00fcckler &amp; Catherine Ferreyrolle<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" id=\"inscription\" class=\"wp-block-spacer\"><\/div>\n\n\n<script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\nvar 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