{"id":2075,"date":"2021-07-06T16:03:50","date_gmt":"2021-07-06T14:03:50","guid":{"rendered":"https:\/\/wp.unil.ch\/grebd\/?page_id=2075"},"modified":"2024-03-27T17:09:12","modified_gmt":"2024-03-27T16:09:12","slug":"ressources","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/grebd\/recherche\/projets-fns\/reconfiguring-comics\/ressources\/","title":{"rendered":"Ressources"},"content":{"rendered":"\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\" id=\"publications\"><strong>Publications de l&rsquo;\u00e9quipe UNIL<\/strong> <\/h5>\n\n\n\n<p>Stucky, Olivier (2023), \u00ab<a href=\"https:\/\/doi.org\/10.3917\/herm.rober.2023.01.0031\">Infortune des Digital Comics. Publier des albums sur CD-ROM dans les ann\u00e9es 1990<\/a>\u00bb in <em>La Fabrique de la bande dessin\u00e9e<\/em>, Paris, Hermann, p. 31-45.<\/p>\n\n\n\n<p>Stucky, Olivier &amp; Ga\u00eblle Kovaliv (2023), \u00ab<a href=\"https:\/\/www.cairn.info\/revue-societes-et-representations-2023-1-page-147.htm\">La planche de bande dessin\u00e9e \u00e0 l\u2019\u00e9preuve du num\u00e9rique<\/a>\u00bb, <em>Soci\u00e9t\u00e9s &amp; Repr\u00e9sentations<\/em>, n\u00b055, p.147-162.<\/p>\n\n\n\n<p>Kovaliv, Ga\u00eblle (2022), \u00ab<a href=\"https:\/\/www.citebd.org\/neuvieme-art\/la-bande-dessinee-sur-les-reseaux-sociaux\">La bande dessin\u00e9e sur les r\u00e9seaux sociaux<\/a>\u00bb, <em>Neuvi\u00e8me art<\/em>, Bande dessin\u00e9e et r\u00e9seaux sociaux.<\/p>\n\n\n\n<p>Stucky, Olivier (2022), \u00ab<a href=\"https:\/\/journals.openedition.org\/comicalites\/7041\" target=\"_blank\" rel=\"noreferrer noopener\">Repenser l\u2019album \u00e0 l\u2019\u00e8re du multim\u00e9dia (1995-1998)\u00a0: reconfigurer la bande dessin\u00e9e pour le CD-ROM<\/a>\u00bb, <em>Comicalit\u00e9s<\/em>, Pour une po\u00e9tique du support.<\/p>\n\n\n\n<p>Kovaliv, G. &amp; O. Stucky (dir.) (2022), \u00ab<a href=\"https:\/\/www.imageandnarrative.be\/index.php\/imagenarrative\/article\/view\/2305\">Ce que le num\u00e9rique fait \u00e0 la bande dessin\u00e9e<\/a>\u00bb, <em>Comicalit\u00e9s<\/em>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Stucky, Olivier (2022), \u00ab<a href=\"https:\/\/journals.openedition.org\/comicalites\/7952\">Lire des albums de bande dessin\u00e9e sur \u00e9crans: L\u2019interface d\u2019Izneo<\/a>\u00bb, <em>Comicalit\u00e9s<\/em>, Ce que le num\u00e9rique fait \u00e0 la bande dessin\u00e9e.<\/li>\n\n\n\n<li>Kovaliv, Ga\u00eblle (2022), \u00ab<a href=\"https:\/\/doi.org\/10.4000\/comicalites.7678\">Comment la bande dessin\u00e9e nativement num\u00e9rique influence le champ de la bande dessin\u00e9e papier<\/a>\u00bb, <em>Comicalit\u00e9s<\/em>, Ce que le num\u00e9rique fait \u00e0 la bande dessin\u00e9e.<\/li>\n\n\n\n<li>Baroni, Rapha\u00ebl &amp; Bahar Aydemir (2022), \u00ab<a href=\"https:\/\/doi.org\/10.4000\/comicalites.8014\">Au-del\u00e0 de l\u2019ombre du Z\u00a0: lecture non lin\u00e9aire et approches exp\u00e9rimentales de la bande dessin\u00e9e<\/a>\u00bb, <em><em>Comicalit\u00e9s<\/em>, <\/em>Ce que le num\u00e9rique fait \u00e0 la bande dessin\u00e9e. <\/li>\n\n\n\n<li>Baroni, Rapha\u00ebl &amp; Bahar Aydemir (2022), \u00ab<a href=\"https:\/\/doi.org\/10.4000\/comicalites.8062\">Beyond the Shadow of Z: Non-Linear Reading and Experimental Approaches to Comics<\/a>\u00bb, <em><em>Comicalit\u00e9s<\/em>, <\/em>Ce que le num\u00e9rique fait \u00e0 la bande dessin\u00e9e.<\/li>\n<\/ul>\n\n\n\n<p>Baroni, Rapha\u00ebl (2022), \u00ab<a href=\"https:\/\/www.transpositio.org\/articles\/view\/decrire-et-interpreter-l-architecture-graphique-des-bandes-dessinees-lena-mise-en-page\">D\u00e9crire et interpr\u00e9ter l&rsquo;architecture graphique des bandes dessin\u00e9es. L\u00e9na mise en page<\/a>\u00bb, <em>Transpositio<\/em>, n\u00b0 5.<\/p>\n\n\n\n<p>Kovaliv, Ga\u00eblle &amp; Ana\u00efs Goudmand (2021), \u00ab<a href=\"https:\/\/www.fabula.org\/colloques\/document7269.php\">La table des mati\u00e8res \u00e0 l\u2019heure de la bande dessin\u00e9e num\u00e9rique<\/a>\u00bb, <em>Colloques Fabula, <\/em>\u00ab\u00a0S&rsquo;asseoir \u00e0 la table\u00a0\u00bb: La table des mati\u00e8res du Moyen \u00c2ge \u00e0 nos jours.<\/p>\n\n\n\n<p>Stucky, Olivier (2021), \u00ab\u00a0<a href=\"https:\/\/serval.unil.ch\/resource\/serval:BIB_FB08D481663E.P001\/REF\">La planche de bande dessin\u00e9e comme interface: d\u00e9placer les rapports texte-image\u00a0<\/a>\u00bb, <em>Arkhai<\/em>, n\u00b0 16, p. 125-148.<\/p>\n\n\n\n<p>Baroni, Rapha\u00ebl, Ga\u00eblle Kovaliv &amp; Olivier Stucky (2021) \u00ab<a href=\"https:\/\/doi.org\/10.4000\/belphegor.3948\" data-type=\"URL\" data-id=\"https:\/\/doi.org\/10.4000\/belphegor.3948\">La transition num\u00e9rique de la bande dessin\u00e9e. Une mutation impossible?<\/a>\u00bb, <em>Belph\u00e9gor<\/em>, n\u00b0 19 (2).<\/p>\n\n\n\n<p>Kovaliv, Ga\u00eblle &amp; Olivier Stucky (2019), \u00ab<a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=1121926&amp;LanCode=37&amp;menu=pub\">A Bilingual Lexicon for a Functional Analysis of Basic Elements of Comic\u2019s Language. Un lexique bilingue pour une analyse fonctionnelle des \u00e9l\u00e9ments fondamentaux du langage de la bande dessin\u00e9e<\/a>\u00bb, <em>Image &amp; Narrative<\/em>, vol. 20, n\u00b03, p. 91-107.<\/p>\n\n\n\n<p>Kovaliv, Ga\u00eblle &amp; L\u00e9onore Porchet (2019), \u00ab<a href=\"https:\/\/wp.unil.ch\/grebd\/files\/2021\/02\/Kovaliv-Porchet-BD-dun-autre-genre.pdf\" data-type=\"URL\" data-id=\"https:\/\/wp.unil.ch\/grebd\/files\/2021\/02\/Kovaliv-Porchet-BD-dun-autre-genre.pdf\">La bande dessin\u00e9e d\u2019un autre genre<\/a>\u00bb, <em>Revue b\u00e9d\u00e9phile<\/em>, n\u00b0 4, p. 175-181.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\" id=\"bases-de-donnees-associees-a-la-recherche-accessibles-en-acces-libre\"><strong>Bases de donn\u00e9es associ\u00e9es \u00e0 la recherche<\/strong> <strong>accessibles en acc\u00e8s libre<\/strong><\/h5>\n\n\n\n<p>Base de donn\u00e9es non exhaustive de bandes dessin\u00e9es num\u00e9riques francophones. Type de fichier: Excel. Date: 30\/09\/2019. Autrice: Ga\u00eblle Kovaliv.<\/p>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-59a51234-07cc-42a6-91d7-3a7891bb06f3\" href=\"https:\/\/wp.unil.ch\/grebd\/files\/2021\/02\/BD_nume\u0301riques_de_cre\u0301ation.xlsx\">Liste (non exhaustive) de bandes dessin\u00e9es num\u00e9riques actuelles ou disparues<\/a><a href=\"https:\/\/wp.unil.ch\/grebd\/files\/2021\/02\/BD_nume\u0301riques_de_cre\u0301ation.xlsx\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-59a51234-07cc-42a6-91d7-3a7891bb06f3\">T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n<p>Base de donn\u00e9es non exhaustive d&rsquo;auteurs et autrices francophones actives dans le domaine de la bande dessin\u00e9e num\u00e9rique. Type de fichier: Excel. Date: 30\/09\/2019. Autrice: Ga\u00eblle Kovaliv.<\/p>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-b5d3858f-b2dd-4a31-adfa-e26d36e90c05\" href=\"https:\/\/wp.unil.ch\/grebd\/files\/2021\/02\/Liste_auteurs-autrices_BD_Nume\u0301riques.xlsx\">Liste (non exhaustive) d&rsquo;auteurs et autrices de BD nume\u0301riques de cr\u00e9ation<\/a><a href=\"https:\/\/wp.unil.ch\/grebd\/files\/2021\/02\/Liste_auteurs-autrices_BD_Nume\u0301riques.xlsx\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-b5d3858f-b2dd-4a31-adfa-e26d36e90c05\">T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\" id=\"mediations-pedagogiques\"><strong>M\u00e9diations p\u00e9dagogiques<\/strong><\/h5>\n\n\n\n<p><em>Apollo &amp; Gemini <\/em>est un r\u00e9cit graphique s\u00e9riel s&rsquo;inscrivant dans le genre du strip comique autofictionnel. La s\u00e9rie est sc\u00e9naris\u00e9e, dessin\u00e9e et g\u00e9r\u00e9e par Rapha\u00ebl Baroni. Il s&rsquo;agit d&rsquo;une exp\u00e9rience visant \u00e0 saisir la transition num\u00e9rique de la bande dessin\u00e9e sous un angle pratique, de mani\u00e8re \u00e0 mieux cerner les gestes des auteurs et autrices ainsi que les contraintes formelles et techniques auxquelles ils et elles sont soumis\u00b7es.<\/p>\n\n\n\n<p>URL: <a href=\"https:\/\/www.instagram.com\/apollo_et_gemini\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.instagram.com\/apollo_et_gemini\/<\/a><\/p>\n\n\n\n<p>Cr\u00e9ation par Olivier Stucky d&rsquo;un article p\u00e9dagogique intitul\u00e9 \u00ab\u00a0La bande dessin\u00e9e num\u00e9rique. Panorama des principales logiques de publication dans l&rsquo;espace francophone\u00a0\u00bb dans le cadre du s\u00e9minaire \u00ab\u00a0Introduction \u00e0 l&rsquo;\u00e9tude des cultures num\u00e9riques\u00a0\u00bb dirig\u00e9 par Rapha\u00ebl Baroni dans le cadre du master interfacutlaire en \u00ab\u00a0humanit\u00e9s num\u00e9riques\u00a0\u00bb de l&rsquo;Universit\u00e9 de Lausanne. Printemps 2020.<\/p>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-8c982e5e-6bc1-4636-97d0-9984ac4787dc\" href=\"https:\/\/wp.unil.ch\/grebd\/files\/2021\/02\/UNIL_12.pdf\">La bande dessin\u00e9e num\u00e9rique. Panorama des principales logiques de publication dans l&rsquo;espace francophone<\/a><a href=\"https:\/\/wp.unil.ch\/grebd\/files\/2021\/02\/UNIL_12.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-8c982e5e-6bc1-4636-97d0-9984ac4787dc\">T\u00e9l\u00e9charger<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Publications de l&rsquo;\u00e9quipe UNIL Stucky, Olivier (2023), \u00abInfortune des Digital Comics. Publier des albums sur CD-ROM dans les ann\u00e9es 1990\u00bb in La Fabrique de la bande dessin\u00e9e, Paris, Hermann, p. 31-45. Stucky, Olivier &amp; Ga\u00eblle Kovaliv (2023), \u00abLa planche de<\/p>\n","protected":false},"author":1480,"featured_media":0,"parent":1670,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-2075","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/pages\/2075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/users\/1480"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/comments?post=2075"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/pages\/2075\/revisions"}],"predecessor-version":[{"id":3175,"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/pages\/2075\/revisions\/3175"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/pages\/1670"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/media?parent=2075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}