{"id":1977,"date":"2021-07-05T16:30:08","date_gmt":"2021-07-05T14:30:08","guid":{"rendered":"https:\/\/wp.unil.ch\/grebd\/?page_id=1977"},"modified":"2025-03-23T12:14:45","modified_gmt":"2025-03-23T11:14:45","slug":"bibliographie","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/grebd\/enseignement\/ressources-pedagogiques\/bibliographie\/","title":{"rendered":"Bibliographie"},"content":{"rendered":"\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Auteur\u00b7ice\u00b7s (biographies, entretiens, essais)<\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>DAYEZ, Hugues, <em>Peyo l\u2019enchanteur : biographie<\/em>, Marcinelle&nbsp;: Niffle, 2018.<\/p>\n\n\n\n<p>GROENSTEEN, Thierry, <em>M. T\u00f6pffer invente la bande dessin\u00e9e<\/em>, Bruxelles&nbsp;: Les Impressions nouvelles, 2014.<\/p>\n\n\n\n<p>GROENSTEEN, Thierry, <em>La bande dessin\u00e9e, son histoire et ses ma\u00eetres<\/em>, Paris: Flammarion, 2009.<\/p>\n\n\n\n<p>KAENEL, Philippe, <em>Le M\u00e9tier d&rsquo;illustrateur. Rodolphe T\u00f6pffer, J.-J. Grandville, Gustave Dor\u00e9<\/em>, Lausanne: Droz, 2005.<\/p>\n\n\n\n<p>KUNZLE, David, <em>Father of the comic strip\u202f: Rodolphe T\u00f6pffer<\/em>, Jackson&nbsp;: University Press of Mississippi, 2007.<\/p>\n\n\n\n<p>MOUCHART, Beno\u00eet et RIVI\u00c8RE, Fran\u00e7ois, <em>La damnation d\u2019Edgar P. Jacobs : biographie<\/em>, Paris&nbsp;: Seuil\/Archimbaud, 2003.<\/p>\n\n\n\n<p>PEETERS, Beno\u00eet, <em>Herg\u00e9, fils de Tintin<\/em>, Paris&nbsp;: Flammarion, 2011.<\/p>\n\n\n\n<p>SADOUL, Numa, <em>Tintin et moi&nbsp;: entretiens avec Herg\u00e9<\/em>, Tournai&nbsp;: Casterman, 2004.<\/p>\n\n\n\n<p>SAMSON, Jacques, PEETERS, Beno\u00eet, <em>Chris Ware, la BD r\u00e9invent\u00e9e<\/em>, Bruxelles: Les Impressions nouvelles, 2010.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">Art (bande dessin\u00e9e comme art, neuvi\u00e8me art, art de la bande dessin\u00e9e, artification)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>COUPERIE, Pierre <em>et alii<\/em>, <em>Bande dessin\u00e9e et figuration narrative<\/em>, Paris&nbsp;: Mus\u00e9e des arts d\u00e9coratifs\/ Palais du Louvre, 1967.<\/p>\n\n\n\n<p>HEINICH, Nathalie, \u00ab&nbsp;L\u2019artification de la bande dessin\u00e9e&nbsp;\u00bb, <em>Le D\u00e9bat<\/em>, vol.&nbsp;195, n<sup>o<\/sup>&nbsp;3, 2017, p.&nbsp;5-9. [<a href=\"https:\/\/doi.org\/10.3917\/deba.195.0005\">En ligne<\/a>]\n\n\n\n<p>LACASSIN, Francis, <em>Pour un neuvi\u00e8me art : la bande dessin\u00e9e<\/em>, Paris&nbsp;: Slatkine, 1982.<\/p>\n\n\n\n<p>ORY, Pascal <em>et alii<\/em>, <em>L\u2019art de la bande dessin\u00e9e<\/em>, Paris&nbsp;: Citadelles &amp; Mazenod, 2012.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">Culture (approches culturelles)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BERTHOU, Beno\u00eet&nbsp;(dir.), <em>La bande dessin\u00e9e\u202f: quelle lecture, quelle culture ?<\/em> \u00c9ditions de la Biblioth\u00e8que publique d\u2019information, 2015. [<a href=\"https:\/\/doi.org\/10.4000\/books.bibpompidou.1671\">En ligne<\/a>]\n\n\n\n<p>GROENSTEEN, Thierry, <em>La bande dessin\u00e9e: un objet culturel non identifi\u00e9<\/em>, Angoul\u00eame&nbsp;: L\u2019An 2, 2006, 206&nbsp;p.<\/p>\n\n\n\n<p>GROENSTEEN, Thierry, <em>La bande dessin\u00e9e au tournant<\/em>, Bruxelles&nbsp;: Les Impressions Nouvelles, 2017, 128&nbsp;p.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">Dictionnaires et encyclop\u00e9dies<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>GAUMER, Patrick, <em>Larousse de la BD<\/em>, Paris&nbsp;: Larousse, 2004, 889&nbsp;p.<\/p>\n\n\n\n<p>GROENSTEEN, Thierry, \u00ab&nbsp;Dictionnaire esth\u00e9tique et th\u00e9matique de la bande dessin\u00e9e&nbsp;\u00bb,<em> Neuvi\u00e8me Art 2.0<\/em>. [<a rel=\"noreferrer noopener\" href=\"https:\/\/neuviemeart.citebd.org\/spip.php?rubrique77\" data-type=\"URL\" data-id=\"https:\/\/neuviemeart.citebd.org\/spip.php?rubrique77\" target=\"_blank\">En ligne<\/a>].<\/p>\n\n\n\n<p>GROENSTEEN, Thierry, <em>Le bouquin de la bande dessin\u00e9e, Dictionnaire esth\u00e9tique et th\u00e9matique<\/em>, Paris: Robert Laffont.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">\u00c9dition (\u00e9diteurs, publication et supports)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BARONI, Rapha\u00ebl, GOUDMAND, Ana\u00efs, \u00ab&nbsp;Les avatars du chapitre en bande dessin\u00e9e&nbsp;\u00bb,<em> Cahiers de narratologie<\/em>, n\u00b0 34. [<a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.4000\/narratologie.8554\" target=\"_blank\" data-type=\"URL\" data-id=\"https:\/\/doi.org\/10.4000\/narratologie.8554\">En ligne<\/a>]\n\n\n\n<p>BELLEFROID, Thierry, <em>Les \u00e9diteurs de bande dessin\u00e9e<\/em>, Bruxelles&nbsp;: Niffle, 2005, 165&nbsp;p.<\/p>\n\n\n\n<p>BERTHOU Beno\u00eet, <em>\u00c9diter la bande dessin\u00e9e<\/em>, Paris&nbsp;: \u00c9ditions du Cercle de la librairie, 2016, 123&nbsp;p.<\/p>\n\n\n\n<p>BOILLAT, Alain <em>et alii<\/em>, <em>Case, strip, action ! les feuilletons en bandes dessin\u00e9es dans les magazines pour la jeunesse (1946-1959)<\/em>, Lausanne&nbsp;: Infolio, 2016.<\/p>\n\n\n\n<p>LESAGE, Sylvain, <em>Publier la bande dessin\u00e9e : les \u00e9diteurs franco-belges et l\u2019album, 1950-1990<\/em>, Villeurbanne&nbsp;: Presses de l\u2019ENSSIB, 2018.<\/p>\n\n\n\n<p>LESAGE, Sylvain, <em>L\u2019effet livre : m\u00e9tamorphose de la bande dessin\u00e9e<\/em>, Tours: Presses Univ. Fran\u00e7ois Rabelais, 2019.<\/p>\n\n\n\n<p>LESAGE, Sylvain, MEESTERS, Gert (dirs), <em>(\u00c0 Suivre). Archives d&rsquo;une revue culte<\/em>, Tours: Presses Univ. Fran\u00e7ois Rabelais, 2018.<\/p>\n\n\n\n<p>PINSON, Guillaume, L\u00c9VRIER, Alexis (dirs), <em>Presse et bande dessin\u00e9e. Une aventure sans fin. <\/em>Bruxelles: Les Impressions nouvelles, 2021.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">\u00c9mergence (g\u00e9n\u00e9alogie, naissance, conditions d&rsquo;apparition de la bande dessin\u00e9e)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>SMOLDEREN, Thierry, <em>Naissances de la bande dessin\u00e9e : de William Hogarth \u00e0 Winsor McCay<\/em>, Bruxelles : les Impressions nouvelles, 2009.<\/p>\n\n\n\n<p>GROENSTEEN, Thierry, <em>M. T\u00f6pffer invente la bande dessin\u00e9e<\/em>, Bruxelles : Les Impressions nouvelles, 2014.<\/p>\n\n\n\n<p>KAENEL, Philippe, <em>Le M\u00e9tier d&rsquo;illustrateur. Rodolphe T\u00f6pffer, J.-J. Grandville, Gustave Dor\u00e9<\/em>, Lausanne: Droz, 2005.<\/p>\n\n\n\n<p>KUNZLE, David, <em>The early comic strip : narrative strips and picture stories in the European broadsheet from c.1450 to 1825<\/em>, Berkeley: University of California Press, 1973.<\/p>\n\n\n\n<p>KUNZLE, David, <em>The History of the comic strip : the nineteenth century<\/em>, Berkeley : University of California Press, 1973.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Enseignement (enseigner avec la bande dessin\u00e9e, en classe de litt\u00e9rature, en classe de langue)<\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Enseignement en g\u00e9n\u00e9ral<\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BLANCHARD, Marianne, RAUX, H\u00e9l\u00e8ne (dirs.), \u00ab&nbsp;Usages didactiques de la bande dessin\u00e9e&nbsp;\u00bb, <em>Tr\u00e9ma<\/em>, n\u00b051,&nbsp;2019, [<a href=\"https:\/\/doi.org\/10.4000\/trema.4803\" data-type=\"URL\" data-id=\"https:\/\/doi.org\/10.4000\/trema.4803\">En ligne<\/a>].<\/p>\n\n\n\n<p>COLLECTIF, Lecture et bande dessin\u00e9e, Actes du premier colloque international \u00ab&nbsp;\u00c9ducation et bande dessin\u00e9e&nbsp;\u00bb, La Roque d\u2019Anth\u00e9ron, 16 et 17 janvier 1977, Objectif Promo-Durance, 1977.<\/p>\n\n\n\n<p>HELSBY, Wendy, <em>Comics in Education \u2013 The link between Visual and Verbal Literacies&nbsp;: how readers read comics<\/em>, Southampton, 1999 [th\u00e8se de doctorat].<\/p>\n\n\n\n<p>MITTERRAND, Odette, CIMENT, Gilles (dir.), <em>L\u2019Histoire par la bande, bande dessin\u00e9e, histoire et p\u00e9dagogie<\/em>, Paris, Syros, 1993.<\/p>\n\n\n\n<p>STEFANELLI, Matteo, \u00ab Ordre et d\u00e9sordre:&nbsp; pour&nbsp; une&nbsp; p\u00e9dagogie&nbsp; multimodale&nbsp; de&nbsp; la bande dessin\u00e9e \u00bb, Colloque international de recherche en didactique de&nbsp; la litt\u00e9rature \u00ab Lire et produire des&nbsp; bandes&nbsp; dessin\u00e9es&nbsp; \u00e0&nbsp; l&rsquo;\u00e9cole \u00bb, 18 mai 2010. [<a rel=\"noreferrer noopener\" href=\"https:\/\/vimeo.com\/12968420\" target=\"_blank\">En ligne<\/a>].<\/p>\n\n\n\n<p>ROUVIERE, Nicolas (dir.), <em>Bande dessin\u00e9e et enseignement des humanit\u00e9s<\/em>, Grenoble: Ellug, 2012.<\/p>\n\n\n\n<p>ROUX, Antoine, <em>La BD peut \u00eatre \u00e9ducative<\/em>, 1970, CNDP, 1986 [1984].<\/p>\n\n\n\n<p>SOHET, Philippe, <em>P\u00e9dagogie de la bande dessin\u00e9e. Lecture d\u2019un r\u00e9cit d\u2019Edmond Baudoin<\/em>, Qu\u00e9bec: Presses de l\u2019Universit\u00e9 du Qu\u00e9bec, 2010.<\/p>\n\n\n\n<p>TABACHNICK, Stephen E., <em>Teaching the Graphic Novel<\/em>, New York: Modern Language Association of America, 2009.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Enseignement en classe de litt\u00e9rature<\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BARONI, Rapha\u00ebl, TURIN, Gaspard (\u00e9ds), \u00ab Enseigner la bande dessin\u00e9e comme (de la) litt\u00e9rature \u00bb, <em>Transpositio<\/em>, dossier n\u00b0 4, Universit\u00e9 de Gen\u00e8ve, 2021. [<a rel=\"noreferrer noopener\" href=\"https:\/\/www.transpositio.org\/categories\/view\/n-4-enseigner-la-bande-dessinee-comme-de-la-litterature\" target=\"_blank\">En ligne<\/a>]\n\n\n\n<p>DARDAILLON, Sylvie, \u00ab Quelle place pour l\u2019iconotexte dans les pratiques enseignantes au cycle III ? \u00bb, La litt\u00e9rature en corpus. Corpus implicites, explicites, virtuels, pp. 85-95, 2009.<\/p>\n\n\n\n<p>GREGOIRE, Micha\u00ebl, La bande dessin\u00e9e et l\u2019enseignement du fran\u00e7ais : d\u00e9veloppement d\u2019une s\u00e9quence didactique en quatri\u00e8me secondaire [M\u00e9moire de ma\u00eetrise, Universit\u00e9 du Qu\u00e9bec], 2012. [<a rel=\"noreferrer noopener\" href=\"https:\/\/semaphore.uqar.ca\/id\/eprint\/881\/\" target=\"_blank\">En ligne<\/a>]\n\n\n\n<p>MARCOUX, Marie-H\u00e9l\u00e8ne, <em>La BD au primaire. Des ateliers motivants pour d\u00e9velopper la comp\u00e9tence en lecture,<\/em> Montr\u00e9al, Cheneli\u00e8re \u00e9ducation, 2018.<\/p>\n\n\n\n<p>MARCOUX, Marie-H\u00e9l\u00e8ne, <em>La BD au secondaire. Des ateliers motivants pour d\u00e9velopper la comp\u00e9tence en lecture,<\/em> Montr\u00e9al, Cheneli\u00e8re \u00e9ducation, 2015.<\/p>\n\n\n\n<p>ROUVIERE, Nicolas, \u00ab Perspectives de formation \u00e0 la didactique de la bande dessin\u00e9e en classe de litt\u00e9rature \u00bb, Deuxi\u00e8mes Rencontres nationales de la bande dessin\u00e9e, Angoul\u00eame, 2017.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Enseignement en classe de langue et civilisation<\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BANNIER, Augustin, \u00ab&nbsp;La bande dessin\u00e9e en classe de FLE, Pourquoi n\u2019est-elle pas \u00e9tudi\u00e9e pour elle-m\u00eame ?&nbsp;\u00bb, M\u00e9moire de master, Universit\u00e9 d\u2019Anger, 2014. [<a href=\"https:\/\/dune.univ-angers.fr\/fichiers\/20125143\/20142MDLA2609\/fichier\/2609F.pdf\">En ligne<\/a>]\n\n\n\n<p>GIROUD, Anick \u00ab La bande dessin\u00e9e dans les manuels de FLE (1919-2020)&nbsp;\u00bb, in \u00ab&nbsp;Enseigner la bande dessin\u00e9e comme (de la) litt\u00e9rature&nbsp;\u00bb, <em>Transpositio<\/em>, n\u00b0 4, 2021. [<a href=\"https:\/\/www.transpositio.org\/articles\/view\/la-bande-dessinee-dans-les-manuels-de-fle-1919-2020\">En ligne<\/a>]\n\n\n\n<p>JEFFROY, G\u00e9raldine, <em>Bulles de France, les st\u00e9r\u00e9otypes et l\u2019interculturel en BD<\/em>, Grenoble: Presses Universitaires de Grenoble, 2015.<\/p>\n\n\n\n<p>RUNGE, Annette, SWORD, <em>La BD : la bande dessin\u00e9e satirique dans la classe de fran\u00e7ais langue \u00e9trang\u00e8re<\/em>, Paris: CLE International, 1987.<\/p>\n<\/div><\/div>\n<\/details>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">Langage (\u00e9nonciation, discours, texte, \u00e9criture, dialogues)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BAETENS, Jan, <em>Herg\u00e9 \u00e9crivain, <\/em>Paris: Flammarion, 2010.<\/p>\n\n\n\n<p>GLAUDE, Beno\u00eet, <em>La bande dialogu\u00e9e. Une histoire des dialogues en bande dessin\u00e9e (1830-1960)<\/em>, Tours&nbsp;: Presses Univ. Fran\u00e7ois Rabelais, 2019.<\/p>\n\n\n\n<p>MARION, Philippe, <em>Traces en cases : travail graphique, figuration narrative et participation du lecteur<\/em>, Louvain-la-Neuve&nbsp;: Academia, 1993.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">Lecture (approches cognitives, publics)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BAETENS, Jan, LEFEVRE, Pascal, <em>Pour une lecture moderne de la bande dessin\u00e9e<\/em>, Bruxelles: Centre Belge de la Bande Dessin\u00e9e, 1993. [<a rel=\"noreferrer noopener\" href=\"https:\/\/10.4000\/books.bibpompidou.1671\" data-type=\"URL\" data-id=\"10.4000\/books.bibpompidou.1671\" target=\"_blank\">En ligne<\/a>]\n\n\n\n<p>BERTHOU, Beno\u00eet&nbsp;(dir.), <em>La bande dessin\u00e9e\u202f: quelle lecture, quelle culture\u202f?<\/em>, \u00c9ditions de la Biblioth\u00e8que publique d\u2019information, 2015. [<a href=\"https:\/\/10.4000\/books.bibpompidou.1671\" data-type=\"URL\" data-id=\"10.4000\/books.bibpompidou.1671\">En ligne<\/a>]\n\n\n\n<p>COHN, Neil, <em>Who understands comics? Questioning the universality of visual language comprehension<\/em>, London: Bloomsbury Academic, 2020.<\/p>\n\n\n\n<p>MASSON, Pierre, <em>Lire la bande dessin\u00e9e<\/em>, Lyon&nbsp;: Presses universitaires de Lyon, 1985.<\/p>\n\n\n\n<p>PEETERS, Beno\u00eet, <em>Lire la bande dessin\u00e9e<\/em>, Paris: Flammarion, 2010, 192 p.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">M\u00e9dia (interm\u00e9dialit\u00e9, transm\u00e9dialit\u00e9, culture m\u00e9diatique, adaptation)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BAETENS, Jan, <em>Adaptation et bande dessin\u00e9e, <\/em>Bruxelles, Les Impressions nouvelles, 2020, 240 p.<\/p>\n\n\n\n<p>MAIGRET \u00c9ric et STEFANELLI, Matteo&nbsp;(dirs.), <em>La bande dessin\u00e9e: une m\u00e9diaculture<\/em>, Paris&nbsp;: Armand Colin, 2012, 271&nbsp;p.<\/p>\n\n\n\n<p>LORENZ, D\u00e9sir\u00e9e et CABOCHE, Elsa (dirs), <em>La bande dessin\u00e9e \u00e0 la crois\u00e9e des m\u00e9dias<\/em>, Tours: Presses Univ. Fran\u00e7ois Rabelais, 2019.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">Narration (narratologie, r\u00e9cit)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BAETENS, Jan, <em>Formes et politique de la bande dessin\u00e9e<\/em>, Paris, Librairie Vrin, 1998.<\/p>\n\n\n\n<p>BOILLAT, Alain <em>et alii<\/em>, <em>Case, strip, action ! les feuilletons en bandes dessin\u00e9es dans les magazines pour la jeunesse (1946-1959)<\/em>, Lausanne&nbsp;: Infolio, 2016.<\/p>\n\n\n\n<p>FRESNAULT-DERUELLE, Pierre, \u00ab&nbsp;Du lin\u00e9aire au tabulaire&nbsp;\u00bb, <em>Communications<\/em>, vol.&nbsp;24, n<sup>o<\/sup>&nbsp;1, 1976, p.&nbsp;7\u201123. [<a href=\"https:\/\/10.3406\/comm.1976.1363\" data-type=\"URL\" data-id=\"10.3406\/comm.1976.1363\">En ligne<\/a>]\n\n\n\n<p>GROENSTEEN, Thierry, <em>Bande dessin\u00e9e et narration<\/em>, Paris&nbsp;: Presses Univ. de France, 2011.<\/p>\n\n\n\n<p>MIKKONEN Kai, <em>The narratology of comic art<\/em>, New York&nbsp;: Routledge, 2017, 300&nbsp;p.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">Num\u00e9rique (bande dessin\u00e9e num\u00e9rique, num\u00e9risation, archivage num\u00e9rique)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BAUDRY, Julien, <em>Cases Pixels. Une histoire de la BD num\u00e9rique en France<\/em>, Tours&nbsp;: Presses universitaires Fran\u00e7ois Rabelais, 2018.<\/p>\n\n\n\n<p>BAUDRY, Julien, \u00ab&nbsp;Bande dessin\u00e9e&nbsp;\u00bb, in Rapha\u00ebl Baroni et Claus Gunti&nbsp;(dir.), <em>Introduction \u00e0 l\u2019\u00e9tude des cultures num\u00e9riques. La transition num\u00e9rique des m\u00e9dias<\/em>, Paris&nbsp;: Armand Colin, 2020, p.&nbsp;44\u201157.<\/p>\n\n\n\n<p>KASHTAN, Aaron, <em>Between pen and pixel. Comics materiality and the book of the future, <\/em>Columbus: Ohio State University Press, 2018.<\/p>\n\n\n\n<p>McCLOUD, Scott, <em>R\u00e9inventer la bande dessin\u00e9e<\/em>, Paris: Delcourt, 2015.<\/p>\n\n\n\n<p>PEETERS, Beno\u00eet, SCHUITEN, Fran\u00e7ois, <em>L&rsquo;Aventure des images: de la bande dessin\u00e9e au multim\u00e9dia<\/em>, Paris: \u00c9ditions Autrement, 1996.<\/p>\n\n\n\n<p>ROBERT, Pascal&nbsp;(dir.), <em>Bande dessin\u00e9e et num\u00e9rique<\/em>, Paris&nbsp;: CNRS \u00c9ditions, 2016.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Roman graphique<\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BAETENS, Jan, \u00abLe roman graphique\u00bb, in Eric Maigret &amp; Marco Stefanelli (dir.), L<em>a bande dessin\u00e9e: une m\u00e9diaculture<\/em>,  Paris: Armand Colin, 2012 p. 200-216.<\/p>\n\n\n\n<p>BAETENS, Jan, FREY, Hugo, <em>The graphic novel: an introduction<\/em>, New York&nbsp;: Cambridge University Press, 2015, 286&nbsp;p.<\/p>\n\n\n\n<p>BAETENS, Jan, \u00ab&nbsp;Litt\u00e9rature bande dessin\u00e9e&nbsp;\u00bb, <em>Cahiers de narratologie<\/em>, n\u00b0 16, 2009. [<a rel=\"noreferrer noopener\" href=\"https:\/\/10.4000\/books.bibpompidou.1671\" data-type=\"URL\" data-id=\"10.4000\/books.bibpompidou.1671\" target=\"_blank\">En ligne<\/a>]\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>S\u00e9miologie<\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>FRESNAULT-DERUELLE, Pierre, <em>La Bande dessin\u00e9e : essai d\u2019analyse s\u00e9miotique<\/em>, Paris&nbsp;: Hachette, 1972.<\/p>\n\n\n\n<p>FRESNAULT-DERUELLE, Pierre, <em>R\u00e9cits et discours par la bande : essais sur les comics<\/em>, Paris&nbsp;: Hachette, 1977.<\/p>\n\n\n\n<p>GROENSTEEN, Thierry, <em>Syst\u00e8me de la bande dessin\u00e9e<\/em>, Paris&nbsp;: Presses Univ. de France, 1999.<\/p>\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">Sociologie (lecteurs\u00b7trices, auteurs\u00b7trices, \u00e9diteurs\u00b7trices)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BERTHOU, Beno\u00eet&nbsp;(dir.), <em>La bande dessin\u00e9e\u202f: quelle lecture, quelle culture\u202f?<\/em>, \u00c9ditions de la Biblioth\u00e8que publique d\u2019information, 2015. [<a href=\"https:\/\/10.4000\/books.bibpompidou.1671\" data-type=\"URL\" data-id=\"10.4000\/books.bibpompidou.1671\">En ligne<\/a>]\n\n\n\n<p>BOLTANSKI, Luc, \u00ab&nbsp;La constitution du champ de la bande dessin\u00e9e&nbsp;\u00bb, <em>Actes de la recherche en sciences sociales<\/em>, vol.&nbsp;1, n<sup>o<\/sup>&nbsp;1, 1975, p.&nbsp;37\u201159. [<a href=\"https:\/\/10.3406\/arss.1975.2448\" data-type=\"URL\" data-id=\"10.3406\/arss.1975.2448\">En ligne<\/a>]\n<\/div><\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details\"><summary><span role=\"textbox\" aria-label=\"Accordion title...\" class=\"block-editor-rich-text__editable rich-text is-layout-flow wp-block-details-is-layout-flow\" style=\"min-width: 1px\">Th\u00e9ories g\u00e9n\u00e9rales (introductions, essais)<\/span><\/summary>\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>BAETENS, Jan, <em>Forme<\/em> <em>et politique de la bande dessin\u00e9e<\/em>, Bruxelles : Peeters, 1998.<\/p>\n\n\n\n<p>BAETENS, Jan, LEFEVRE, Pascal, <em>Pour une lecture moderne de la bande dessin\u00e9e<\/em>, Bruxelles : Centre Belge de la Bande Dessin\u00e9e, 1993. [<a rel=\"noreferrer noopener\" href=\"https:\/\/10.4000\/books.bibpompidou.1671\" data-type=\"URL\" data-id=\"10.4000\/books.bibpompidou.1671\" target=\"_blank\">En ligne<\/a>]\n\n\n\n<p>GROENSTEEN, Thierry, <em>Syst\u00e8me de la bande dessin\u00e9e<\/em>, Paris&nbsp;: Presses Univ. de France, 1999.<\/p>\n\n\n\n<p>GROENSTEEN, Thierry, <em>Bande dessin\u00e9e et narration<\/em>, Paris&nbsp;: Presses Univ. de France, 2011.<\/p>\n\n\n\n<p>KUKKONEN, Karin, <em>Studying comics and graphic novels<\/em>, Malden, MA&nbsp;: John Wiley &amp; Sons Inc, 2013.<\/p>\n\n\n\n<p>MCCLOUD Scott, <em>Understanding Comics<\/em>, New York: William Morrow, 1993.<\/p>\n\n\n\n<p>MCCLOUD, Scott, <em>Reinventing Comics: How Imagination and Technology Are Revolutionizing an Art Form<\/em>, New York: Perennial, 2000.<\/p>\n\n\n\n<p>MORGAN, Harry, <em>Principes des litt\u00e9ratures dessin\u00e9es<\/em>, Angoul\u00eame&nbsp;: L\u2019An 2, 2003.<\/p>\n\n\n\n<p>PEETERS, Beno\u00eet, <em>Lire la bande dessin\u00e9e<\/em>, Paris: Flammarion, 2010, 192 p.<\/p>\n\n\n\n<p>PEETERS, Beno\u00eet, <em>Case, planche, r\u00e9cit : comment lire une bande dessin\u00e9e<\/em>, Tournai&nbsp;: Casterman, 1991.<\/p>\n\n\n\n<p>REY, Alain, <em>Les spectres de la bande: essai sur la B.D<\/em>, Paris&nbsp;: \u00c9ditions de Minuit, 1978.<\/p>\n\n\n\n<p>ROBERT, Pascal, <em>La bande dessin\u00e9e. Une intelligence subversive<\/em>, Villeurbanne: Presses de l&rsquo;ENSSIB, 2018.<\/p>\n\n\n\n<p>STEIN, Daniel et THON, Jan-No\u00ebl&nbsp;(dir.), <em>From comic strips to graphic novels: contributions to the theory and history of graphic narrative<\/em>, Berlin\u202f; Boston&nbsp;: De Gruyter, 2013, 416&nbsp;p.<\/p>\n<\/div><\/div>\n<\/details>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1480,"featured_media":0,"parent":1973,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1977","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/pages\/1977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/users\/1480"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/comments?post=1977"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/pages\/1977\/revisions"}],"predecessor-version":[{"id":3331,"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/pages\/1977\/revisions\/3331"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/pages\/1973"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/grebd\/wp-json\/wp\/v2\/media?parent=1977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}