{"id":2136,"date":"2020-06-05T11:00:00","date_gmt":"2020-06-05T09:00:00","guid":{"rendered":"http:\/\/wp.unil.ch\/futurspossibles\/?p=2136"},"modified":"2020-07-17T08:07:36","modified_gmt":"2020-07-17T06:07:36","slug":"theatre-des-futurs-possibles-lauda-de-olivia-pedroli-alexandre-grandjean-et-yasmine-hugonnet","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/futurspossibles\/2020\/06\/theatre-des-futurs-possibles-lauda-de-olivia-pedroli-alexandre-grandjean-et-yasmine-hugonnet\/","title":{"rendered":"Th\u00e9\u00e2tre des futurs possibles : \u00ab\u00a0Lauda\u00a0\u00bb de Olivia Pedroli, Alexandre Grandjean et Yasmine Hugonnet"},"content":{"rendered":"

Dans le cadre du cycle Imaginaires des futurs possibles<\/em>, un groupe interdisciplinaire de scientifiques de l\u2019UNIL et d\u2019artistes<\/a> s\u2019est r\u00e9uni r\u00e9guli\u00e8rement autour de Dominique Bourg et ses invit\u00e9\u00b7e\u00b7s au fil de la saison. De ces rencontres sont n\u00e9es des id\u00e9es, des projets de collaboration, des petites formes qui auraient d\u00fb se d\u00e9ployer \u00e0 travers tous les espaces du th\u00e9\u00e2tre lors d\u2019une journ\u00e9e porte ouverte du laboratoire le 6 juin 2020 : le Th\u00e9\u00e2tre des futurs possibles.<\/em> Voici l’une des propositions laboratoires.<\/p><\/blockquote>\n

\"\"<\/a><\/h4>\n

Projet men\u00e9 par Olivia Pedroli<\/strong>, Alexandre Grandjean<\/strong> et Yasmine Hugonnet<\/strong><\/p>\n

\u00ab Les laude<\/em> sont des chants polyphoniques caract\u00e9ris\u00e9s par une interpr\u00e9tation et variation libre des registres vocaux. Ces chants sacr\u00e9s en langue vernaculaire sont des hymnes qui d\u00e9chirent le c\u0153ur, qui chantent les Myst\u00e8res tant glorieux que sombres de l\u2019existence. Ils portent en eux la trame d\u2019une m\u00e9lancolie profonde, souvent associ\u00e9e dans les traditions antiques et m\u00e9di\u00e9vales aux humeurs de la Terre. Dans nos ann\u00e9es qui ressemblent au cr\u00e9puscule de l\u2019esp\u00e9rance, o\u00f9 pullulent les annonces de catastrophes, d\u2019effondrement, d\u2019inaction des mondes politiques et \u00e9conomiques, o\u00f9 les savoirs scientifiques ressemblent \u00e0 une tour de Babel insurmontable au profane, et o\u00f9 la confiance que nous pourrions placer dans les syst\u00e8mes et les figures d\u2019expertises semble d\u00e9faillante, peut-\u00eatre pouvons-nous \u00e9couter \u00e0 nouveau des laude<\/em>. Ainsi, nous laisser transporter et vaguer entre les voix et les registres, entre int\u00e9riorit\u00e9 subjective et ext\u00e9riorit\u00e9 objectiv\u00e9e. \u00bb<\/p>\n

Pour \u00e9couter la Lauda<\/em><\/a><\/p>\n

Paroles de Lauda Oi me lasso
\n(Melancholia, rages of the Earth) <\/strong><\/h5>\n

Ah, poor me, my heart is cold,
For does it not sigh with love
Enough to die?<\/span><\/p>\n

Melancholia, rages of the Earth
There is only farsighted superficial
Irony, ambiguity.<\/span><\/p>\n

Marine heatwaves have already resulted in large-scale
\ncoral bleaching events at increasing frequency (very high confidence.)<\/em><\/p>\n

You should have passed, false and thankless heart,
\nVillainous, blind, lazy and negligent,
\nWho danced pitfall certitudes,
\nWho hazzled confidence.<\/p>\n

Ah, poor me, my heart is cold,
\nFor does it not sigh with love
\nEnough to die?<\/p>\n

Anthropogenic climate change has increased observed precipitation (medium confidence), winds (low confidence), and extreme sea level events (high confidence). <\/em><\/p>\n

You should have passed, false and thankless heart,
\nVillainous, blind, lazy and negligent,
\nWho unclasped doubts,
\nWho distorted confidence.<\/p>\n

In drylands, climate change and desertification are projected to cause reductions in crop and livestock productivity (high confidence) Extreme weather and climate or slow-onset events may lead to increased displacement, \u2028disrupted food chains, threatened livelihoods (high confidence), and contribute to exacerbated stresses for conflict (medium confidence).<\/em><\/p>\n

Melancholia, rages on the Earth
\nIt has no smell, it has no taste, no vanity.
\nIt is unplanned, unwanted,
\nTentacular to the flesh.<\/p>\n

Ah, poor me, my heart is cold,
\nFor a blackbird\u2019s recital is
\nEnough to die?<\/p>\n

Near-term actions to promote sustainable land management \u2028Will help reduce land and food-related vulnerabilities, <\u2026 will> create more resilient livelihoods, reduce land degradation and desertification, <\u2026> loss of biodiversity (high confidence).<\/em><\/p>\n

\n

Traduction fran\u00e7aise<\/strong><\/p>\n

Lauda Oi me lasso
\n(M\u00e9lancolie, de la Terre, les rages) <\/strong><\/h5>\n

Las, pauvre de moi, mon c\u0153ur se glace,
\nCar soupirer d\u2019amour, n\u2019est-ce pas assez
\nPour mourir?<\/p>\n

M\u00e9lancolie, de la Terre, les rages.
\nTout n\u2019est que surface visionnaire,
\nIronie, ambigu\u00eft\u00e9.<\/p>\n

Les vagues de chaleur oc\u00e9aniques ont d\u00e9j\u00e0 provoqu\u00e9 \u00e0 grande \u00e9chelle des ph\u00e9nom\u00e8nes de blanchiment du corail dont la fr\u00e9quence augmente (degr\u00e9 de confiance tr\u00e8s \u00e9lev\u00e9). <\/em><\/p>\n

Tu aurais d\u00fb finir, c\u0153ur fourbe et ingrat,
\nVil, aveugle, paresseux et n\u00e9gligent,
\n\u00c0 danser l\u2019ab\u00eeme des certitudes,
\n\u00c0 drainer les confiances.<\/p>\n

Le changement climatique anthropique a augment\u00e9 de mani\u00e8re visible les pr\u00e9cipitations (degr\u00e9 de confiance moyen), les vents (degr\u00e9 de confiance faible) et les ph\u00e9nom\u00e8nes de niveau marin extr\u00eame (degr\u00e9 de confiance \u00e9lev\u00e9). <\/em><\/p>\n

Tu aurais d\u00fb finir, c\u0153ur fourbe et ingrat,
\nVil, aveugle, paresseux et n\u00e9gligent,
\n\u00c0 d\u00e9cha\u00eener les doutes,
\n\u00c0 d\u00e9figurer les confiances.<\/p>\n

Selon les projections, le changement climatique et la d\u00e9sertification des zones arides devraient diminuer le rendement des cultures et du b\u00e9tail (degr\u00e9 de confiance \u00e9lev\u00e9). Des ph\u00e9nom\u00e8nes m\u00e9t\u00e9orologiques et climatiques extr\u00eames ou \u00e0 \u00e9volution lente peuvent mener \u00e0 l\u2019augmentation des d\u00e9placements, \u00e0 des perturbations des cha\u00eenes d\u2019approvisionnement, \u00e0 des menaces envers les moyens de subsistance (degr\u00e9 de confiance \u00e9lev\u00e9), et contribuer \u00e0 l\u2019intensification des risques de conflit (degr\u00e9 de confiance moyen).<\/em><\/p>\n

M\u00e9lancolie, sur la Terre, les rages.
\nSans odeur, saveur, ni vanit\u00e9.
\nNon-planifi\u00e9, non-d\u00e9sir\u00e9.
\nTentaculaire jusque dans la chair.<\/p>\n

Las, pauvre de moi, mon c\u0153ur se glace,
\nCar le r\u00e9cital d\u2019un merle noir, n\u2019est-ce pas
\nAssez pour mourir?<\/p>\n

Des actions \u00e0 court-terme de promotion de la gestion durable des terres aideront \u00e0 r\u00e9duire les vuln\u00e9rabilit\u00e9s li\u00e9es \u00e0 l\u2019alimentation et aux territoires, [\u2026] \u00e0 cr\u00e9er des moyens de subsistance plus r\u00e9silients, \u00e0 r\u00e9duire la d\u00e9gradation des sols et la d\u00e9sertification, [et] le d\u00e9clin de la biodiversit\u00e9 (degr\u00e9 de confiance \u00e9lev\u00e9).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Les laude sont des chants polyphoniques caract\u00e9ris\u00e9s par une interpr\u00e9tation et variation libre des registres vocaux. Ces chants sacr\u00e9s en langue vernaculaire sont des hymnes qui d\u00e9chirent le c\u0153ur, qui chantent les Myst\u00e8res tant glorieux que sombres de l\u2019existence.<\/p>\n","protected":false},"author":1001409,"featured_media":2138,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_uag_custom_page_level_css":"","footnotes":""},"categories":[3,20],"tags":[],"class_list":{"0":"post-2136","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-imaginaires-des-futurs-possibles","8":"category-video"},"uagb_featured_image_src":{"full":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421.jpg",1600,1200,false],"thumbnail":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-150x150.jpg",150,150,true],"medium":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-300x225.jpg",300,225,true],"medium_large":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-768x576.jpg",735,551,true],"large":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-1024x768.jpg",735,551,true],"1536x1536":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-1536x1152.jpg",1536,1152,true],"2048x2048":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421.jpg",1600,1200,false],"hitmag-landscape":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-1120x450.jpg",1120,450,true],"hitmag-featured":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-735x400.jpg",735,400,true],"hitmag-grid":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-348x215.jpg",348,215,true],"hitmag-list":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-290x220.jpg",290,220,true],"hitmag-thumbnail":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-135x93.jpg",135,93,true],"mailpoet_newsletter_max":["https:\/\/wp.unil.ch\/futurspossibles\/files\/2020\/06\/IMG_6421-1320x990.jpg",1320,990,true]},"uagb_author_info":{"display_name":"Nicolas Carrel","author_link":"https:\/\/wp.unil.ch\/futurspossibles\/author\/ncarrel\/"},"uagb_comment_info":0,"uagb_excerpt":"Les laude sont des chants polyphoniques caract\u00e9ris\u00e9s par une interpr\u00e9tation et variation libre des registres vocaux. Ces chants sacr\u00e9s en langue vernaculaire sont des hymnes qui d\u00e9chirent le c\u0153ur, qui chantent les Myst\u00e8res tant glorieux que sombres de l\u2019existence.","_links":{"self":[{"href":"https:\/\/wp.unil.ch\/futurspossibles\/wp-json\/wp\/v2\/posts\/2136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/futurspossibles\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/futurspossibles\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/futurspossibles\/wp-json\/wp\/v2\/users\/1001409"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/futurspossibles\/wp-json\/wp\/v2\/comments?post=2136"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/futurspossibles\/wp-json\/wp\/v2\/posts\/2136\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/futurspossibles\/wp-json\/wp\/v2\/media\/2138"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/futurspossibles\/wp-json\/wp\/v2\/media?parent=2136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/futurspossibles\/wp-json\/wp\/v2\/categories?post=2136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/futurspossibles\/wp-json\/wp\/v2\/tags?post=2136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}