{"id":336,"date":"2016-06-21T17:43:53","date_gmt":"2016-06-21T15:43:53","guid":{"rendered":"http:\/\/wp.unil.ch\/expophoto-ch\/?page_id=336"},"modified":"2017-07-17T10:59:57","modified_gmt":"2017-07-17T08:59:57","slug":"photographie-et-expositions","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/expophoto-ch\/photographie-et-expositions\/","title":{"rendered":"Photographie et expositions"},"content":{"rendered":"

Bibliographie s\u00e9lective.\u00a0<\/strong>Litt\u00e9rature secondaire<\/strong><\/p>\n

BACK Jean, SCHMIDT-LISENHOFF Victoria (dir.), The Family of Man 1955-2001: Humanism and Postmodernism. A Reappraisal of the Photo Exhibition by Edward Steichen<\/em>, Marburg, Jonas Verlag, 2004.<\/p>\n

BROCARD H\u00e9l\u00e8ne, \u00ab Les expositions de photographie, 1855-1870 \u00bb, Revue de l\u2019art<\/em>, n\u00b0 154, 2006.<\/p>\n

BRONS Franziska, Exposition eines Mediums. Internationale Photographische Ausstellung Dresden 1909<\/em>, Paderborn, W. Fink, 2015.<\/p>\n

BROWN Julie K., Making Culture Visible: The Public Display of Photography at Fairs, Expositions, and Exhibitions in the United States, 1847-1900<\/em>, Australia\/Amsterdam, Harwood Academic Publishers, 2001.<\/p>\n

BUCHLOH Benjamin, \u00ab From Faktura to Factography \u00bb, October<\/em>, n\u00b0 30, automne 1984 (trad. fran\u00e7aise :\u00a0\u00ab Factura et factographie \u00bb, in Essais historiques : 1, Art moderne<\/em>, Villeurbanne, Art \u00e9dition, 1992).<\/p>\n

CRIMP Douglas, \u00ab The Museum\u2019s Old, the Library\u2019s New Subject \u00bb, Parachute<\/em>, n\u00b0 22, printemps 1981 (trad. fran\u00e7aise : \u00ab Ancien et nouveau : de l\u2019objet de mus\u00e9e \u00e0 l\u2019objet de biblioth\u00e8que \u00bb, in Parachute : Essais choisis 1975-1984<\/em>, dir. Chantal Pontbriand, Bruxelles, La Lettre vol\u00e9e\/Montr\u00e9al, Editions Parachute, 2004.<\/p>\n

ESKILDSEN Ute, HORAK et Jan-Christopher (dir.), Film und Foto der Zwanziger Jahre: Eine Betrachtung der Internationalen Werkbundausstellung<\/em> \u00ab Film und Foto \u00bb 1929<\/em>, Stuttgart, Hatje, 1979.<\/p>\n

GREENOUGH Sarah (dir.), Modern Art and America: Alfred Stieglitz and His New York Galleries<\/em>, Washington, National Gallery of Art, 2000.<\/p>\n

KEENAN Thomas, ZOLGHADR Tirdad (dir.), The Human Snapshot<\/em>, [Meilen], Luma Foundation\/Annandale-on-Hudson, NY, Center for Curatorial Studies at Bard College\/Berlin, Sternberg Press, 2013.<\/p>\n

KEMP Wolfgang, \u00ab Qualit\u00e4t und Quantit\u00e4t: Formbestimmheit und Format der Fotografie \u00bb, in Foto-Essay:\u00a0<\/em>Zur Geschichte und Theorie der Fotografie<\/em>, Munich, Schirmer\/Mosel, 1978.<\/p>\n

LUGON Olivier, \u00ab L\u2019exposition mondialis\u00e9e : The Family of Man <\/em>\u00bb, in J\u00e9r\u00f4me David et Thomas David (dir.), Normes et formes culturelles de la mondialisation culturelle (XIXe-XXIe si\u00e8cles)<\/em>, Paris, Presses universitaires Paris Sorbonne, \u00e0 para\u00eetre.<\/p>\n

LUGON Olivier, \u00ab\u00a0Exposer\/projeter\u00a0: la diapositive et les \u00e9crans multiples dans les ann\u00e9es 1960\u00a0\u00bb, in Anne Lacoste, Nathalie Boulouch, Olivier Lugon, Carole Sandrin (dir.), Diapositive\u00a0: histoire de la photographie projet\u00e9e<\/i>, cat. expo. Mus\u00e9e de l\u2019Elys\u00e9e, Lausanne, Les Editions Noir sur Blanc, 2017, p. 188-201.<\/p>\n

LUGON Olivier, \u00ab The Ubiquitous Exhibition: Magazines, Museums and the Reproducible Exhibition after World War II \u00bb, in Thierry Gervais (dir.), The \u00ab Public Life \u00bb of<\/em> Photographs<\/em>, Toronto, Ryerson University, 2016.<\/p>\n

LUGON Olivier, \u00ab The Spatialization of Photography: Three Exhibitions of the 1950s \u00bb, in Nanni Baltzer et Martino Stierli (dir.), Montage Reader<\/em>, Zurich, Park Books, 2016.<\/p>\n

LUGON Olivier, \u00ab\u00a0L\u2019exposition d\u2019exposition\u00a0\u00bb, Avant l\u2019image\u00a0: des dispositifs pour voir<\/em>, Paris, Les Carnets du Bal n\u00b0 6, 2015.<\/p>\n

LUGON Olivier, \u00ab Film und Foto \u00bb, in Photography, Images and Objects: the Thomas Walther Collection<\/em>, New York, MoMA, 2015.<\/p>\n

LUGON Olivier, \u00ab Scale and Photography \u00bb, Art History<\/em>, num\u00e9ro sp\u00e9cial \u00ab Questions of Scale in Art History \u00bb, 2015.<\/p>\n

LUGON Olivier, \u00ab\u00a0Photography and Scale\u00a0: Projection, Exhibition, Collection\u00a0\u00bb,\u00a0Art History<\/em>, vol. 38, n\u00b0 2 (num\u00e9ro sp\u00e9cial \u00ab\u00a0To Scale\u00a0\u00bb,\u00a0dir. Joan Kee et Emanuele Lugli),\u00a0avril 2015.<\/p>\n

LUGON Olivier, \u00ab\u00a0Photography and Exhibition in Germany around 1930\u00a0\u00bb, in Mitra Abbaspour, Lee Ann Daffner et Maria Morris Hambourg (dir.), Object: Photo. Modern Photographs, the Thomas Walther Collection 1909-1949<\/em>, New York, The Museum of Modern Art, 2014.<\/p>\n

LUGON Olivier, \u00ab \u201cArchitecture, Measure of Man\u201d, Milan, 1951\u201d, Aperture<\/em>, n\u00b0 213, d\u00e9cembre 2013.<\/p>\n

LUGON Olivier, \u00ab Introduction \u00bb et \u00ab Entre l\u2019affiche et le monument, le photomural dans les ann\u00e9es 1930\u00a0\u00bb, in Lugon Olivier (dir.), Exposition et m\u00e9dias : photographie, cin\u00e9ma, t\u00e9l\u00e9vision<\/em>, Lausanne, L\u2019Age d\u2019Homme, 2012.<\/p>\n

LUGON Olivier, \u00ab \u201cMus\u00e9es sans murs\u201d et document : la spatialisation de la photographie dans les expositions des ann\u00e9es 1950 \u00bb, Revue de l\u2019art<\/em>, n\u00b0 175, mars 2012.<\/p>\n

LUGON Olivier, \u00ab Neues Sehen, Neue Geschichte: Laszlo Moholy-Nagy, Sigfried Giedion und die Ausstellung Film und Foto <\/em>\u00bb, <\/em>in Werner Oechslin, Gregor Harbusch (dir.), Sigfried Giedion und die Fotografie. Bildinszenierungen der Moderne<\/em>, Zurich, gta-verlag, 2010.<\/p>\n

LUGON Olivier, \u00ab Dynamic Paths of Thought: Exhibition Design, Photography and Circulation in the Work of Herbert\u00a0\u00bb, \u00a0in Fran\u00e7ois Albera et Maria Tortajada (dir.), Cinema Beyond Film: Media Epistemology in the Modern Era<\/em>, Amsterdam, Amsterdam University Press, 2010.<\/p>\n

LUGON Olivier, \u00ab Avant la \u201cforme tableau\u201d. Le grand format photographique dans l\u2019exposition \u201cSigns of Life\u201d (1976) \/ Before the Tableau Form<\/em>: Large Photographic Formats in the Exhibition \u201cSigns of Life\u201d, 1976\u00a0\u00bb, \u00c9tudes<\/em> photographiques<\/em>, n\u00b0 25, mai 2010.<\/p>\n

LUGON Olivier, \u00ab L\u2019exposition moderne de la photographie \/ Modern Exhibition of Photography \u00bb, in Les Espaces de l\u2019image \/ The Spaces of the Image<\/em>, \u00e9d. Ga\u00eblle Morel, Montr\u00e9al, Le Mois de la Photo \u00e0 Montr\u00e9al, 2009.<\/p>\n

LUGON Olivier, \u00ab Die globalisierte Ausstellung: The Family of Man<\/em>, 1955 \u00bb, Fotogeschichte<\/em>, vol. 29, n\u00b0 112, 2009.<\/p>\n

LUGON Olivier, \u00ab\u00a0\u201dSchulung der neuen Optik\u201d: Laszlo Moholy-Nagy, Sigfried Giedion und die Film und Foto Ausstellung\u00a0\u00bb, in Sigfried Giedion und die Fotografie<\/em>, Zurich, gta-verlag, 2009.<\/p>\n

LUGON Olivier, \u00ab\u00a0Edward Steichen sc\u00e9nographe d\u2019exposition\u00a0\u00bb, in Edward Steichen. Une \u00e9pop\u00e9e photographique<\/em>, \u00e9d. Todd Brandow et William Ewing, Minneapolis, FEP Editions\/Lausanne, Mus\u00e9e de l\u2019Elys\u00e9e\/Paris, Thames & Hudson, 2007.<\/p>\n

LUGON Olivier, \u00ab\u00a0\u201cKodakoration\u201d\u00a0: photographie et sc\u00e9nographie d\u2019exposition autour de 1900\u00a0\u00bb, \u00c9tudes photographiques<\/em>, n\u00b0 16 (n\u00b0 sp\u00e9cial \u00ab\u00a0Photographie\u00a0: les nouveaux enjeux de l’histoire\u00a0\u00bb), mai 2005.<\/p>\n

LUGON Olivier, \u00ab\u00a01929\u00a0: les grande expositions\u00a0\u00bb, in La Photographie en Allemagne. Anthologie de textes, 1919-1939<\/em>, N\u00eemes, \u00e9ditions Jacqueline Chambon, 1997.<\/p>\n

MAURO Alessandra (\u00e9d.), Photoshow. Landmark Exhibitions that Defined the History of Photography<\/em>, London, Thames & Hudson, 2014.<\/p>\n

MOREL Ga\u00eblle (dir.), Les Espaces de l\u2019image \/ The Spaces of the Image<\/em>, Montr\u00e9al, Mois de la Photo \u00e0 Montr\u00e9al, 2009.<\/p>\n

PHILLIPS Christopher, \u00ab The Judgement Seat of Photography \u00bb, October<\/em>, n\u00b0 22, automne 1982 (trad.\u00a0fran\u00e7aise : \u00ab Le tribunal de la photographie \u00bb, Les Cahiers du Mus\u00e9e national d’art moderne<\/em>, n\u00b0 35, printemps 1991).<\/p>\n

POHLMANN Ulrich, \u00ab \u201cHarmonie entre art et industrie\u201d : sur l\u2019histoire des premi\u00e8res expositions\u00a0photographiques de 1839 \u00e0 1911 \u00bb, in Lugon Olivier (dir.), Exposition et m\u00e9dias : photographie, cin\u00e9ma, t\u00e9l\u00e9vision<\/em>, Lausanne, L\u2019Age d\u2019Homme, 2012.<\/p>\n

POHLMANN Ulrich, Kultur, Technik und Kommerz: Die photokina-Bilderschauen 1950-1980<\/em>, cat. expo, Cologne, Historisches Archiv der Stadt K\u00f6ln, 1990.<\/p>\n

POHLMANN Ulrich, \u00ab \u201cNicht beziehungslose Kunst, sondern politische Waffe\u201d: Fotoausstellungen als Mittel der \u00c4sthetisierung von Politik und \u00d6konomie im Nationalsozialismus \u00bb, Fotogeschichte<\/em>, vol. 8, n\u00b0 28, 1988.<\/p>\n

POLLET Ariane, \u00ab Of Power and Politics: Steichen at MoMA \u00bb, in The Bitter Years<\/em>, Londres, Thames & Hudson, octobre 2012.<\/p>\n

POLLET Ariane, \u00ab Mass media et mus\u00e9e d\u2019art : le MoMA en crise, 1940-1947 \u00bb, in Olivier Lugon (dir.), Exposition et m\u00e9dias : photographie, cin\u00e9ma, t\u00e9l\u00e9vision<\/em>, op. cit.\u00a0<\/em><\/p>\n

POLLET Ariane, \u00ab The Cavalcade of Color <\/em>: Kodak et l’Exposition universelle de 1939 \/ The Cavalcade of Color: <\/em>Kodak and the 1939 World\u2019s Fair \u00bb, \u00c9tudes<\/em> photographiques<\/em>, n\u00b0 30, novembre 2012.<\/p>\n

RIBALTA Jorge (dir.), Public Photographic Spaces: Propaganda Exhibitions, from <\/em>Pressa to <\/em>The Family of Man, 1928-55<\/em>, Barcelone, MACBA, 2009.<\/p>\n

ROUBERT Paul-Louis, \u00ab 1859 : exposer la photographie \u00bb, \u00c9tudes photographiques<\/em>, n\u00b0 8, novembre\u00a02000.<\/p>\n

SANDEEN Eric J., Picturing an Exhibition: The Family of Man and 1950s America<\/em>, Albuquerque, University of New Mexico Press, 1995.<\/p>\n

SEKULA Allan, \u00ab The Traffic in Photographs \u00bb, Art Journal<\/em>, vol. 41, n\u00b0 1, printemps 1981 (trad. fran\u00e7aise : \u00ab Trafic dans la photographie \u00bb, in Allan Sekula,<\/em> Ecrits<\/em> sur la photographie<\/em>, \u00e9d. Marie Muracciole, Paris, Editions de l\u2019ENSBA, 2013.<\/p>\n

SIEBER Joachim, \u00ab…, dass sich die Grenzen verwischt haben.\u00a0\u00bb -Schaupl\u00e4tze und Str\u00e4nge der Fotografie <\/em>in Z\u00fcrich, 1975-1990 \u00bb, <\/em>in Hans Danuser, Bettina Gockel (\u00e9d.), Die Neuerfindung der Fotografie in den 1970er und 1980er Jahren. Hans Danuser – Gespr\u00e4che, Materialien, Analysen<\/em> (Studies in Theory and History of Photography 4), Berlin\/Boston 2014.<\/p>\n

STANISZEWSKI Mary Anne, The Power of Display: A History of Exhibition Installations at the Museum of Modern Art<\/em>, Cambridge, Mass., Londres, MIT Press, 1998.<\/p>\n

STIEGLER Bernd, \u00ab Exhibitions revisited: Editorial<\/em>\u00bb, <\/em>Fotogeschichte. Beitr\u00e4ge zur Geschichte und \u00c4sthetik der Fotografie<\/em>, n\u00b0112, ann\u00e9e 29, 2009.<\/p>\n

TAYLOR Roger, \u00ab\u00a0The Great Exhibition of 1851\u00a0\u00bb, in Impressed by Light: British Photographs from Paper Negatives, 1840-1860<\/em>, cat. expo. New York, The Metropolitan Museum of Art\/Washington, National Gallery of Art, New Haven et Londres, Yale University Press, 2007.<\/p>\n

TAYLOR Roger, Photographs Exhibited in Britain 1839-1965<\/em>, Ottawa, National Gallery of Canada, 2002.<\/p>\n

WILLUMSON Glenn, \u00ab\u00a0Making meaning: displaced materiality in the library and art
\nmuseum \u00bb, in Edwards, Elizabeth et Hart, Janice (dir.), Photographs Objects Histories: on the Materiality of Images<\/em>, Londres, Routledge, 2004.<\/p>\n

WILSON Kristina, The Modern Eye: Stieglitz, MoMA, and the Art of Exhibition, 1925-1934<\/em>, New Haven\/Londres, Yale University Press, 2009.<\/p>\n

ZERVIGNON Andres, \u00ab\u00a0The Peripatetic Viewer at Heartfield\u2019s Film und Foto Exhibition Room\u00a0\u00bb, October<\/em>, n\u00b0 150, automne 2014.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Bibliographie s\u00e9lective.\u00a0Litt\u00e9rature secondaire BACK Jean, SCHMIDT-LISENHOFF Victoria (dir.), The Family of Man 1955-2001: Humanism and Postmodernism. A Reappraisal of the Photo Exhibition by Edward Steichen, Marburg, Jonas Verlag, 2004. BROCARD H\u00e9l\u00e8ne, \u00ab Les expositions de photographie, 1855-1870 \u00bb, Revue de l\u2019art, n\u00b0 154, 2006. BRONS Franziska, Exposition eines Mediums. Internationale Photographische Ausstellung Dresden 1909, Paderborn, … Continuer la lecture de Photographie et expositions<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1001234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-336","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/pages\/336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/users\/1001234"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/comments?post=336"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/pages\/336\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/media?parent=336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}