{"id":331,"date":"2016-06-21T17:35:21","date_gmt":"2016-06-21T15:35:21","guid":{"rendered":"http:\/\/wp.unil.ch\/expophoto-ch\/?page_id=331"},"modified":"2016-12-28T12:53:58","modified_gmt":"2016-12-28T11:53:58","slug":"photographie-et-exposition-en-suisse","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/expophoto-ch\/photographie-et-exposition-en-suisse\/","title":{"rendered":"Photographie et expositions en Suisse"},"content":{"rendered":"

Bibliographie s\u00e9lective.\u00a0<\/strong>Litt\u00e9rature secondaire<\/strong><\/p>\n

ALLAS Ivo et BOSONI Giampiero, \u00ab\u00a0The Switzerland Project at International Exhibitions (1924-1939)\u00a0\u00bb, Rassegna<\/em>, vol. 17, n\u00b0 62, 1995.<\/p>\n

BIGNENS Christoph, \u00ab Swiss Style \u00bb: Die grosse Zeit der Gebrauchsgrafik in der Schweiz 1914-1962<\/em>, Zurich, Chronos, 2000.<\/p>\n

CORSINI Silvio, LACOSTE Anne et LUGON Olivier (dir.), La M\u00e9moire des images\u00a0: autour de la <\/em>Collection iconographique vaudoise<\/em>, Gollion, Infolio, 2015.<\/p>\n

DEBL\u00dcE Claire-Lise, Exposer pour exporter. Culture visuelle et expansion commerciale en Suisse (1908-1939)<\/em>, Neuch\u00e2tel, \u00c9ditions Alphil – Presses universitaires suisses, 2015.<\/p>\n

DEBL\u00dcE Claire-Lise, \u00ab\u00a0Photographie et art appliqu\u00e9\u00a0: le cas de l\u2019Exposition nationale d\u2019art appliqu\u00e9 (1922). Aux origines d\u2019une controverse id\u00e9ologique et esth\u00e9tique\u00a0\u00bb, Traverse. Revue d\u2019histoire<\/em>, vol. 2, 2011.<\/p>\n

GASSER Martin, \u00ab La perc\u00e9e du modernisme : les expositions photographiques en Suisse autour de 1930\u00a0\u00bb, in\u00a0Olivier Lugon (dir.), Exposition et<\/em> m\u00e9dias : photographie, cin\u00e9ma, t\u00e9l\u00e9vision<\/em>, Lausanne, L\u2019Age d\u2019Homme, 2012.<\/p>\n

GASSER Martin (dir.), Bilderstreit: Durchbruch der Moderne um 1930<\/em>, Winterthur, Fotostiftung Schweiz\/Zurich, Limmat Verlag, 2007.<\/p>\n

GN\u00c4GI Thomas, LAUENER Selina (Hg.), Gestaltung, Werk, Gesellschaft. 100 Jahre Schweizerischer Werkbund<\/em>, Z\u00fcrich, Scheidegger & Spiess, 2013.<\/p>\n

HOLLIS Richard, Swiss Graphic Design: The Origins and Growth of an International Style 1920-1965<\/em>, Londres, Laurence King Publishing, 2006.<\/p>\n

KOENIG Thilo, GASSER Martin (dir.), Hans Finsler und die Schweizer Fotokultur: Werk, Fotoklasse, moderne Gestaltung 1932-1960<\/em>, Museum f\u00fcr Gestaltung Z\u00fcrich, Zurich, gta Verlag, 2006.<\/p>\n

LOETSCHER Hugo (dir.), La Photographie en Suisse : 1840 \u00e0 nos jours<\/em>, Zurich, Fondation suisse pour la photographie\/Wabern-Berne, Benteli, 1992.<\/p>\n

LOETSCHER Hugo (dir.), Photographie en Suisse de 1840 \u00e0 aujourd\u2019hui<\/em>, Zurich, Fondation suisse pour la photographie\/Teufen, Niggli, 1974.<\/p>\n

LUGON, Olivier, \u00ab\u00a0The Automatic Exhibition: Slide Shows and Electronics at the Swiss National Exhibition 1964\u00a0\u00bb, Interm\u00e9dialit\u00e9s<\/em>, n\u00b0 24\/25 \u201cProjeter\/Projecting\u201d, 2015\u00a0: https:\/\/www.erudit.org\/revue\/im\/2015\/v\/n24-25\/1034161ar.html<\/a><\/p>\n

LUGON Olivier, VALLOTTON Fran\u00e7ois (dir.), Revisiter l\u2019Expo 64. Acteurs, discours, controverses<\/em>, Lausanne, PPUR, 2014.<\/p>\n

M\u00dcLLER Lars, Museum f\u00fcr Gestaltung Z\u00fcrich (Hg.), Max Bill. Sicht der Dinge: die gute Form: eine Ausstellung 1949<\/em>, Zurich, Lars M\u00fcller Publishers, 2015.<\/p>\n

STEIGER KRAUSHAAR Flavia, \u00ab\u00a0Weltausstellung der Photographie 1952. Luzern’s Experiment als Fotostadt\u00a0\u00bb, Geschichte, Kultur, Gesellschaft<\/em>, n\u00b0 30, 2012.<\/p>\n

M\u00e9moires\u00a0de master\u00a0<\/strong><\/p>\n

ADAMCZEWSKA-BOLLE Zuzanna, L\u2019Ann\u00e9e de l\u2019Est\u00a0: une manifestation du Mus\u00e9e de l\u2019Elys\u00e9e, 1990<\/em>, m\u00e9moire de master en histoire et esth\u00e9tique du cin\u00e9ma, Universit\u00e9 de Lausanne, 2009.<\/p>\n

CECCO, Ascanio, G\u00e9rard Ifert et l\u2019exposition mobile<\/em>, m\u00e9moire de master en histoire de l\u2019art, Universit\u00e9 de Lausanne, 2016.<\/p>\n

DEBL\u00dcE Claire-Lise, \u00ab\u00a0Projeter l\u2019image de l\u2019\u00e9conomie suisse\u00a0\u00bb\u00a0: l\u2019Office suisse d\u2019expansion commerciale et le film de propagande industrielle (1930-1960)<\/em>, m\u00e9moire de master en histoire et esth\u00e9tique du cin\u00e9ma, Universit\u00e9 de Lausanne, 2008.<\/p>\n

FARAHMAND Maral, La galerie Canon et la premi\u00e8re institution culturelle de photographie \u00e0 Gen\u00e8ve, 1970-1984<\/em>, m\u00e9moire de master en histoire de l\u2019art, Universit\u00e9 de Lausanne, 2011.<\/p>\n

HAENI C\u00e9line, \u00ab\u00a0The Family of Man\u00a0\u00bb\u00a0: les \u00e9tapes suisses d\u2019une exposition politique<\/em>, m\u00e9moire de master en \u00e9tudes mus\u00e9ales, Universit\u00e9 de Neuch\u00e2tel, 2012.<\/p>\n

HERRMANN Elisabeth, Les festivals de photographie\u00a0: deux exemples suisses<\/em>, m\u00e9moire de master en \u00e9tude mus\u00e9ales, Universit\u00e9 de Neuch\u00e2tel, 2015.<\/p>\n

M\u00dcHLIG Victoria, La commande photographique du Mus\u00e9e de l\u2019Elys\u00e9e\u00a0: \u00ab\u00a0Nouveaux Itin\u00e9raires\u00a0\u00bb et \u00ab\u00a0Voir la Suisse autrement\u00a0\u00bb (1887-1991)<\/em>, m\u00e9moire de master en histoire de l\u2019art, Universit\u00e9 de Lausanne, 2013.<\/p>\n

NO\u00cbL Julie, Les reconstitutions d\u2019exposition de photographie\u00a0: au-del\u00e0 du geste comm\u00e9moratif\u00a0?<\/em>, m\u00e9moire de master en \u00e9tudes mus\u00e9ales, Universit\u00e9 de Neuch\u00e2tel, 2014.<\/p>\n

RUDAZ Jonathan, Globovision, un spectacle en \u00ab\u00a0technique d\u2019ambiance\u00a0\u00bb (Exposition nationale suisse Lausanne 1964)<\/em>, m\u00e9moire de master en histoire de l\u2019art, Universit\u00e9 de Lausanne, 2008.<\/p>\n

STEIGER KRAUSHAAR Flavia,\u00a0Weltausstellung der Photographie 1952. Eine Weltausstellung in Luzern<\/em>, Masterarbeit zur Erlangung des Mastergrades der Kultur- und Sozialwissenschaftlichen Fakult\u00e4t der Universit\u00e4t Luzern, Luzern 2011.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Bibliographie s\u00e9lective.\u00a0Litt\u00e9rature secondaire ALLAS Ivo et BOSONI Giampiero, \u00ab\u00a0The Switzerland Project at International Exhibitions (1924-1939)\u00a0\u00bb, Rassegna, vol. 17, n\u00b0 62, 1995. BIGNENS Christoph, \u00ab Swiss Style \u00bb: Die grosse Zeit der Gebrauchsgrafik in der Schweiz 1914-1962, Zurich, Chronos, 2000. CORSINI Silvio, LACOSTE Anne et LUGON Olivier (dir.), La M\u00e9moire des images\u00a0: autour de la Collection … Continuer la lecture de Photographie et expositions en Suisse<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1001234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-331","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/pages\/331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/users\/1001234"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/comments?post=331"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/pages\/331\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/media?parent=331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}