{"id":271,"date":"2016-05-23T22:30:58","date_gmt":"2016-05-23T20:30:58","guid":{"rendered":"http:\/\/wp.unil.ch\/expophoto-ch\/?page_id=271"},"modified":"2019-01-14T10:54:06","modified_gmt":"2019-01-14T09:54:06","slug":"articles-recents","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/expophoto-ch\/publications\/articles-recents\/","title":{"rendered":"Articles"},"content":{"rendered":"

S\u00e9lection
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DEBLU\u00cb Claire-Lise et LUGON Olivier,\u00a0\u00ab Par-del\u00e0 l’exposition de photographie\u00a0\u00bb,\u00a0Transbordeur<\/em>, no <\/sup>\u00a02, 2018, p. 6-10.<\/p>\n

DEBLU\u00cb Claire-Lise,\u00a0\u00ab De l’\u2018image num\u00e9rique\u2019 \u00e0 la photographie. Exposer les savoirs statistiques au tournant du XXe si\u00e8cle \u00bb,Transbordeur<\/em>, no <\/sup>\u00a02, 2018, p. 54-65.<\/p>\n

DEBLU\u00cb Claire-Lise, \u00ab \u00c9conomie de guerre et popularisation des savoirs en Suisse autour de 1917 \u00bb, Revue d’Allemagne et des pays de langue allemande<\/em>, automne 2017. Consultable en ligne<\/a><\/p>\n

DEBLU\u00cb Claire-Lise, \u00ab De l\u2019exposition universelle \u00e0 la foire nationale. \u00c9l\u00e9ments pour une histoire \u00e9largie des expositions durant la Premi\u00e8re Guerre mondiale \u00bb, Relations internationales<\/em>, n\u00b0164, vol. 4, 2015, pp. 59-74. Consultable en ligne<\/a><\/p>\n

DEBLU\u00cb Claire-Lise, \u00ab\u2018Nous ne pouvons pas cr\u00e9er l\u2019exposition sans les exposants\u2019 : la controverse autour du projet Lucius Burckhardt pour le secteur de l\u2019Industrie et de l\u2019artisanat \u00bb\u00a0, in\u00a0Olivier Lugon, Fran\u00e7ois Vallotton\u00a0(dir.),\u00a0Revisiter l\u2019Expo 64. Acteurs, discours, controverses<\/em>, Lausanne, PPUR, 2014.<\/p>\n

DEVELEY Anne,\u00a0\u00ab L\u2019exposition d\u2019architecture comme objet de tensions entre photographes et architectes\u00a0: le cas de Switzerland Planning and Building Exhibition<\/em> (1946-1949) \u00bb, in Mireille Berton, Charlotte Bouchez et Susie Trenka (dir.), La circulation des images : cin\u00e9ma, photographie et nouveaux m\u00e9dias<\/em>, Marbourg, Sch\u00fcren Verlag, 2018, p. 63-78.<\/p>\n

DEVELEY Anne,\u00a0\u00ab L’architecture au-del\u00e0 des fronti\u00e8res. Expositions itin\u00e9rantes et photographie dans la Suisse de l’apr\u00e8s-guerre \u00bb,\u00a0Transbordeur<\/em>, no <\/sup>\u00a02, 2018, p. 92-101.<\/p>\n

DEVELEY Anne, \u00ab\u00a0Alessandra Mauro (dir.), \u00ab Photoshow. Landmark Exhibitions that Defined the History of Photography\u00a0\u00bb, Londres, Thames & Hudson, 2014, Transbordeur<\/em>, no\u00a0<\/sup>1, 2017, p. 208-209.<\/p>\n

DEVELEY Anne, \u00ab From Photographers to Exhibition: Switzerland Planning and Building Exhibition (1946-1949) and the Material Circulation of Photographs\u00a0\u00bb, in R.A. Alcolea et J.\u00a0T\u00e1rrago Mingo (dir.),\u00a0Actes du colloque\u00a0international\u00a0Inter: Photography and Architecture<\/em>,<\/span>\u00a0Universit\u00e9 de Navarre (2 au 4 novembre 2016),\u00a0Pampelune, 2016, p. 80-89. Consultable en ligne<\/a><\/p>\n

LUGON Olivier, \u00ab\u00a0Exposer\/projeter\u00a0: la diapositive et les \u00e9crans multiples dans les ann\u00e9es 1960\u00a0\u00bb, in Anne Lacoste, Nathalie Boulouch, Olivier Lugon, Carole Sandrin (dir.),\u00a0Diapositive\u00a0: histoire de la photographie projet\u00e9e<\/i>, cat. expo. Mus\u00e9e de l\u2019Elys\u00e9e, Lausanne, Les Editions Noir sur Blanc, 2017, p. 188-201.<\/p>\n

LUGON Olivier, \u00ab\u00a0Photographic Houses of Cards: Three Exhibitions of the 1950s\u00a0\u00bb, in Nanni Baltzer et Martino Stierli (dir.), Before Publication: Montage in Art, Architecture, and Book Design<\/i>, Zurich, Park Books, 2016, p. 123-143.<\/p>\n

LUGON Olivier, \u00ab\u00a0The Ubiquitous Exhibition: Magazines, Museums and the Reproducible Exhibition after World War II\u00a0\u00bb, in The \u00ab\u00a0Public Life\u00a0\u00bb of Photographs<\/i>, dir. Thierry Gervais, Toronto, RIC Books, Ryerson Image Centre\/Cambridge Mass., The MIT Press, 2016, p. 122-153.<\/p>\n

LUGON Olivier, \u00ab\u00a0L\u2019exposition d\u2019exposition\u00a0\u00bb, Avant l\u2019image\u00a0: des dispositifs pour voir<\/i>, Paris, Les Carnets du Bal n\u00b0 6, 2015, pp. 172-193.<\/p>\n

LUGON Olivier, \u00ab Fotografie und Ausstellung in der Schweiz, 1920-1970\u00a0\u00bb,\u00a0Fotogeschichte<\/em>, 137,\u00a02015.\u00a0Consultable en ligne<\/a><\/p>\n

LUGON, Olivier, \u00ab\u00a0The Automatic Exhibition: Slide Shows and Electronics at the Swiss National Exhibition 1964\u00a0\u00bb, Interm\u00e9dialit\u00e9s<\/em>, n\u00b0 24\/25 \u201cProjeter\/Projecting\u201d, 2015. Consultable en ligne<\/a><\/p>\n

LUGON Olivier, \u00a0\u00ab\u00a0L\u2019exposition automatique : diaporama et \u00e9lectronique \u00e0 l\u2019Expo
\n64 \u00bb,\u00a0in\u00a0Olivier Lugon, Fran\u00e7ois Vallotton\u00a0(dir.),\u00a0Revisiter l\u2019Expo 64. Acteurs, discours, controverses<\/em>, Lausanne, PPUR, 2014.<\/p>\n

WILLI Muriel,\u00ab Rudolf Zelgers Beteiligung an der Weltausstellung der Photographie<\/em> von 1952. Entwicklungen im Bereich der Amateurfotografie \u00bb, in Mireille Berton, Charlotte Bouchez et Susie Trenka (dir.), La circulation des images : cin\u00e9ma, photographie et nouveaux m\u00e9dias<\/em>, Marbourg, Sch\u00fcren Verlag, 2018, p. 79-94.<\/p>\n

WILLI Muriel,\u00a0\u00a0\u00ab Une exposition \u00e9crit l’histoire. Helmut Gernsheim et Erich Stenger \u00e0 l’Exposition mondiale de la photographie de Lucerne \u00bb,\u00a0Transbordeur<\/em>, no <\/sup>\u00a02, 2018, p. 28-39.<\/p>\n

WILLI Muriel, \u00ab\u00a0Anatomie einer Fotoausstellung\u00a0\u00bb , Fotogeschichte. Beitr\u00e4ge zur Geschichte und \u00c4sthetik der Fotografie<\/em>, Vol. 139 , Fr\u00fchjahr 2016, p. 68-69.\u00a0Consultable en ligne<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

S\u00e9lection DEBLU\u00cb Claire-Lise et LUGON Olivier,\u00a0\u00ab Par-del\u00e0 l’exposition de photographie\u00a0\u00bb,\u00a0Transbordeur, no \u00a02, 2018, p. 6-10. DEBLU\u00cb Claire-Lise,\u00a0\u00ab De l’\u2018image num\u00e9rique\u2019 \u00e0 la photographie. Exposer les savoirs statistiques au tournant du XXe si\u00e8cle \u00bb,Transbordeur, no \u00a02, 2018, p. 54-65. DEBLU\u00cb Claire-Lise, \u00ab \u00c9conomie de guerre et popularisation des savoirs en Suisse autour de 1917 \u00bb, Revue … Continuer la lecture de Articles<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1001234,"featured_media":0,"parent":20,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-271","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/pages\/271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/users\/1001234"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/comments?post=271"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/pages\/271\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/pages\/20"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/expophoto-ch\/wp-json\/wp\/v2\/media?parent=271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}