{"id":1832,"date":"2016-05-31T10:19:46","date_gmt":"2016-05-31T08:19:46","guid":{"rendered":"http:\/\/wp.unil.ch\/esspace\/?p=1832"},"modified":"2016-06-01T10:08:03","modified_gmt":"2016-06-01T08:08:03","slug":"anahi-marino-alviso","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/esspace\/2016\/05\/anahi-marino-alviso\/","title":{"rendered":"Anahi Marino Alviso"},"content":{"rendered":"<p><strong>Les artistes visuels au Y\u00e9men, du soutien \u00e0 la contestation de l\u2019ordre politique<\/strong><!--more--><\/p>\n<p><strong><em>Anahi Marino Alviso<\/em><\/strong><em> a soutenu sa th\u00e8se le 4 d\u00e9cembre 2015, sous la direction de la <\/em><em>Prof. Mounia Bennani-Chra\u00efbi (IEPHI).<\/em><\/p>\n<p>Cette th\u00e8se s\u2019attache aux rapports au politique des artistes visuels y\u00e9m\u00e9nites dans un contexte de domination, recouvrant trois \u00c9tats (les deux r\u00e9publiques qui pr\u00e9c\u00e9dent l\u2019unification du Y\u00e9men et la r\u00e9publique actuelle cr\u00e9\u00e9e en 1990, jusqu\u2019en 2015). En \u00e9tudiant la domination en acte \u00e0 travers une d\u00e9marche ethnographique, ce travail interroge les conditions de production et d\u2019action des artistes en soutien ou en contestation au r\u00e9gime, comme au cours du moment r\u00e9volutionnaire de 2011.<\/p>\n<p>On observe ainsi le processus de politisation des mondes de l\u2019art au Y\u00e9men contemporain, processus compris en tant qu\u2019acquisition d\u2019une signification politique par la pratique artistique et par les r\u00e9seaux de relations entretenus par les artistes visuels. Ces requalifications de leur travail ou de leur pratique se font dans un contexte travers\u00e9 par des luttes concurrentielles pour la r\u00e9partition du pouvoir interne et propre \u00e0 leurs mondes d\u2019activit\u00e9, mais aussi externe et propre \u00e0 l\u2019espace politique institutionnel.<\/p>\n<p>La politisation des mondes de l\u2019art appara\u00eet d\u00e8s lors moins comme un instrument d\u2019acc\u00e8s \u00e0 cet espace qu\u2019une voie pour acc\u00e9der \u00e0 plus de visibilit\u00e9, \u00e0 la reconnaissance, et \u00e0 un meilleur positionnement dans les rapports agonistiques qui configurent ces mondes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les artistes visuels au Y\u00e9men, du soutien \u00e0 la contestation de l\u2019ordre politique<\/p>\n","protected":false},"author":163,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_uag_custom_page_level_css":"","_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[19451],"tags":[],"class_list":["post-1832","post","type-post","status-publish","format-standard","category-theses"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"hitmag-landscape":false,"hitmag-featured":false,"hitmag-grid":false,"hitmag-list":false,"hitmag-thumbnail":false,"gform-image-choice-sm":false,"gform-image-choice-md":false,"gform-image-choice-lg":false,"mailpoet_newsletter_max":false},"uagb_author_info":{"display_name":"sschlat1","author_link":"https:\/\/wp.unil.ch\/esspace\/author\/sschlat1\/"},"uagb_comment_info":0,"uagb_excerpt":"Les artistes visuels au Y\u00e9men, du soutien \u00e0 la contestation de l\u2019ordre politique","_links":{"self":[{"href":"https:\/\/wp.unil.ch\/esspace\/wp-json\/wp\/v2\/posts\/1832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/esspace\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/esspace\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/esspace\/wp-json\/wp\/v2\/users\/163"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/esspace\/wp-json\/wp\/v2\/comments?post=1832"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/esspace\/wp-json\/wp\/v2\/posts\/1832\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/esspace\/wp-json\/wp\/v2\/media?parent=1832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/esspace\/wp-json\/wp\/v2\/categories?post=1832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/esspace\/wp-json\/wp\/v2\/tags?post=1832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}