{"id":1151,"date":"2024-02-22T16:54:07","date_gmt":"2024-02-22T15:54:07","guid":{"rendered":"https:\/\/wp.unil.ch\/droitetlitterature\/?p=1151"},"modified":"2024-02-22T17:10:46","modified_gmt":"2024-02-22T16:10:46","slug":"muzungu-a-la-cpi-des-oeuvres-outils-par-franck-leibovici-et-julien-seroussi","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/droitetlitterature\/muzungu-a-la-cpi-des-oeuvres-outils-par-franck-leibovici-et-julien-seroussi\/","title":{"rendered":"Muzungu \u00e0 la CPI (des oeuvres-outils), par Franck Leibovici et\u00a0Julien Seroussi"},"content":{"rendered":"\n

Editeur<\/strong> : Ecole Nationale Sup\u00e9rieure des Beaux-Arts – E.N.S.B.A.
Auteurs<\/strong> : Franck Leibovici, Julien Seroussi
Parution<\/strong> : 24\/11\/2023<\/p>\n\n\n\n

***<\/p>\n\n\n\n

R\u00e9sum\u00e9 : <\/strong><\/p>\n\n\n\n

\u00c0 la cour p\u00e9nale internationale, ce sont les parties – l’\u00e9quipe du procureur et celle de la d\u00e9fense – qui m\u00e8nent l’enqu\u00eate. Les juges d\u00e9lib\u00e8reront ainsi uniquement \u00e0 partir des \u00e9l\u00e9ments de preuve pr\u00e9sent\u00e9s pendant le proc\u00e8s par ces derni\u00e8res.

Les techniques de d\u00e9lib\u00e9ration sont laiss\u00e9es \u00e0 la discr\u00e9tion des juges. Cela signifie qu’il n’existe pas de m\u00e9thode impos\u00e9e ou explicitement r\u00e9glement\u00e9e.

Ici est notre porte d’entr\u00e9e : les techniques de l’art, de la po\u00e9sie ou des sciences sociales peuvent l\u00e9galement avoir autant droit de cit\u00e9 que les routines juridiques en usage.

Cette approche recharge les juges, qui n’ont pas particip\u00e9 aux enqu\u00eates, d’un pouvoir absent du droit anglo-saxon : celui de mener, au travers des \u00e9l\u00e9ments de preuve, des investigations documentales.<\/p>\n\n\n\n

Ce livre rend compte d’une exp\u00e9rience d\u00e9ploy\u00e9e \u00e0 la cpi entre 2016 et 2022, au moyen de ce qui sera appel\u00e9 ici des oeuvres-outils – \u00e0 la fois, oeuvres d’art et outils pour professionnels. \u00e0 partir d’un cas concret, le proc\u00e8s (2009-2014) de deux chefs de milices congolais, Germain Katanga et Mathieu Ngudjolo Chui, le fonctionnement de ce nouveau genre d’oeuvres sera d\u00e9crit par un ensemble de questions : l’art et la po\u00e9sie peuvent-ils fonctionner comme instruments d’action, et non plus seulement comme repr\u00e9sentations ? des dispositifs artistiques peuvent-ils modifier des pratiques professionnelles ? comment la maintenance d’oeuvres d’art oblige-t-elle \u00e0 penser la maintenance du collectif qui en prend soin ?<\/p>\n\n\n\n

Pour se procurer cette parution, cliquez ici<\/a>. <\/strong><\/p>\n\n\n\n

Voir\u00a0muzungualacpi.wordpress.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Editeur : Ecole Nationale Sup\u00e9rieure des Beaux-Arts – E.N.S.B.A.Auteurs : Franck Leibovici, Julien SeroussiParution : 24\/11\/2023 *** R\u00e9sum\u00e9 : \u00c0 la cour p\u00e9nale internationale, ce sont les parties – l’\u00e9quipe du…<\/p>\n","protected":false},"author":1002668,"featured_media":1153,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"template-full-width.php","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1151","post","type-post","status-publish","format-standard","has-post-thumbnail","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/posts\/1151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/users\/1002668"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/comments?post=1151"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/posts\/1151\/revisions"}],"predecessor-version":[{"id":1162,"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/posts\/1151\/revisions\/1162"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/media\/1153"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/media?parent=1151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/categories?post=1151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/droitetlitterature\/wp-json\/wp\/v2\/tags?post=1151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}