{"id":919,"date":"2014-02-14T17:36:26","date_gmt":"2014-02-14T16:36:26","guid":{"rendered":"http:\/\/wp.unil.ch\/dispositifs\/?page_id=919"},"modified":"2017-02-26T16:59:53","modified_gmt":"2017-02-26T15:59:53","slug":"conferences-2014","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/dispositifs\/conferences-de-lausanne-2\/conferences-2014\/","title":{"rendered":"Conf\u00e9rences 2014"},"content":{"rendered":"
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The Instant of Movement, Paradoxes of Representation<\/em><\/strong><\/span><\/h3>\n

Prof. Tom Gunning, University of Chicago<\/strong><\/p>\n

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In science, philosophy and technology– as well as the arts– the instant took on a radical new importance at the turn of the nineteenth to twentieth century, focused on the issues of measuring and representing the instant and theorizing its relation to movement. Is the instant fixity, or can it be incorporated into an image of motion? Chronophotography and cinema responded to this paradox, but may have raised even more questions about the nature of time and representation in their wake.<\/p>\n

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Psychographie. Radiographie mentale et visualisation directe de la pens\u00e9e dans les d\u00e9buts du cin\u00e9ma<\/strong><\/span><\/em><\/h3>\n

\u00a0Prof. Pascal Rousseau, Universit\u00e9 Paris 1<\/strong><\/p>\n

On conna\u00eet la co\u00efncidence historique entre la d\u00e9couverte des\u00a0rayons X et l’invention du cin\u00e9matographe en 1895. Nous reviendrons sur ce\u00a0dialogue autour des imaginaires de la vision directe de la pens\u00e9e dans les\u00a0d\u00e9buts du cin\u00e9ma.<\/p>\n

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Pour une approche de pragmatique historique des dispositifs<\/em><\/strong><\/span><\/h3>\n

Prof. Frank Kessler, Universit\u00e9 Utrecht<\/strong><\/p>\n

La notion de dispositif est souvent prise entre deux feux : d’une part le concept propos\u00e9 par Michel Foucault, qui cependant ne se r\u00e9f\u00e8re pas sp\u00e9cifiquement aux m\u00e9dias et n\u00e9cessite alors un \u00ab\u00a0travail de traduction\u00a0\u00bb consid\u00e9rable pour devenir op\u00e9rationnel dans ce domaine, et d’autre part le concept de dispositif \u00e9labor\u00e9 par Jean-Louis Baudry, qui souvent a \u00e9t\u00e9 critiqu\u00e9 pour son c\u00f4t\u00e9 monolithique et anhistorique. On essayera alors de voir dans quelle mesure il est possible de reformuler ou de recadrer la notion de dispositif dans la perspective d’une pragmatique historique et d’en faire un outil utile pour \u00e9crire l’histoire des m\u00e9dias<\/p>\n

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The Instant of Movement, Paradoxes of Representation Prof. Tom Gunning, University of Chicago In science, philosophy and technology– as well as the arts– the instant took on a radical new … <\/p>\n","protected":false},"author":1425,"featured_media":0,"parent":875,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-919","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/users\/1425"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/comments?post=919"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/919\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/875"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/media?parent=919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}