{"id":892,"date":"2013-06-19T15:53:42","date_gmt":"2013-06-19T13:53:42","guid":{"rendered":"http:\/\/wp.unil.ch\/dispositifs\/?page_id=892"},"modified":"2026-01-28T09:49:05","modified_gmt":"2026-01-28T08:49:05","slug":"olivier-lugon","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/dispositifs\/bibliographie\/olivier-lugon\/","title":{"rendered":"Olivier Lugon"},"content":{"rendered":"<p>Olivier Lugon, &lsquo;La photographie mise en espace. Les expositions didactiques allemandes (1925-1949). <em>Etudes photographiques, <\/em>No. 5, 1998.<\/p>\n<p>Olivier Lugon, &lsquo;Le marcheur. Pi\u00e9tons et photographes au sein des avant-gardes&rsquo;, <em>Etudes photographiques, <\/em>No. 8, 2000.<\/p>\n<p>Olivier Lugon, &lsquo;Des cheminements de pens\u00e9e. La gestion de la circulation dans les expositions didactiques&rsquo;. <em>Art Press <\/em>Special issue &lsquo;Oublier l&rsquo;exposition&rsquo;, 2000.<\/p>\n<p>Olivier Lugon, &lsquo; \u00ab\u00a0Kodakoration\u00a0\u00bb. Photographie et sc\u00e9nographie d&rsquo;exposition autour de 1900&rsquo;, <em>Etudes photographiques, <\/em>No. 16, 2005, pp. 182-197.<\/p>\n<p>Olivier Lugon<em>, &lsquo;Edward Steichen <\/em>as Exhibition Designer&rsquo; in Todd Brandow, William Ewing (eds) <em>Edward Steichen. <\/em><em>Lives in Photography. <\/em>Minneapolis: FEP Editions\/London: Thames &amp; Hudson, 2007, pp. 267-273.<\/p>\n<p>Olivier Lugon<em>, <\/em>&lsquo;La photographie des typographes&rsquo;, <em>Etudes photographiques, <\/em>No. 20, 2007.<\/p>\n<p>Olivier Lugon<em>, <\/em>&lsquo;La conf\u00e9rence. Parole, dessin et projection chez Le Corbusier&rsquo;, <em>Les Cahiers du Mus\u00e9e national d&rsquo;art moderne, <\/em>No. 103, 2008, p. 47-65.<\/p>\n<p>Olivier Lugon<em>, <\/em>&lsquo;Die globalisierte Ausstellung: <em>The Family of Man&rsquo;, Fotogeschichte, <\/em>forthcoming, 2009.<\/p>\n<p>Olivier Lugon<em>, <\/em>&lsquo; \u00ab\u00a0Schulung der neuen Optik\u00a0\u00bb : Laszlo Moholy-Nagy, Sigfried Giedion und die <em>Film und Foto <\/em>Ausstellung&rsquo;, in <em>Sigfried Giedion und die Fotografie, <\/em>Zurich, gta-verlag, 2009.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Olivier Lugon, &lsquo;La photographie mise en espace. Les expositions didactiques allemandes (1925-1949). Etudes photographiques, No. 5, 1998. Olivier Lugon, &lsquo;Le marcheur. Pi\u00e9tons et photographes au sein des avant-gardes&rsquo;, Etudes photographiques, &hellip; <\/p>\n","protected":false},"author":270,"featured_media":0,"parent":515,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-892","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/users\/270"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/comments?post=892"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/892\/revisions"}],"predecessor-version":[{"id":1545,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/892\/revisions\/1545"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/515"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/media?parent=892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}