{"id":891,"date":"2013-06-19T15:52:05","date_gmt":"2013-06-19T13:52:05","guid":{"rendered":"http:\/\/wp.unil.ch\/dispositifs\/?page_id=891"},"modified":"2026-01-28T09:58:59","modified_gmt":"2026-01-28T08:58:59","slug":"laurent-guido","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/dispositifs\/bibliographie\/laurent-guido\/","title":{"rendered":"Laurent Guido"},"content":{"rendered":"

Laurent Guido et Gianni Haver, La Mise en sc\u00e8ne du corps sportif, de la Belle Epoque <\/em>\u00e0 <\/em>l’Age des Extr\u00eames <\/em>\/ Spotlighting the Sporting Body, from the Belle Epoque <\/em>to the Age of Extremes, <\/em>Lausanne, Olympic Museum, 2002.<\/p>\n

Laurent Guido, ‘Entre corps rythm\u00e9 et mod\u00e8le chor\u00e9graphique: danse et cin\u00e9ma dans les ann\u00e9es 1920\u2019 Vertigo Esth\u00e9tique et histoire du cin\u00e9ma, <\/em>Special issue, 2005, p. 20-27.<\/p>\n

Laurent Guido, ‘Rhythmic Bodies\/Movies. Dance as Attraction in Early Film Culture’, in Wanda Strauwen (ed.), The Cinema of Attractions Reloaded, <\/em>Amsterdam: AmsterdamUniversity Press, 2006, p. 157-178.<\/p>\n

Laurent Guido, L’Age du Rythme. Cin\u00e9ma, musicalit\u00e9 et culture du corps dans les th\u00e9ories fran\u00e7aises des ann\u00e9es 1900-1930, <\/em>Lausanne: Payot, 2007.<\/p>\n

Laurent Guido, ‘Le style chor\u00e9graphique au cin\u00e9ma’, in Enrico Biasin, Giulio Bursi, Leonardo Quaresima. (eds), Film style\/cinema and contemporary visual arts, <\/em>Udine, Forum, 2007, p. 499-522<\/p>\n

Laurent Guido, ‘Mod\u00e8les et images de la danse(use) m\u00e9canique, des automates \u00e0 l’\u00eatre \u00ab\u00a0\u00e9lectro-humain\u00a0\u00bb’, in Laurence Schifano (ed), La vie filmique des marionnettes, <\/em>Paris: Presses Universitaires de Paris X, 2008, p. 107-125.<\/p>\n

Laurent Guido, ‘Von der gefilmten Darbietung zum virtuellen Spektakel. Tennis und TV-Dispositiv\u2019, Montage A\/V <\/em>(Margburg), vol. 17, no<\/sup> 1, 2008, p. 61-88.<\/p>\n

Laurent Guido, \u00ab\u00a0Quel th\u00e9\u00e2tre groupera jamais tant d’\u00e9toiles?\u00a0\u00bb Musique, danse et int\u00e9gration narrative dans les attractions gestuelles du Film d’Art’, 1895, no<\/sup> 56, 2009, p. 149-172.<\/p>\n

Laurent Guido, ‘Dancing Dolls and Mechanical Eyes: Tracking an Obsessive Motive from Ballet to Cinema’ in Albera Fran\u00e7ois, Tortajada Maria (eds), Cinema Beyond Film<\/em>, Amsterdam: Amsterdam University Press, 2010.<\/p>\n

Laurent Guido, ‘From Broadcast Performance to Virtual Show: Television\u2019s Tennis Dispositive’ in Albera Fran\u00e7ois, Tortajada Maria (eds), Cinema Beyond Film<\/em>, Amsterdam: Amsterdam University Press, 2010.<\/p>\n

Laurent Guido, Auf die B\u00fchne gezaubert, dass man erstaunt: <\/em>cin\u00e9ma, danse et music-hall au tournant du 20e si\u00e8cle’ in Michael Cowan and Barbara Hales, Moving Pictures,Moving bodies: Dance in German and Austrian Film <\/em>1895-1933. Special issue of Seminar Journal of Germanic Studies <\/em>(Toronto), forthcoming in Spring 2010.<\/p>\n","protected":false},"excerpt":{"rendered":"

Laurent Guido et Gianni Haver, La Mise en sc\u00e8ne du corps sportif, de la Belle Epoque \u00e0 l’Age des Extr\u00eames \/ Spotlighting the Sporting Body, from the Belle Epoque to … <\/p>\n","protected":false},"author":270,"featured_media":0,"parent":515,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-891","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/users\/270"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/comments?post=891"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/891\/revisions"}],"predecessor-version":[{"id":1549,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/891\/revisions\/1549"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/515"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/media?parent=891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}