{"id":883,"date":"2013-06-19T15:47:14","date_gmt":"2013-06-19T13:47:14","guid":{"rendered":"http:\/\/wp.unil.ch\/dispositifs\/?page_id=883"},"modified":"2026-01-28T09:56:25","modified_gmt":"2026-01-28T08:56:25","slug":"francois-albera","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/dispositifs\/bibliographie\/francois-albera\/","title":{"rendered":"Fran\u00e7ois Albera"},"content":{"rendered":"

Fran\u00e7ois Albera et Maria Tortajada (dir.), Cinema Beyond Film<\/em>, Amsterdam University Press, 2010.<\/p>\n

Fran\u00e7ois Albera et Maria Tortajada (dir.), Cin\u00e9-dispositifs<\/em>, Lausanne, L\u2019Age d\u2019Homme, 2011.<\/p>\n

Fran\u00e7ois Albera, ‘Modalit\u00e9s de la vision moderne dans les arts et au cin\u00e9ma avant 1914 : des \u00ab\u00a0papiers coll\u00e9s\u00a0\u00bb \u00e0 Robert Delaunay’, in Leonardo Quaresima, Laura Vichi (eds), La decima musa<\/em>. <\/em>Il cinema e le altri artil The Tenth muse. Cinema and other arts, <\/em>Udine, Forum, 2001, pp. 335-347.<\/p>\n

Fran\u00e7ois Albera, ‘Montage et m\u00e9moire’ in Marion Froger, Thierry Bardini (eds), L’usage des NTIC dans les discours et les pratiques interm\u00e9diatiques, <\/em>70. Congr\u00e8s de l’ ACFAS, Universit\u00e9 Laval, Qu\u00e9bec, 21-22 May 2002.<\/p>\n

Fran\u00e7ois Albera, ‘Pour une \u00e9pist\u00e9mographie du montage: pr\u00e9alables’, Cin\u00e9mas Journal of Film Studies, <\/em>Vol. 13, No. 1-2, 2002, pp. 11-32. online<\/em><\/a><\/p>\n

Fran\u00e7ois Albera, ‘Pour une \u00e9pist\u00e9mographie du montage: le \u00ab\u00a0moment-Marey\u00a0\u00bb‘, in Fran\u00e7ois Albera, Marta Braun, Andr\u00e9 Gaudreault (eds), Arr\u00eat sur image, fragmentation du temps. Aux origines de la culture visuelle moderne\/Stop Motion, Fragmentation of Time. Exploring the Roots of the Modem Visual Culture<\/em>, Lausanne, Payot, 2002.<\/p>\n

Fran\u00e7ois Albera et Maria Tortajada, ‘L’Epist\u00e9m\u00e8 dix-neuf cent’, in Andr\u00e9 Gaudreault, Catherine Russell, Pierre Veronneau (dir.), Le<\/em> cin\u00e9matographe, nouvelle technologie du XXe si\u00e8cle, <\/em>Lausanne: Payot, 2004, pp. 45-62.<\/p>\n

Fran\u00e7ois Albera, ‘Le \u00ab\u00a0cin\u00e9ma projet\u00e9\u00a0\u00bb et les p\u00e9riodisations de l’histoire technique du cin\u00e9ma’, in Enrico Biasin, Roy Menarini, Federico Zecca (eds), Le et\u00e0 dei cinema. Criteri e modelli di periodizzazione\/The Ages of the Cinema<\/em>. <\/em>Criteria and Models for the Construction of Historical Periods, <\/em>Udine, Forum, 2008, pp.393-399.<\/p>\n

Fran\u00e7ois Albera et Andr\u00e9 Gaudreault, ‘Apparition, disparition et escamotage du bonimenteur dans l’historiographie du cin\u00e9ma fran\u00e7ais’ in Giusy Pisano, Val\u00e9rie Pozner (eds), le Muet a la parole, <\/em>Paris, CNRS\/AFRHC, 2006.<\/p>\n

Fran\u00e7ois Albera et Maria Tortajada, ‘Critique des t\u00e9l\u00e9-dispositifs’, in Mireille Berton & Anne-Katrin Weber (eds), La t\u00e9l\u00e9vision, du T\u00e9l\u00e9phonoscope \u00e0 Youtube. Pour une arch\u00e9ologie de l’audiovision, <\/em>Lausanne, Antipodes, 2009.<\/p>\n

Fran\u00e7ois Albera, ‘Du livre cin\u00e9matique au livre-cin\u00e9ma’, in Laurent Guido, Olivier Lugon (eds), Fixe\/anim\u00e9, <\/em>Lausanne, L’Age d’Homme, 2010.<\/p>\n

Fran\u00e7ois Albera et Maria Tortajada, ‘The 1900 Episteme’, in Fran\u00e7ois Albera and Maria Tortajada (eds), Cinema Beyond Film<\/em>, Amsterdam, Amsterdam University Press, 2010.<\/p>\n

Fran\u00e7ois Albera, ‘Projected Cinema (A Hypothesis on the Cinema\u2019s Imagination)’, in Albera Fran\u00e7ois, Tortajada Maria (eds), Cinema Beyond Film<\/em>, Amsterdam, Amsterdam University Press, 2010.<\/p>\n

Fran\u00e7ois Albera, ‘The Case for an Epistemography of Montage: The Marey Moment’, in Fran\u00e7ois Albera and Maria Tortajada (eds) , Cinema Beyond Film, Amsterdam, Amsterdam University Press, 2010.<\/p>\n

Fran\u00e7ois Albera, ‘Dispositif(s)’ in Fran\u00e7ois Albera et Maria Tortajada (dir.), Cin\u00e9-dispositifs<\/em>, <\/em>L’Age d’homme, 2011.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fran\u00e7ois Albera et Maria Tortajada (dir.), Cinema Beyond Film, Amsterdam University Press, 2010. Fran\u00e7ois Albera et Maria Tortajada (dir.), Cin\u00e9-dispositifs, Lausanne, L\u2019Age d\u2019Homme, 2011. Fran\u00e7ois Albera, ‘Modalit\u00e9s de la vision … <\/p>\n","protected":false},"author":270,"featured_media":0,"parent":515,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-883","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/users\/270"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/comments?post=883"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/883\/revisions"}],"predecessor-version":[{"id":1547,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/883\/revisions\/1547"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/515"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/media?parent=883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}