{"id":1520,"date":"2026-01-27T17:17:50","date_gmt":"2026-01-27T16:17:50","guid":{"rendered":"https:\/\/wp.unil.ch\/dispositifs\/?page_id=1520"},"modified":"2026-01-27T17:17:51","modified_gmt":"2026-01-27T16:17:51","slug":"anne-katrin-weber","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/dispositifs\/anne-katrin-weber\/","title":{"rendered":"Anne-Katrin Weber"},"content":{"rendered":"\n<p>Anne-Katrin Weber,\u00a0<em>Television before TV. New Media and Exhibition Culture in Europe and the USA, 1928-1939<\/em>, Amsterdam University Press, open access, 2022.<\/p>\n\n\n\n<p>Anne-Katrin Weber, \u00ab\u00a0Television as New Media: Raymond-Millet\u2019s T\u00c9L\u00c9VISION: OEIL DE DEMAIN (1947) and the Politics of French Experimental TV\u00a0\u00bb,\u00a0<em>NECSUS.\u00a0European Journal of Media Studies<\/em>, vol. 8, n<sup>o<\/sup>\u00a01, 2019, pp.\u00a069\u201389.<\/p>\n\n\n\n<p>Anne-Katrin Weber,\u00a0\u00ab\u00a0Recording on Film, Transmitting by Signals. The Intermediate Film System and Television\u2019s Hybridity in the Interwar Period\u00a0\u00bb,\u00a0<em>Grey Room<\/em>, n<sup>o<\/sup>\u00a056, 2014), pp. 6\u201333.<\/p>\n\n\n\n<p>Mireille Berton et Anne-Katrin Weber (dir.).\u00a0<em>La t\u00e9l\u00e9vision du t\u00e9l\u00e9phonoscope \u00e0 YouTube\u00a0: pour une arch\u00e9ologie de l&rsquo;audiovision<\/em>, Lausanne, Antipodes, 2009.<\/p>\n\n\n\n<p>Marie Sandoz et Anne-Katrin Weber (dir.), \u00ab\u00a0L\u2019image verticale. Politiques de la vue a\u00e9rienne\u00a0\u00bb, num\u00e9ro th\u00e9matique,\u00a0<em>Transbordeur. Photographie, histoire, soci\u00e9t\u00e9,<\/em>\u00a0n<sup>o<\/sup>\u00a06, f\u00e9vrier 2022.<\/p>\n\n\n\n<p>Fran\u00e7ois Vallotton et Anne-Katrin Weber\u00a0(dir.),\u00a0<em><a href=\"https:\/\/livingbooksabouthistory.ch\/en\/book\/towards-an-expanded-history-of-television.\">T\u00e9l\u00e9vision \u00e9largie<\/a>,<\/em>\u00a0Living Books about History, open access, Infoclio,\u00a02021.<\/p>\n\n\n\n<p>Andreas Fickers et Anne-Katrin Weber (dir.), \u00ab\u00a0Archaeologies of Tele-Visions and -Realities \u00bb, num\u00e9ro th\u00e9matique,\u00a0<em>VIEW. Journal of European Television History and Culture<\/em>, vol. 4, n<sup>o\u00a0<\/sup>7, 2015.<\/p>\n\n\n\n<p>Anne-Katrin Weber, \u00ab\u00a0Decentring the Broadcasting Dispositif: Educational Closed-Circuits, Military-Industrial Entanglements, and Useful TV\u00a0\u00bb,\u00a0<em>TMG Journal for Media History,\u00a0<\/em>Num\u00e9ro sp\u00e9cial \u00ab\u00a0The Educational Dispositive\u00a0\u00bb, vol 26, no. 1, janvier\u00a02023, <a href=\"https:\/\/tmgonline.nl\/articles\/10.18146\/tmg.835.\">en ligne.\u00a0<\/a><\/p>\n\n\n\n<p>Anne-Katrin Weber,\u00a0\u00ab\u00a0Le dispositif du drone\u00a0\u00bb,\u00a0<em>A Contrario. Revue interdisciplinaire en sciences sociales,<\/em>\u00a0vol. 29, n<sup>o<\/sup>\u00a02, 2019, pp. 3-24. \u00a0<\/p>\n\n\n\n<p>Anne-Katrin Weber, \u00ab&nbsp;La t\u00e9l\u00e9vision communautaire. Un dispositif t\u00e9l\u00e9visuel sous tension&nbsp;\u00bb, dans&nbsp;<em>Le \u00ab&nbsp;direct&nbsp;\u00bb et le num\u00e9rique. Techniques et politiques des m\u00e9dias d\u00e9centralis\u00e9s,<\/em>&nbsp;\u00e9dit\u00e9 par Beno\u00eet Turquety et Caroline Z\u00e9au,&nbsp;Paris&nbsp;: Mim\u00e9sis,&nbsp;f\u00e9vrier 2022, pp. 210-228.<\/p>\n\n\n\n<p>Anne-Katrin Weber, \u00ab&nbsp;Ephemeral Studios: Exhibiting Television\u2019s Production Spaces during the Interwar Years&nbsp;\u00bb, dans&nbsp;<em>In the Studio. Visual Creation and Its Material Environments,<\/em>&nbsp;\u00e9dit\u00e9 par Brian R. Jacobson,&nbsp;&nbsp;Berkeley&nbsp;: University of California Press, 2020, pp. 63-82.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anne-Katrin Weber,\u00a0Television before TV. New Media and Exhibition Culture in Europe and the USA, 1928-1939, Amsterdam University Press, open access, 2022. Anne-Katrin Weber, \u00ab\u00a0Television as New Media: Raymond-Millet\u2019s T\u00c9L\u00c9VISION: OEIL &hellip; <\/p>\n","protected":false},"author":1002955,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-1520","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/1520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/users\/1002955"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/comments?post=1520"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/1520\/revisions"}],"predecessor-version":[{"id":1521,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/1520\/revisions\/1521"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/media?parent=1520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}