{"id":1092,"date":"2015-09-28T13:37:24","date_gmt":"2015-09-28T11:37:24","guid":{"rendered":"http:\/\/wp.unil.ch\/dispositifs\/?page_id=1092"},"modified":"2017-02-26T16:59:34","modified_gmt":"2017-02-26T15:59:34","slug":"conferences-2015","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/dispositifs\/conferences-de-lausanne-2\/conferences-2015\/","title":{"rendered":"Conf\u00e9rences 2015"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1086\" src=\"https:\/\/wp.unil.ch\/dispositifs\/files\/2013\/06\/Dispositifs-2015.png\" alt=\"Dispositifs 2015\" width=\"1170\" height=\"1654\" srcset=\"https:\/\/wp.unil.ch\/dispositifs\/files\/2013\/06\/Dispositifs-2015.png 1170w, https:\/\/wp.unil.ch\/dispositifs\/files\/2013\/06\/Dispositifs-2015-212x300.png 212w, https:\/\/wp.unil.ch\/dispositifs\/files\/2013\/06\/Dispositifs-2015-624x882.png 624w\" sizes=\"auto, (max-width: 1170px) 100vw, 1170px\" \/><\/p>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<h3><span style=\"color: #525d7a\">La\u00a0 photographie comme dispositif temporel<\/span><\/h3>\n<p><strong>Prof. Laurent Jenny, Universit\u00e9 de Gen\u00e8ve <\/strong><\/p>\n<p>Dans les photographies se condensent trois strates temporelles diff\u00e9rentes mais en interaction les unes avec les autres : un temps historique, un temps machinique et un temps esth\u00e9tique. C\u2019est \u00e0 travers la composition de ces trois temps que nous appr\u00e9hendons le r\u00e9el photographique.<\/p>\n<p><a href=\"https:\/\/media.unil.ch\/lettres\/cinema\/LaurentJenny - 11.03.2015.mp3\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-977\" src=\"https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie.jpg\" alt=\"Audio_Icon copie\" width=\"284\" height=\"36\" srcset=\"https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie.jpg 1181w, https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie-300x37.jpg 300w, https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie-624x78.jpg 624w\" sizes=\"auto, (max-width: 284px) 100vw, 284px\" \/><\/a><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<h3><span style=\"color: #525d7a\">La sculpture comme dispositif de projection :\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 autour du m\u00e9ta-cin\u00e9ma de Nicolas Sch\u00f6ffer<\/span><\/h3>\n<p><strong>Prof. Arnauld Pierre, Universit\u00e9 Paris-Sorbonne IV \u00a0\u00a0<\/strong>\u00a0<strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><span style=\"color: #666699\"><br \/>\n<\/span><\/p>\n<p><span style=\"color: #666699\"><span style=\"color: #000000\">Un certain nombre des exp\u00e9riences sculpturales les plus embl\u00e9matiques de l\u2019avant-garde ont trouv\u00e9 leur d\u00e9bouch\u00e9 ultime dans l\u2019enregistrement cin\u00e9matographique. Comme si la sculpture, loin d\u2019\u00eatre un accomplissement en soi, \u00e9tait devenue le principal accessoire d\u2019un dispositif de capture englobant, sur un mode d\u2019embl\u00e9e interm\u00e9dial, de nombreux autres ph\u00e9nom\u00e8nes dont elle est la cause et le point de d\u00e9part. Ce destin doublement cin\u00e9tique de la sculpture (\u00e0 son mouvement s\u2019ajoute celui de l\u2019image mobile) trouve un de ses accomplissements les plus achev\u00e9s chez Nicolas Sch\u00f6ffer, celui qui d\u00e9clarait que \u00ab\u00a0tout, dans [son] \u0153uvre, est cin\u00e9matographique.\u00a0\u00a0\u00a0<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0<\/span><\/p>\n<p><a href=\"https:\/\/media.unil.ch\/lettres\/cinema\/Arnauld pierre_2015_2.mp3\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-977\" src=\"https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie.jpg\" alt=\"Audio_Icon copie\" width=\"284\" height=\"36\" srcset=\"https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie.jpg 1181w, https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie-300x37.jpg 300w, https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie-624x78.jpg 624w\" sizes=\"auto, (max-width: 284px) 100vw, 284px\" \/><\/a><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<h3><span style=\"color: #525d7a\">Le dispositif du cin\u00e9ma comme bricolage<\/span><\/h3>\n<p><strong>Prof. Francesco Casetti, Yale University \u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p><strong><a href=\"https:\/\/media.unil.ch\/lettres\/cinema\/casetti.mp3\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-977\" src=\"https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie.jpg\" alt=\"Audio_Icon copie\" width=\"284\" height=\"36\" srcset=\"https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie.jpg 1181w, https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie-300x37.jpg 300w, https:\/\/wp.unil.ch\/dispositifs\/files\/2014\/02\/Audio_Icon-copie-624x78.jpg 624w\" sizes=\"auto, (max-width: 284px) 100vw, 284px\" \/><\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; La\u00a0 photographie comme dispositif temporel Prof. Laurent Jenny, Universit\u00e9 de Gen\u00e8ve Dans les photographies se condensent trois strates temporelles diff\u00e9rentes mais en interaction les unes avec les autres : &hellip; <\/p>\n","protected":false},"author":270,"featured_media":0,"parent":875,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-1092","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/1092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/users\/270"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/comments?post=1092"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/1092\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/pages\/875"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/dispositifs\/wp-json\/wp\/v2\/media?parent=1092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}