{"id":656,"date":"2024-09-12T19:03:14","date_gmt":"2024-09-12T17:03:14","guid":{"rendered":"https:\/\/wp.unil.ch\/collectif-televisuel\/?page_id=656"},"modified":"2025-02-11T17:53:17","modified_gmt":"2025-02-11T16:53:17","slug":"operative-tv","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/collectif-televisuel\/recherches\/operative-tv\/","title":{"rendered":"Operative TV: Audiovisual Closed-Circuits from the Military to the Classroom, 1930s\u20131990s\u00a0\u00a0"},"content":{"rendered":"\n
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Operative TV: Audiovisual Closed-Circuits from the Military to the Classroom, 1930s\u20131990s <\/strong><\/h1>\n<\/div><\/div>\n\n\n\n

\u00c9quipe: Anne-Katrin Weber<\/a> (PI), Marie Sandoz<\/a> (Postdoc), Lisa Cronj\u00e4ger <\/a>(Postdoc)<\/p>\n\n\n\n

De la vid\u00e9osurveillance \u00e0 l’enseignement en ligne, de la gestion des autoroutes \u00e0 la t\u00e9l\u00e9m\u00e9decine : les images en circuit ferm\u00e9 occupent aujourd’hui de multiples espaces. Malgr\u00e9 leur caract\u00e8re quotidien, leur histoire reste largement m\u00e9connue. Le projet FNS-PRIMA Operative TV <\/em><\/a>poursuit l’objectif de combler cette lacune de la recherche en proposant une \u00e9tude des circuits ferm\u00e9s audiovisuels dans la longue dur\u00e9e. Il examine la diversit\u00e9 des circuits ferm\u00e9s entre les ann\u00e9es 1930 et 1990 et d\u00e9veloppe des \u00e9tudes de cas aux \u00c9tats-Unis, en France, au Royaume-Uni, en Allemagne et en Suisse – des pays cruciaux pour le d\u00e9veloppement des circuits ferm\u00e9s et qui donnent acc\u00e8s \u00e0 des ressources pour \u00e9crire l’histoire d’un m\u00e9dia dont les images ont \u00e9t\u00e9 con\u00e7ues comme des instruments plut\u00f4t que comme des repr\u00e9sentations.  <\/p>\n\n\n\n

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Base de donn\u00e9es DASCH Operative TV<\/em> <\/a><\/div>\n\n\n\n
Conf\u00e9rence internationale Les circuits de la t\u00e9l\u00e9vision<\/em>, 2025<\/a><\/div>\n<\/div>\n\n\n\n
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Installation de t\u00e9l\u00e9vision de la poste \u00e0 Berne (Schanzenpost), 1968. Photographe : Hans Krebs. Biblioth\u00e8que de l’ETH Zurich, archives photographiques. Com_L17-0735-0003-0002 \/ CC BY-SA 4.0 <\/figcaption><\/figure>\n\n\n
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\u00c9quipe: Anne-Katrin Weber (PI), Marie Sandoz (Postdoc), Lisa Cronj\u00e4ger (Postdoc) De la vid\u00e9osurveillance \u00e0 l’enseignement en ligne, de la gestion des autoroutes \u00e0 la t\u00e9l\u00e9m\u00e9decine : les images…<\/p>\n","protected":false},"author":1001449,"featured_media":0,"parent":170,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full-width.php","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-656","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/pages\/656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/users\/1001449"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/comments?post=656"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/pages\/656\/revisions"}],"predecessor-version":[{"id":2013,"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/pages\/656\/revisions\/2013"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/pages\/170"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/media?parent=656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}