{"id":1114,"date":"2024-09-25T15:24:21","date_gmt":"2024-09-25T13:24:21","guid":{"rendered":"https:\/\/wp.unil.ch\/collectif-televisuel\/?page_id=1114"},"modified":"2025-02-11T21:00:45","modified_gmt":"2025-02-11T20:00:45","slug":"publications","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/collectif-televisuel\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n
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PUBLICATIONS<\/h1>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

2024<\/h2>\n\n\n\n

Weber, Anne-Katrin: \u00ab Dans l’auditoire et au laboratoire: pour une \u00ab science en images t\u00e9l\u00e9visuelles \u00bb. R\u00e9plique \u00e0 \u00ab Science en images \u00bb, \u00e9dit\u00e9 par Monika Dommann et Marietta Meier, Traverse, 1999<\/a> \u00bb, Traverse. Revue d’histoire,<\/em> 2\/2024, p. 87-94. <\/p>\n\n\n\n

Sandoz, Marie, Cronj\u00e4ger, Lisa: \u201cReview of: Jussi Parikka, Operational Images. From the Visual to the Invisual, 2023<\/a>\u201d, Transbordeur. Photographie Histoire Soci\u00e9t\u00e9<\/em> (dossier : \u00ab Les histoires \u00e9cologiques de la photographie \u00bb), Vol. 8, 2024, p. 202\u2013203. <\/p>\n\n\n\n

Cronj\u00e4ger, Lisa: \u201cUmtriebszeiten und planetare Grenzen. Bildmuster der maximalen Ausnutzung nat\u00fcrlicher Ressourcen<\/a>\u201d, Traverse. Revue d’histoire<\/em>, 1\/2024, p. 86-104. <\/p>\n\n\n\n

2023<\/h2>\n\n\n\n

Gray, Roxane, Sandoz, Marie, \u00ab L\u2019\u00c9vangile sur les ondes\u202f: 100 ans de cultes radiophoniques (1923-2023)<\/a> \u00bb, rts.ch,<\/em> 04.05.2023.<\/p>\n\n\n\n

Deblu\u00eb, Claire-Lise, Weber, Anne-Katrin, \u00ab Histoire publique, trajectoires de carri\u00e8re et effets de genre: retour d\u2019exp\u00e9rience<\/a> \u00bb, Traverse. Revue d’histoire,<\/em> 3\/2023, p. 81-99. <\/p>\n\n\n\n

Weber, Anne-Katrin, Comte, Simone, Vallotton, Fran\u00e7ois, \u201cAudiovisual Heritage and Its Uses at the Swiss Public Broadcaster: A Dialogue on Opportunities and Constraints for Archives and Academics<\/a>\u201d, VIEW. Journal of European Television History and Culture <\/em>12, no. 23, 2023.<\/p>\n\n\n\n

Weber, Anne-Katrin, \u201cDecentring the Broadcasting Dispositif: Educational Closed-Circuits, Military-Industrial Entanglements, and Useful TV<\/a>\u201d, TMG. Journal for Media History<\/em> 26, no. 1, 2023.  <\/p>\n\n\n\n

Weber, Anne-Katrin, \u201cTelevision\u2019s Media Archaeology: Present State and Possible Directions<\/a>\u201d, Cultural Critique Online<\/em>, no. 120, 2023. <\/p>\n\n\n\n

Cronj\u00e4ger, Lisa, \u201cOn Cutting Forests and Avoiding Pasting: Heinrich Cotta\u2019s Forest Maps<\/a>\u201d, in: Ulrike Boskamp, Tabea Braun, Amrei Buchholz, Annette Kranen  (eds.), Pasted Topographies<\/em>, Heidelberg: arthistoricum.net-ART-Books, 2023, p. 83\u2013105. <\/p>\n\n\n\n

Berton, Mireille, \u00ab De la cure au care<\/em> : la psychanalyse \u00e0 l\u2019\u00e9cran. L\u2019exemple de A Dangerous Method<\/em> de David Cronenberg et de la s\u00e9rie t\u00e9l\u00e9vis\u00e9e En analyse<\/em> \u00bb, in: Jean-Michel Durafour (eds.), Sites du film. Le cin\u00e9ma et ses parages<\/a><\/em>, Paris : Presses du r\u00e9el 2023, p. 327\u2013348.<\/p>\n\n\n\n

Berton, Mireille, \u00ab\u2009L\u2019impact du streaming<\/em> sur l\u2019\u00e9criture s\u00e9rielle\u2009: Dark<\/em> (2017\u20132020) et les s\u00e9ries \u00e0 \u00e9nigme\u2009<\/a>\u00bb, Cahiers de Narratologie<\/em> [en ligne], n\u00b0 43, 2023.<\/p>\n\n\n\n

2022<\/h2>\n\n\n\n

Sandoz, Marie, Weber, Anne-Katrin, eds. Transbordeur. Photographie, histoire, soci\u00e9t\u00e9 <\/em>(dossier \u00ab L\u2019image verticale. Politiques de la vue a\u00e9rienne<\/a> \u00bb), Vol. 6, Lausanne : \u00c9ditions Macula 2022.  <\/p>\n\n\n\n

Sandoz, Marie, \u201cThe Big Ear of Leuk (1974\u20132020). The Cultural History of a Large Technical Infrastructure<\/a>\u201d, Histoire et informatique. Framing Communication Infrastructures (1950-2000)<\/em>, 2022, p. 51\u201170. <\/p>\n\n\n\n

Weber, Anne-Katrin, Television before TV: New Media and Exhibition Culture in Europe and the USA, 1928-1939<\/em><\/a>, Amsterdam University Press 2022. <\/p>\n\n\n\n

Cronj\u00e4ger, Lisa: \u201cOn the Exactly Balanced Use of Nature and Its Representation<\/a>\u201d, History of Humanities<\/em>. Forum Section: \u201cThe Promises of Exactitude\u201d, Vol. 7, No. 2, 2022, p. 161\u2013175.<\/p>\n\n\n\n

Gray, Roxane, \u00ab Devenir r\u00e9alisatrice de t\u00e9l\u00e9vision en Suisse romande au tournant des ann\u00e9es 1960 \u00bb, in : Chedaleux, Delphine (ed.), N\u00e9gocier la norme. Genre et m\u00e9dias (1946-1959)<\/em>, 2022.   <\/p>\n\n\n\n

2021<\/h2>\n\n\n\n

Vallotton, Fran\u00e7ois, Weber, Anne-Katrin (eds.), Towards an Expanded History of Television<\/a>, Infoclio,<\/em> 2021. <\/p>\n\n\n\n

Gray, Roxane, \u00ab Aux origines du Groupe 5 : les dramatiques de t\u00e9l\u00e9vision<\/a> \u00bb, D\u00e9cadrages,<\/em> no 44-45, p. 208-218, 2021. <\/p>\n\n\n\n

Gray, Roxane, \u00ab Quand la t\u00e9l\u00e9vision fait son cin\u00e9ma. Les t\u00e9l\u00e9films romands (1980-1990)<\/a> \u00bb, D\u00e9cadrages<\/em>, no 44-45, 2021, p. 242-255. <\/p>\n\n\n\n

Sandoz, Marie, \u00ab Qui a peur de la Pay-TV\u202f?<\/a> \u00bb, D\u00e9cadrages,<\/em> no 44\u201145, 2021, p. 233\u2011242. <\/p>\n\n\n\n

Berton, Mireille, Boni, Marta, \u00ab How to study the complexity of television series? Towards a spatial approach<\/a> \u00bb, TV\/Series <\/em>[en ligne], n\u00b015 [\u201cLa S\u00e9rialit\u00e9 en question(s)\u201d, Florent Favard & H\u00e9l\u00e8ne Machinal, dir.], 2019. Mis en ligne le 16 mars 2021.<\/p>\n\n\n\n

Cronj\u00e4ger, Lisa, \u201cB\u00e4ume f\u00fcr das neue Jahrtausend. Die Vorstellung einer genauen Ressourcenverwaltung im Kreislaufprinzip<\/a>\u201d, in: Larissa D\u00e4twyler, Aurea Klarskov, Lucas Knierzinger (eds.), Imagination und Genauigkeit. Verschr\u00e4nkungen in K\u00fcnsten und Wissenschaften<\/em>, Berlin: Neofelis 2021, p. 137\u2013154.<\/p>\n\n\n\n

Cronj\u00e4ger, Lisa, \u201cThe Curated Forest: Seeing Aesthetically and Scientifically<\/a>\u201d, Basel Media Culture and Cultural Techniques Working Papers<\/em>, No. 5, 2021.<\/p>\n\n\n\n

<\/p>\n\n\n\n

2020<\/h2>\n\n\n\n

Sandoz, Marie, \u00ab Une t\u00e9l\u00e9vision satellite suisse ? Lib\u00e9ralisation de l\u2019audiovisuel public et \u00ab nouveaux m\u00e9dias \u00bb : l\u2019ann\u00e9e 1980<\/a> \u00bb, \u00c9tudes de Lettres<\/em>, vol. 1, no. 312, 2020, p. 59-62. <\/p>\n\n\n\n

Weber, Anne-Katrin, Gray, Roxane, Sandoz, \u201cITU Exhibitions in Switzerland: Displaying the \u2018Big Family of Telecommunications\u2019, 1960s\u20131970s\u201d, in: History of the International Telecommunication Union (ITU). Transnational Techno-Diplomacy from the Telegraph to the Internet<\/a><\/em>, ed. by Gabriele Balbi and Andreas Fickers, 2020, p. 263\u201394. <\/p>\n\n\n\n

Vallotton, Fran\u00e7ois, Weber, Anne-Katrin \u00ab Un scandale t\u00e9l\u00e9visuel dans l\u2019\u00e9t\u00e9 chaud zurichois<\/a>. \u00bb \u00c9tudes de lettres<\/em>, no. 312, 2020, p. 63\u201368. <\/p>\n\n\n\n

2019<\/h2>\n\n\n\n

Weber, Anne-Katrin, Fickers, Andreas, Mustata, Dana, \u201cThe Rise of Television: Institutionalization and the Forming of National Audiences<\/a>\u201d in: Handbook of European Communication History<\/em>, ed. by Paschal Preston, Klaus Arnold, and Susanne Kinnebrock, Wiley 2019, p. 239\u201355. <\/p>\n\n\n\n

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2024 Weber, Anne-Katrin: \u00ab Dans l’auditoire et au laboratoire: pour une \u00ab science en images t\u00e9l\u00e9visuelles \u00bb. R\u00e9plique \u00e0 \u00ab Science en images \u00bb, \u00e9dit\u00e9 par Monika Dommann…<\/p>\n","protected":false},"author":1002804,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full-width.php","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-1114","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/pages\/1114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/users\/1002804"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/comments?post=1114"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/pages\/1114\/revisions"}],"predecessor-version":[{"id":2035,"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/pages\/1114\/revisions\/2035"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/collectif-televisuel\/wp-json\/wp\/v2\/media?parent=1114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}