{"id":7555,"date":"2024-09-03T19:54:38","date_gmt":"2024-09-03T17:54:38","guid":{"rendered":"https:\/\/wp.unil.ch\/cinematheque-unil\/?page_id=7555"},"modified":"2026-02-23T14:00:02","modified_gmt":"2026-02-23T13:00:02","slug":"publications","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/cinematheque-unil\/histoire-de-lanimation-suisse-francophone\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<ol class=\"breadcrumb\">\n<li><a href=\"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/\">Projets<\/a><\/li>\n<li><a href=\"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/histoire-de-lanimation-suisse-francophone\/\">Histoire de l\u2019animation suisse francophone<\/a><\/li>\n<li class=\"current\"><a href=\"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/histoire-de-lanimation-suisse-francophone\/publications\/\">Publications<\/a><\/li>\n<\/ol>\n\n\n<h2 class=\"wp-block-heading\"><strong>Publications<\/strong><\/h2>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Articles acad\u00e9miques<\/strong><\/h5>\n\n\n\n<p>Chlo\u00e9 Hofmann, \u00ab Pingu and the Emergence of Merchandising within Swiss Public Service Television \u00bb, <em>VIEW Journal of European Television History and Culture<\/em>, n\u00b014, vol. 28, 2025, pp. 1 &#8211; 19. <a href=\"https:\/\/viewjournal.eu\/articles\/10.18146\/view.384\">https:\/\/viewjournal.eu\/articles\/10.18146\/view.384<\/a><\/p>\n\n\n\n<p>Chlo\u00e9 Hofmann, \u00ab Une imprimante 3D, du carton plume et de la patafix. Entretien avec Antonin Niclass au sujet de la fabrication de <em>Coup de th\u00e9\u00e2tre<\/em> \u00bb, <em>D\u00e9cadrages<\/em>, n\u00b0 53-54, 2025, pp. 200-213. <a href=\"https:\/\/journals.openedition.org\/decadrages\/2156\">https:\/\/journals.openedition.org\/decadrages\/2156<\/a><\/p>\n\n\n\n<p>Baptiste Mesot, \u00ab Les indicatifs TV Spot Cours de langues (1976\u20131983) du studio Liechti \u00bb, <em>D\u00e9cadrages<\/em>, n\u00b0 53-54, 2025, pp. 111-125. <a href=\"https:\/\/journals.openedition.org\/decadrages\/2206\">https:\/\/journals.openedition.org\/decadrages\/2206<\/a><\/p>\n\n\n\n<p>Chlo\u00e9 Hofmann, \u00ab&nbsp;D\u2019<em>Autobiographie d\u2019une Courgette&nbsp;<\/em>\u00e0&nbsp;<em>Ma vie de Courgette<\/em>. Le public cible comme moteur du processus adaptationnel&nbsp;\u00bb,&nbsp;<em>Transcr(\u00e9)ation, <\/em>vol. 1, n\u00b0 6, 2025, pp. 1-25. <a href=\"https:\/\/ojs.lib.uwo.ca\/index.php\/transcreation\/article\/view\/21611\/17592\">https:\/\/ojs.lib.uwo.ca\/index.php\/transcreation\/article\/view\/21611\/17592<\/a><\/p>\n\n\n\n<p>Chlo\u00e9 Hofmann, \u00ab&nbsp;Les archives de production du film d\u2019animation <em>Ma vie de Courgette<\/em>&nbsp;: historique et enjeux&nbsp;\u00bb,&nbsp;<em>Genesis<\/em>, n\u00b0 57, printemps 2024, pp. 157-173. <a href=\"https:\/\/journals.openedition.org\/genesis\/8952\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/journals.openedition.org\/genesis\/8952<\/a><\/p>\n\n\n\n<p>Chlo\u00e9 Hofmann, \u00ab&nbsp;Entretien avec Christel Grandchamp, cheffe costumi\u00e8re de <em>Ma vie de Courgette <\/em>(2016)&nbsp;\u00bb, <em>D\u00e9cadrages,<\/em> n\u00b0 48-50, 2023, pp. 300-314. <a href=\"https:\/\/journals.openedition.org\/decadrages\/1993\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/journals.openedition.org\/decadrages\/1993<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Revues sp\u00e9cialis\u00e9es<\/strong><\/h5>\n\n\n\n<p>Chlo\u00e9 Hofmann, \u00ab Histoire d\u2019un escargot devenu papillon. <em>M\u00e9moires d\u2019un escargot<\/em> d\u2019Adam Elliot \u00bb, <em>Blink Blank \u2013 La revue du film d\u2019animation<\/em>, n\u00b0 10, automne\/hiver 2024, pp. 79-80.<\/p>\n\n\n\n<p>Chlo\u00e9 Hofmann, \u00ab Le corps en morceaux. <em>Abzi <\/em>de Shiva Sadegh Asadi \u00bb, <em>Blink Blank \u2013 La revue du film d\u2019animation<\/em>, n\u00b0 10, automne\/hiver 2024, pp. 66-67.<\/p>\n\n\n\n<p>Chlo\u00e9 Hofmann, \u00ab&nbsp;La nature, meilleure alli\u00e9e de l\u2019\u00eatre humain. Entretien avec Claude Barras&nbsp;\u00bb, <em>Blink Blank \u2013 La revue du film d\u2019animation<\/em>, n\u00b0 9, printemps\/\u00e9t\u00e9 2024, pp. 54-56. <a href=\"https:\/\/revue-blinkblank.com\/numero-9\/\">Lien vers la publication<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Livres<\/strong><\/h5>\n\n\n\n<p>Publication du&nbsp;<strong>livre \u00ab&nbsp;Gis\u00e8le Ansorge, la cam\u00e9ra, le pinceau et la plume&nbsp;\u00bb de Chlo\u00e9 Hofmann<\/strong>&nbsp;d\u00e9di\u00e9e \u00e0 l\u2019oeuvre filmique, artistique et litt\u00e9raire de Gis\u00e8le Ansorge chez Infolio.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/wp.unil.ch\/cinematheque-unil\/files\/2024\/10\/202411_Couv_Presto-Gisele-Ansorge_BAT-interne_page-0001.jpg\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"753\" src=\"https:\/\/wp.unil.ch\/cinematheque-unil\/files\/2024\/10\/202411_Couv_Presto-Gisele-Ansorge_BAT-interne_page-0001-1024x753.jpg\" alt=\"\" class=\"wp-image-8120\" srcset=\"https:\/\/wp.unil.ch\/cinematheque-unil\/files\/2024\/10\/202411_Couv_Presto-Gisele-Ansorge_BAT-interne_page-0001-1024x753.jpg 1024w, https:\/\/wp.unil.ch\/cinematheque-unil\/files\/2024\/10\/202411_Couv_Presto-Gisele-Ansorge_BAT-interne_page-0001-300x220.jpg 300w, https:\/\/wp.unil.ch\/cinematheque-unil\/files\/2024\/10\/202411_Couv_Presto-Gisele-Ansorge_BAT-interne_page-0001-768x564.jpg 768w, https:\/\/wp.unil.ch\/cinematheque-unil\/files\/2024\/10\/202411_Couv_Presto-Gisele-Ansorge_BAT-interne_page-0001.jpg 1366w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.infolio.ch\/livre\/gisele-ansorge-la-camera-le-pinceau-et-la-plume\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lien vers le site de l&rsquo;\u00e9diteur (pour commander l&rsquo;ouvrage notamment)<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Projets Histoire de l\u2019animation suisse francophone Publications Publications Articles acad\u00e9miques Chlo\u00e9 Hofmann, \u00ab Pingu and the Emergence of Merchandising within Swiss Public Service Television \u00bb, VIEW Journal of European Television History and Culture, n\u00b014, vol. 28, 2025, pp. 1 &#8211;<\/p>\n","protected":false},"author":1002848,"featured_media":0,"parent":7640,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-7555","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/7555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/users\/1002848"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/comments?post=7555"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/7555\/revisions"}],"predecessor-version":[{"id":9200,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/7555\/revisions\/9200"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/7640"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/media?parent=7555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}