{"id":690,"date":"2014-08-27T15:34:50","date_gmt":"2014-08-27T13:34:50","guid":{"rendered":"http:\/\/wp.unil.ch\/cinematheque-unil\/?page_id=690"},"modified":"2018-05-16T00:47:44","modified_gmt":"2018-05-15T22:47:44","slug":"approche-sociologique","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/discours-du-scenario-etude-historique-et-genetique-des-adaptations-cinematographiques-de-stendhal\/bibliographie\/approche-sociologique\/","title":{"rendered":"Approche sociologique"},"content":{"rendered":"
    \n
  1. Projets<\/a><\/li>\n
  2. Discours du sc\u00e9nario<\/a><\/li>\n
  3. Bibliographie s\u00e9lective<\/a><\/li>\n
  4. Approche sociologique<\/a><\/li>\n<\/ol>\n
    \n

    Pierre Bourdieu, L\u2019amour de l\u2019art\u00a0: les mus\u00e9es d\u2019art europ\u00e9ens et leur public<\/em>, Paris, Les \u00c9ditions de minuit, 1969 [1966].<\/p>\n

    \u2013, Les r\u00e8gles de l\u2019art\u00a0: gen\u00e8se et structure du champ litt\u00e9raire<\/em>, Paris, Seuil, 1992.<\/p>\n

    \u2013, Manet, une r\u00e9volution symbolique<\/em>, Paris, Seuil, 2013.<\/p>\n

    Christiane Chauvir\u00e9 et alii, Critique<\/em>, n\u00b0 579\/580 (\u00ab\u00a0Pierre Bourdieu\u00a0\u00bb), Paris, Les \u00c9ditions de minuit, 1995.<\/p>\n

    Howard Becker, Les mondes de l\u2019art<\/em>, Paris, Flammarion, 2010.<\/p>\n

    Albert Ogien, Les formes sociales de la pens\u00e9e\u00a0: la sociologie apr\u00e8s Wittgenstein<\/em>, Paris, Armand Colin, 2007.<\/p>\n

    Philippe Mary, La Nouvelle Vague et le cin\u00e9ma d\u2019auteur\u00a0: socio-analyse d\u2019une r\u00e9volution artistique<\/em>, Paris, Seuil, 2006.<\/p>\n

    J\u00e9r\u00f4me Meizoz, Postures litt\u00e9raires\u00a0: mises en sc\u00e8ne modernes de l\u2019auteur<\/em>, Gen\u00e8ve, Slatkine, 2006.<\/p>\n

    \u2013 (dir.), Discours en contexte\u00a0: th\u00e9orie des champs et analyse du discours<\/em>, Li\u00e8ge, Universit\u00e9 de Li\u00e8ge, 2006.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Projets Discours du sc\u00e9nario Bibliographie s\u00e9lective Approche sociologique Pierre Bourdieu, L\u2019amour de l\u2019art\u00a0: les mus\u00e9es d\u2019art europ\u00e9ens et leur public, Paris, Les \u00c9ditions de minuit, 1969 [1966]. \u2013, Les r\u00e8gles de l\u2019art\u00a0: gen\u00e8se et structure du champ litt\u00e9raire, Paris, Seuil,<\/p>\n","protected":false},"author":1469,"featured_media":0,"parent":188,"menu_order":48,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-690","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/users\/1469"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/comments?post=690"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/690\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/188"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/media?parent=690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}