{"id":688,"date":"2014-08-27T15:33:55","date_gmt":"2014-08-27T13:33:55","guid":{"rendered":"http:\/\/wp.unil.ch\/cinematheque-unil\/?page_id=688"},"modified":"2018-05-16T00:46:31","modified_gmt":"2018-05-15T22:46:31","slug":"approche-historique-et-monographique","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/discours-du-scenario-etude-historique-et-genetique-des-adaptations-cinematographiques-de-stendhal\/bibliographie\/approche-historique-et-monographique\/","title":{"rendered":"Approche historique et monographique"},"content":{"rendered":"
    \n
  1. Projets<\/a><\/li>\n
  2. Discours du sc\u00e9nario<\/a><\/li>\n
  3. Bibliographie s\u00e9lective<\/a><\/li>\n
  4. Approche historique et monographique<\/a><\/li>\n<\/ol>\n
    \n

    Pierre Billard, L\u2019\u00e2ge classique du cin\u00e9ma fran\u00e7ais<\/em>, Paris, Flammarion, 1995, pp.\u00a0252-258 (\u00ab\u00a0Les sc\u00e9naristes\u00a0: Pr\u00e9vert, Spaak, Jeanson et les autres\u00a0\u00bb).<\/p>\n

    Alain Boillat, Philipp Brunner et Barbara Fl\u00fcckiger\u00a0(dir.), Cin\u00e9ma CH\u00a0: r\u00e9ception, esth\u00e9tique, histoire<\/em>, Marburg, Sch\u00fcren, 2008.<\/p>\n

    Edward Branigan, Point of View in the Cinema<\/em>, Berlin\/New York\/Amsterdam, Mouton Publishers, 1984.<\/p>\n

    Freddy Buache, Claude Autant-Lara<\/em>, Lausanne\u00a0: L\u2019\u00c2ge d\u2019homme, 1982.<\/p>\n

    Colin Crisp, The Classic French Cinema 1930-1960<\/em>, Bloomington & Indianapolis\/London & New York, Indiana University Press\/I.B. Tauris, 1997 [1993].<\/p>\n

    Antoine de Baecque, La cin\u00e9philie. Invention d\u2019un regard, histoire d\u2019une culture 1944-1968<\/em>, Paris, Arth\u00e8me Fayard, 2003.<\/p>\n

    Jean-Pierre Esquenazi, \u00ab\u00a0Arri\u00e8re-gardes et Nouvelle Vague, le cin\u00e9ma \u201cqualit\u00e9 France\u201d\u00a0\u00bb, in William Marx (dir.), Les arri\u00e8re-gardes au XXe si\u00e8cle. L\u2019autre face de la modernit\u00e9 esth\u00e9tique<\/em>, Paris, PUF, 2004, pp. 69-78.<\/p>\n

    Alain Ferrari (dir.), Le poing dans la vitre\u00a0: sc\u00e9naristes et dialoguistes du cin\u00e9ma fran\u00e7ais (1930-1960)<\/em>, Arles, Institut Lumi\u00e8re\/Actes Sud, 2006.<\/p>\n

    Susan Hayward, French Costume Drama of the 1950s. Fashioning Politics in Film<\/em>, Bristol & Chicago, Intellect., 2010.<\/p>\n

    Jean-Pierre Jeancolas, Jean-Jacques Meusy et Vincent Pinel, L\u2019auteur du film\u00a0: description d\u2019un combat<\/em>, Lyon\/Arles, Institut Lumi\u00e8re\/Actes Sud, 1996.<\/p>\n

    William Marx, \u00ab\u00a0Introduction\u00a0: Penser les arri\u00e8re-gardes\u00a0\u00bb, in William Marx (dir.), Les arri\u00e8re-gardes au XXe si\u00e8cle. L\u2019autre face de la modernit\u00e9 esth\u00e9tique<\/em>, Paris, PUF, 2004, pp. 5-19.<\/p>\n

    Gilles Mou\u00ebllic, Improviser le cin\u00e9ma<\/em>, Crisn\u00e9e, Yellow Now, 2011.<\/p>\n

    Tom Stempel, Framework\u00a0: A History of Screenwriting in the American Film<\/em>, New York, Continuum, 1988.<\/p>\n

    Guillaume Vernet, \u00ab\u00a0Institutionnaliser la qualit\u00e9 cin\u00e9matographique en France apr\u00e8s la Seconde Guerre mondiale\u00a0: le r\u00f4le de la formation professionnelle\u00a0\u00bb, in Anna Bertolli, Andrea Mariani et Martina Panelli (dir.), Can We learn Cinema\u00a0?<\/em>, Udine, Forum\/Universit\u00e0 degli Studi di Udine, 2013, pp.\u00a0147-156.<\/p>\n

    \u2013, \u00ab L\u2019Hypoth\u00e8se d\u2019une \u201cprime \u00e0 la qualit\u00e9\u201d au sortir de la Seconde Guerre mondiale (1944-1948). Discours, projets et rendez-vous manqu\u00e9s\u00a0\u00bb, in Dimitri Vezyroglou (dir.), Autour de la politique du cin\u00e9ma en France (1945-1970)\u00a0: enjeux et contextes<\/em>, Paris, Comit\u00e9 d\u2019histoire du Minist\u00e8re de la culture, 2013.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Projets Discours du sc\u00e9nario Bibliographie s\u00e9lective Approche historique et monographique Pierre Billard, L\u2019\u00e2ge classique du cin\u00e9ma fran\u00e7ais, Paris, Flammarion, 1995, pp.\u00a0252-258 (\u00ab\u00a0Les sc\u00e9naristes\u00a0: Pr\u00e9vert, Spaak, Jeanson et les autres\u00a0\u00bb). Alain Boillat, Philipp Brunner et Barbara Fl\u00fcckiger\u00a0(dir.), Cin\u00e9ma CH\u00a0: r\u00e9ception, esth\u00e9tique,<\/p>\n","protected":false},"author":1469,"featured_media":0,"parent":188,"menu_order":47,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-688","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/users\/1469"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/comments?post=688"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/688\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/188"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/media?parent=688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}