{"id":686,"date":"2014-08-27T15:32:49","date_gmt":"2014-08-27T13:32:49","guid":{"rendered":"http:\/\/wp.unil.ch\/cinematheque-unil\/?page_id=686"},"modified":"2018-05-16T00:45:17","modified_gmt":"2018-05-15T22:45:17","slug":"approche-narratologique","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/discours-du-scenario-etude-historique-et-genetique-des-adaptations-cinematographiques-de-stendhal\/bibliographie\/approche-narratologique\/","title":{"rendered":"Approche narratologique"},"content":{"rendered":"
    \n
  1. Projets<\/a><\/li>\n
  2. Discours du sc\u00e9nario<\/a><\/li>\n
  3. Bibliographie s\u00e9lective<\/a><\/li>\n
  4. Approche narratologique<\/a><\/li>\n<\/ol>\n
    \n

    Rapha\u00ebl Baroni, La tension narrative\u00a0: suspense, curiosit\u00e9 et surprise<\/em>, Paris, Seuil, 2007.<\/p>\n

    Jean Ch\u00e2teauvert, Des mots \u00e0 l\u2019image. La voix over au cin\u00e9ma<\/em>, Qu\u00e9bec\/Paris, Nuit Blanche\/M\u00e9ridiens Klincksieck, 1996.<\/p>\n

    Seymour Chatman, Story and Discourse: Narrative Structure in Fiction and Film<\/em>, Ithaca\/Londres, Cornell University Press, 1978.<\/p>\n

    Syd Field, Sc\u00e9nario\u00a0: les bases de la narration cin\u00e9matographique<\/em>, Paris, Dixit, 2008 [1982].<\/p>\n

    Andr\u00e9 Gaudreault et Fran\u00e7ois Jost, Le r\u00e9cit cin\u00e9matographique<\/em>, Paris, Nathan, 2004 [1990].<\/p>\n

    G\u00e9rard Genette, Figures III<\/em>, Paris, Seuil, 1972.<\/p>\n

    Ari Hiltunen, Aristotle in Hollywood\u00a0: the Anatomy of Successful Storytelling<\/em>, Bristol, Intellect Books, 2002.<\/p>\n

    Fran\u00e7ois Jost, L\u2019\u0153il-cam\u00e9ra<\/em>, Lyon, PUL, 1987.<\/p>\n

    Robert McKee, Story\u00a0: contenu, structure, genre \u2013 les principes de l\u2019\u00e9criture d\u2019un sc\u00e9nario<\/em>, Paris, Dixit, 2001 [1997].<\/p>\n

    Fran\u00e7oise Revaz, Introduction \u00e0 la narratologie\u00a0: action et narration<\/em>, Bruxelles, De Boeck, 2009.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Projets Discours du sc\u00e9nario Bibliographie s\u00e9lective Approche narratologique Rapha\u00ebl Baroni, La tension narrative\u00a0: suspense, curiosit\u00e9 et surprise, Paris, Seuil, 2007. Jean Ch\u00e2teauvert, Des mots \u00e0 l\u2019image. La voix over au cin\u00e9ma, Qu\u00e9bec\/Paris, Nuit Blanche\/M\u00e9ridiens Klincksieck, 1996. Seymour Chatman, Story and<\/p>\n","protected":false},"author":1469,"featured_media":0,"parent":188,"menu_order":46,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-686","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/users\/1469"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/comments?post=686"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/686\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/188"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/media?parent=686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}