{"id":680,"date":"2014-08-27T15:25:30","date_gmt":"2014-08-27T13:25:30","guid":{"rendered":"http:\/\/wp.unil.ch\/cinematheque-unil\/?page_id=680"},"modified":"2018-05-16T00:41:30","modified_gmt":"2018-05-15T22:41:30","slug":"litterature-secondaire-sur-le-scenario","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/discours-du-scenario-etude-historique-et-genetique-des-adaptations-cinematographiques-de-stendhal\/bibliographie\/litterature-secondaire-sur-le-scenario\/","title":{"rendered":"Litt\u00e9rature secondaire sur le sc\u00e9nario"},"content":{"rendered":"
    \n
  1. Projets<\/a><\/li>\n
  2. Discours du sc\u00e9nario<\/a><\/li>\n
  3. Bibliographie s\u00e9lective<\/a><\/li>\n
  4. Litt\u00e9rature secondaire sur le sc\u00e9nario<\/a><\/li>\n<\/ol>\n
    \n

    Christian Biegalski, Sc\u00e9narios\u00a0: modes d\u2019emplois<\/em>, Paris, Dixit\/Synopsis, 2003.<\/p>\n

    Alain Boillat, \u00ab\u00a0\u00c0 la recherche du sc\u00e9nario. Le sc\u00e9nario comme objet (d\u2019\u00e9tude) et pratique (d\u2019\u00e9criture)\u00a0\u00bb, Archipel<\/em>, n\u00b0 34, 2011, pp. 13-59.<\/p>\n

    Kevin Alexander Boon, Script Culture and the American Screenplay<\/em>, Detroit, Wayne State University Press, 2008.<\/p>\n

    Olivier Curchod, La R\u00e8gle du jeu. Nouveau d\u00e9coupage int\u00e9gral<\/em>, Paris, Le Livre de poche, 1998.<\/p>\n

    Olivier Curchod et Christopher Faulkner, La R\u00e8gle du jeu. Sc\u00e9nario original de Jean Renoir<\/em>, Paris, Nathan, 1999.<\/p>\n

    C\u00e9cile Dubost, \u00ab\u00a0Le sc\u00e9nario du Silence de la mer<\/em> de Jean-Pierre Melville, 1947\u00a0\u00bb, Cin\u00e9math\u00e8que fran\u00e7aise, 2011, [consulter le document en ligne]<\/a>.<\/p>\n

    Pierre Jenn, Techniques du sc\u00e9nario<\/em>, Paris, FEMIS, 1991.<\/p>\n

    G\u00e9rard Leblanc et Brigitte Devismes, Le double sc\u00e9nario chez Fritz Lang<\/em>, Paris, Armand Colin, 1990.<\/p>\n

    Dominique Parent-Altier, Approche du sc\u00e9nario<\/em>, Paris, Armand Colin, 2005 [1997].<\/p>\n

    Pier Paolo Pasolini, \u00ab\u00a0Le sc\u00e9nario comme structure tendant \u00e0 \u00eatre une autre structure\u00a0\u00bb, in L\u2019Exp\u00e9rience h\u00e9r\u00e9tique\u00a0: langue et cin\u00e9ma<\/em>, Paris, Payot, 1976, pp.\u00a0156-166.<\/p>\n

    Esther Pelletier (dir.), Cin\u00e9mas<\/em>, vol. 2, n\u00b0 1, 1991 (\u00ab\u00a0Le sc\u00e9nario\u00a0\u00bb).<\/p>\n

    Isabelle Raynauld, \u00ab\u00a0Le sc\u00e9nario a toujours \u00e9t\u00e9 en crise\u00a0\u00bb, Cin\u00e9mAction<\/em>, n\u00b0 61 (\u00ab\u00a0L\u2019enseignement du sc\u00e9nario\u00a0\u00bb), 1991, pp.\u00a022-27.<\/p>\n

    \u2013, \u00ab\u00a0Les sc\u00e9narios des d\u00e9buts du cin\u00e9ma en France\u00a0: statut des sc\u00e9narios conserv\u00e9s \u00e0 la Biblioth\u00e8que Nationale (1907-1923)\u00a0\u00bb, in Jean A. Gili et alii (dir.), Les vingt premi\u00e8res ann\u00e9es du cin\u00e9ma fran\u00e7ais<\/em>, Paris, Presses de la Sorbonne Nouvelle\/AFRHC, 1995, pp.\u00a0437-457.<\/p>\n

    \u2013, \u00ab\u00a0Pr\u00e9sence, fonction et repr\u00e9sentation du son dans les sc\u00e9narios et les films de Georges M\u00e9li\u00e8s (1896-1912). Mise en sc\u00e8ne du son\u00a0\u00bb, in Jacques Malth\u00eate et Michel Marie (dir.), Georges M\u00e9li\u00e8s, l\u2019illusionniste fin de si\u00e8cle\u00a0?<\/em>, Paris, Colloque de Cerisy\/Presses de la Sorbonne Nouvelle, 1997, pp.\u00a0201-217.<\/p>\n

    \u2013, \u00ab\u00a0Written Scenarios of Early Cinema: Screenwriting Practices in the First Twenty Years\u00a0\u00bb, Film History<\/em>, vol.\u00a09, n\u00b0\u00a03, 1997, pp. 269-276.<\/p>\n

    \u2013, \u00ab\u00a0Lecture des sc\u00e9narios fran\u00e7ais et am\u00e9ricains avant 1914\u00a0: r\u00f4le du spectateur et du son dans les sc\u00e9narios dits muets\u00a0\u00bb, in Claire Dupr\u00e9 la Tour et alii (dir.), Le cin\u00e9ma au tournant du si\u00e8cle<\/em>, Lausanne\/Montr\u00e9al, Payot\/Nuit Blanche, 1999, pp.\u00a0303-314.<\/p>\n

    Raoul Ruiz, Po\u00e9tique du cin\u00e9ma<\/em>, tome 1 (\u00ab\u00a0Structure et construction\u00a0\u00bb, pp.\u00a09-23), Paris, Dis Voir, 1995.<\/p>\n

    \u2013, Po\u00e9tique du cin\u00e9ma<\/em>, tome 2 (\u00ab\u00a0Th\u00e9orie du conflit central\u00a0\u00bb), Paris, Dis Voir, 2006.<\/p>\n

    SACD, Jeux d\u2019auteurs, mots d\u2019acteurs\u00a0: sc\u00e9naristes et dialoguistes du cin\u00e9ma fran\u00e7ais, 1930-1945<\/em>, Lyon, Institut Lumi\u00e8re\/Actes Sud, 1994.<\/p>\n

    Francis Vanoye, Sc\u00e9narios mod\u00e8les, mod\u00e8les de sc\u00e9nario<\/em>, Paris, Nathan, 1991.<\/p>\n

    Jacqueline Viswanathan, \u00ab Une \u00e9criture cin\u00e9matographique\u00a0? \u00bb, \u00c9tudes litt\u00e9raires<\/em>, vol. 26, n\u00b0 1, 1993, pp. 9-18.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Projets Discours du sc\u00e9nario Bibliographie s\u00e9lective Litt\u00e9rature secondaire sur le sc\u00e9nario Christian Biegalski, Sc\u00e9narios\u00a0: modes d\u2019emplois, Paris, Dixit\/Synopsis, 2003. Alain Boillat, \u00ab\u00a0\u00c0 la recherche du sc\u00e9nario. Le sc\u00e9nario comme objet (d\u2019\u00e9tude) et pratique (d\u2019\u00e9criture)\u00a0\u00bb, Archipel, n\u00b0 34, 2011, pp. 13-59.<\/p>\n","protected":false},"author":1469,"featured_media":0,"parent":188,"menu_order":42,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-680","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/users\/1469"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/comments?post=680"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/680\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/188"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/media?parent=680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}