{"id":678,"date":"2014-08-27T15:22:27","date_gmt":"2014-08-27T13:22:27","guid":{"rendered":"http:\/\/wp.unil.ch\/cinematheque-unil\/?page_id=678"},"modified":"2018-05-16T00:39:11","modified_gmt":"2018-05-15T22:39:11","slug":"litterature-secondaire-sur-ladaptation","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/discours-du-scenario-etude-historique-et-genetique-des-adaptations-cinematographiques-de-stendhal\/bibliographie\/litterature-secondaire-sur-ladaptation\/","title":{"rendered":"Litt\u00e9rature secondaire sur l\u2019adaptation"},"content":{"rendered":"
    \n
  1. Projets<\/a><\/li>\n
  2. Discours du sc\u00e9nario<\/a><\/li>\n
  3. Bibliographie s\u00e9lective<\/a><\/li>\n
  4. Litt\u00e9rature secondaire sur l’adaptation<\/a><\/li>\n<\/ol>\n
    \n

    Dudley Andrew, \u00ab\u00a0Adaptation\u00a0\u00bb, in James Naremore (\u00e9d.), Film Adaptation<\/em>, New Brunswick, Rutgers University Press, 2000, pp.\u00a028-37.<\/p>\n

    Monique Carcaud-Macaire et Jeanne-Marie Clerc, Pour une lecture sociocritique de l\u2019adaptation cin\u00e9matographique<\/em>, Montpellier, CERS, 1995.<\/p>\n

    Jean Cl\u00e9der, Entre litt\u00e9rature et cin\u00e9ma. Les affinit\u00e9s \u00e9lectives<\/em>, Paris, Armand Colin, 2012.<\/p>\n

    Jeanne-Marie Clerc, Litt\u00e9rature et cin\u00e9ma<\/em>, Paris, Nathan, 1993.<\/p>\n

    \u2013, L\u2019adaptation cin\u00e9matographique et litt\u00e9raire<\/em>, Paris, Klincksieck, 2004.<\/p>\n

    Olivier Curchod, \u00ab\u00a0La \u201cM\u00e9thode Renoir\u201d et ses l\u00e9gendes\u00a0: petite histoire d\u2019un casting \u201cprovocateur\u201d\u00a0\u00bb, Genesis<\/em>, n\u00b0 28, 2007, pp.\u00a073-88.<\/p>\n

    \u2013, La \u00ab\u00a0M\u00e9thode Renoir\u00a0\u00bb<\/em>, Paris, Armand Colin, 2012.<\/p>\n

    Andr\u00e9 Gaudreault, Du litt\u00e9raire au filmique<\/em>, Qu\u00e9bec\/Paris, Nota Bene\/Armand Colin, 1999 [1988].<\/p>\n

    Laurent Jullier et Guillaume Soulez, Stendhal, le d\u00e9sir de cin\u00e9ma<\/em>, Biarritz, Atlantica, 2006.<\/p>\n

    Laurent Le Forestier et Guillaume Vernet, \u00ab\u00a0La \u201cQualit\u00e9 fran\u00e7aise\u201d\u00a0: contribution \u00e0 l\u2019arch\u00e9ologie d\u2019un canon critique\u00a0\u00bb, in Pietro Bianchi, Giulio Bursi et Simone Venturini (dir.), Il canon cinematografico\/The film canon<\/em>, Udine, Universit\u00e0 degli Studi di Udine, 2011, pp. 411-417.<\/p>\n

    Philippe Marion, \u00ab\u00a0M\u00e9diag\u00e9nie et r\u00e9flexivit\u00e9, m\u00e9diativit\u00e9 et imaginaires\u00a0: comment s\u2019incarnent les fables\u00a0\u00bb, Belph\u00e9gor<\/em>, vol. 4, n\u00b0 2, mai 2005.<\/p>\n

    Sandra Poppe, Visualit\u00e4t in Literatur und Film<\/em>, G\u00f6ttingen, Vandenhoeck & Ruprecht, 2007.<\/p>\n

    Michel Serceau, L\u2019adaptation cin\u00e9matographique des textes litt\u00e9raires<\/em>, Li\u00e8ge, \u00c9ditions du C\u00e9fal, 1999.<\/p>\n

    Robert Stam, \u00ab\u00a0Beyond Fidelity\u00a0: the Dialogics of Adaptation\u00a0\u00bb, in James Naremore (\u00e9d.), Film Adaptation<\/em>, New Brunswick, Rutgers University Press, 2000, pp.\u00a054-76.<\/p>\n

    \u2013, Literature through Film. Realism, Magic and the Art of Adaptation<\/em>, Malden, Blackwell, 2005.<\/p>\n

    \u2013, Fran\u00e7ois Truffaut and Friends\u00a0: Modernism, Sexuality and Film Adaptation<\/em>, New Brunswick N.J.\/London, Rutgers University Press, 2006.<\/p>\n

    \u2013, Robert Stam et Alessandra Raengo, Literature and Film. A Guide of Theory and Practice of Film Adaptation<\/em>, Malden, Blackwell, 2005.<\/p>\n

    \u2013, A Companion to Literature and Film<\/em>, Malden, Blackwell, 2008.<\/p>\n

    Francis Vanoye, R\u00e9cit \u00e9crit, r\u00e9cit filmique<\/em>, Paris, Nathan, 1989.<\/p>\n

    \u2013 (dir.), Cin\u00e9ma et litt\u00e9rature<\/em>, Paris, Universit\u00e9 de Paris X, 1999.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Projets Discours du sc\u00e9nario Bibliographie s\u00e9lective Litt\u00e9rature secondaire sur l’adaptation Dudley Andrew, \u00ab\u00a0Adaptation\u00a0\u00bb, in James Naremore (\u00e9d.), Film Adaptation, New Brunswick, Rutgers University Press, 2000, pp.\u00a028-37. Monique Carcaud-Macaire et Jeanne-Marie Clerc, Pour une lecture sociocritique de l\u2019adaptation cin\u00e9matographique, Montpellier, CERS,<\/p>\n","protected":false},"author":1469,"featured_media":0,"parent":188,"menu_order":40,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-678","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/users\/1469"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/comments?post=678"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/678\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/188"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/media?parent=678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}