{"id":3638,"date":"2016-06-21T16:24:15","date_gmt":"2016-06-21T14:24:15","guid":{"rendered":"http:\/\/wp.unil.ch\/cinematheque-unil\/?page_id=3638"},"modified":"2026-10-19T20:30:05","modified_gmt":"2026-10-19T18:30:05","slug":"une-histoire-du-cinema-en-mots-et-en-images","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/cinematheque-unil\/offre\/une-histoire-du-cinema-en-mots-et-en-images\/","title":{"rendered":"Introduction \u00e0 l’histoire du cin\u00e9ma"},"content":{"rendered":"\n

Introduction \u00e0 l’histoire du cin\u00e9ma<\/strong><\/p>\n\n\n\n

Cr\u00e9\u00e9 en 1984, ce cours \u00e9tait enseign\u00e9 jusqu\u2019en 2015 sous le titre d\u2019\u00ab Histoire(s) compar\u00e9e(s) du cin\u00e9ma \u00bb par Freddy Buache, puis conjointement dans un premier temps avec le Prof. Fran\u00e7ois Albera puis avec le Prof. Alain Boillat. Intitul\u00e9 aujourd\u2019hui \u00ab Introduction \u00e0 l\u2019histoire du cin\u00e9ma \u00bb, le cours est dispens\u00e9 par Alain Boillat et, pour quelques se\u0301ances au semestre de printemps, par Valentine Robert, mai\u0302tresse d\u2019enseignement et de recherche. Il propose un parcours de l\u2019histoire du cin\u00e9ma en s\u2019appuyant notamment sur la projection d\u2019extraits de films tir\u00e9s des collections de la Cin\u00e9math\u00e8que suisse, tout en soulevant des probl\u00e9matiques li\u00e9es \u00e0 l\u2019histoire esth\u00e9tique, \u00e9conomique et technologique du cin\u00e9ma. Le cours comporte des s\u00e9ances consacr\u00e9es au cin\u00e9ma mondial, des premiers temps \u00e0 la fin du XXe<\/sup> si\u00e8cle. Les s\u00e9ances sont consacr\u00e9es \u00e0 un genre (film noir, western, science-fiction, documentaire,\u2026) ou \u00e0 une p\u00e9riode phare d\u2019une production nationale telle que la \u00ab Qualit\u00e9 fran\u00e7aise \u00bb ou le New Hollywood, les nouveaux cin\u00e9mas ou les productions japonaises classiques et asiatiques contemporaines (Hong-Kong, Chine continentale,\u2026). Les s\u00e9ances de ce cours inscrit au programme des \u00e9tudiant-e-s de la Section de cin\u00e9ma de l\u2019UNIL et ouvert \u00e0 toute personne int\u00e9ress\u00e9e ont lieu \u00e0 un rythme bimensuel le vendredi de 14h \u00e0 17h au Capitole (salle Freddy Buache).<\/p>\n\n\n\n

Programme 2026-2027<\/strong><\/p>\n\n\n\n

Semestre d’automne 2026<\/strong><\/p>\n\n\n\n

\n

18 septembre 2026 :<\/strong> S\u00e9ance introductive \/ Pr\u00e9-cin\u00e9ma et cin\u00e9ma des premiers temps (1895-1908)<\/a><\/p>\n\n\n

\n
\"\"<\/a>
Georges M\u00e9li\u00e8s, Automaboulisme et autorit\u00e9<\/em>, France, 1899<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

25 septembre 2026 :<\/strong> Montrer\/raconter : spectaculaire et r\u00e9cit dans les deux premi\u00e8res d\u00e9cennies du cin\u00e9ma<\/a><\/p>\n\n\n

\n
\"\"<\/a>
Georges Albert Smith, Grandma’s Reading Glass<\/em>, Royaume-Uni, 1900<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

2 octobre 2026 : <\/strong>Constituer des s\u00e9ances cin\u00e9matographiques (1) : la question des genres<\/a><\/p>\n\n\n

\n
\"\"<\/a>
Phillips Smalley, Lois Weber, Suspense<\/em>, \u00c9tats-unis, 1913<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

9 octobre 2026 : <\/strong>Constituer des s\u00e9ances cin\u00e9matographiques (2) : Le passage au long m\u00e9trage \u2013 Sj\u00f6str\u00f6m, Pastrone, Griffith, etc.<\/a><\/p>\n\n\n

\n
\"\"<\/a>
D. W. Griffith, Intolerance<\/em>, \u00c9tats-Unis, 1916<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

16 octobre 2026 :<\/strong> L\u00e9gitimer le spectacle cin\u00e9matographique (1) : le cin\u00e9ma et les arts institu\u00e9s \u2013expressionnisme allemand, le cin\u00e9ma italien des divas, les cin\u00e9romans, etc.<\/a><\/p>\n\n\n

\n
\"\"<\/a>
Friedrich Wilhelm Murnau, <\/em>Nosferatu, eine Symphonie des Grauens<\/em>, Allemagne, 1922<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

23 octobre 2026 :<\/strong> L\u00e9gitimer le spectacle cin\u00e9matographique (2) : photog\u00e9nie et pictorialisme \u2013 Lang, Murnau, Chaplin, L\u2019Herbier, Dulac, etc.<\/p>\n\n\n

\n
\"\"<\/a>
Fritz Lang, Metropolis<\/em>, Allemagne, 1927<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

30 octobre 2026 :<\/strong> L\u00e9gitimer le spectacle cin\u00e9matographique (3) : le rythme \u2013Epstein, Gance, Ruttmann, etc.<\/p>\n\n\n

\n
\"la<\/a>
Abel Gance, Le Roue<\/em>, France, 1923.<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

13 novembre 2026 :<\/strong> L\u2019invention du montage<\/em> : le cin\u00e9ma sovi\u00e9tique des ann\u00e9es 1920<\/p>\n\n\n

\n
\"\"<\/a>
Sergue\u00ef Eisenstein, La Gr\u00e8ve<\/em>, URSS, 1925.<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

27 novembre 2026 :<\/strong> La transition vers le parlant : hybridit\u00e9 puis institutionnalisation des pratiques.<\/p>\n\n\n

\n
\"\"<\/a>
Alfred Hitchcock, The Man Who Knew Too Much<\/em>, Grande-Bretagne, 1934.<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

4 d\u00e9cembre 2026 :<\/strong> Les formes de r\u00e9sistance au \u00ab 100% parlant \u00bb<\/p>\n\n\n

\n
\"09<\/a>
Dimitri Kirsanoff, Rapt<\/em>, Suisse, 1934 (Nadia Sibirska\u00efa).<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

11 d\u00e9cembre 2026 :<\/strong> R\u00e9alismes cin\u00e9matographiques et r\u00e9alit\u00e9 sociale des ann\u00e9es 1930<\/p>\n\n\n

\n
\"pepe<\/a>
Julien Duvivier, P\u00e9p\u00e9 le Moko<\/em>, France, 1937 (Jean Gabin).<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
\n

18 d\u00e9cembre 2026 :<\/strong> Le cin\u00e9ma face \u00e0 la Seconde Guerre mondiale<\/p>\n\n\n

\n
\"\"<\/a>
Roberto Rossellini, <\/em>Germania anno zero<\/em>, Italie, 1948.<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n

Semestre de printemps 2027<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n

Programme \u00e0 venir<\/em><\/p>\n\n\n\n

Archives<\/strong><\/p>\n\n\n\n

Programme de l’ann\u00e9e 2025-2026<\/a><\/p>\n\n\n\n\n\n\n\n

V<\/em>oir aussi le site<\/a> de la Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma et le site<\/a> de la Cin\u00e9math\u00e8que suisse.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Introduction \u00e0 l’histoire du cin\u00e9ma Cr\u00e9\u00e9 en 1984, ce cours \u00e9tait enseign\u00e9 jusqu\u2019en 2015 sous le titre d\u2019\u00ab Histoire(s) compar\u00e9e(s) du cin\u00e9ma \u00bb par Freddy Buache, puis conjointement dans un premier temps avec le Prof. Fran\u00e7ois Albera puis avec le<\/p>\n","protected":false},"author":1469,"featured_media":0,"parent":3680,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"class_list":["post-3638","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/3638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/users\/1469"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/comments?post=3638"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/3638\/revisions"}],"predecessor-version":[{"id":9426,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/3638\/revisions\/9426"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/3680"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/media?parent=3638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}