{"id":3081,"date":"2015-10-05T15:00:59","date_gmt":"2015-10-05T13:00:59","guid":{"rendered":"http:\/\/wp.unil.ch\/cinematheque-unil\/?page_id=3081"},"modified":"2018-06-10T02:42:25","modified_gmt":"2018-06-10T00:42:25","slug":"approches-theoriques","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/bolex-et-le-cinema-amateur\/bibliographie-selective\/approches-theoriques\/","title":{"rendered":"Approches th\u00e9oriques"},"content":{"rendered":"
    \n
  1. Projets<\/a><\/li>\n
  2. Bolex et le cin\u00e9ma amateur en Suisse<\/a><\/li>\n
  3. Bibliographie s\u00e9lective<\/a><\/li>\n
  4. Approches th\u00e9oriques<\/a><\/li>\n<\/ol>\n
    \n

    Charles R. Acland, \u00ab Introduction: Residual Media \u00bb, in Charles R. Acland (dir.), Residual Media<\/em>, Minneapolis, University of Minnesota Press, pp. XIII-XXVII.<\/p>\n

    Fran\u00e7ois Albera et Maria Tortajada, \u00ab Introduction to an Epistemology of Viewing and Listening Dispositives \u00bb, in Fran\u00e7ois Albera et Maria Tortajada (dir.), Cinema Beyond Film: Media Epistemology in the Modern Era<\/em>, Amsterdam, Amsterdam University Press, 2010, pp. 9-22.<\/p>\n

    \u2013, \u00ab Le dispositif n\u2019existe pas ! \u00bb, in Fran\u00e7ois Albera et Maria Tortajada (dir.), Cin\u00e9-dispositifs. Spectacles, cin\u00e9ma, t\u00e9l\u00e9vision, litt\u00e9rature<\/em>, Lausanne, L\u2019\u00c2ge d\u2019Homme, 2011, pp. 13-38.<\/p>\n

    Pierre Bourdieu, \u00ab Culte de l\u2019unit\u00e9 et diff\u00e9rences cultiv\u00e9es \u00bb, in Pierre Bourdieu (dir.), Un art moyen. Essai sur les usages sociaux de la photographie<\/em>, Paris, Les \u00c9ditions de Minuit, 1965, pp. 31-106.<\/p>\n

    Paolo Cherchi Usai, \u00ab Are All (Analog) Films \u201cOrphans\u201d? A Predigital Appraisal \u00bb, The Moving Image<\/em>, vol. 9, n\u00b0 1, printemps 2009, pp. 1-18.<\/p>\n

    Thomas Elsaesser, \u00ab Archives and Archaeologies: The Place of Non-Fiction Film in Contemporary Media \u00bb, in Vinzenz Hediger et Patrick Vonderau (dir.), Films that Work: Industrial Film and the Productivity of Media<\/em>, Amsterdam, Amsterdam University Press, pp. 19-34.<\/p>\n

    Roger Odin, \u00ab Pour une s\u00e9mio-pragmatique du cin\u00e9ma \u00bb, Iris<\/em>, vol. 1, n\u00b0 1, 1er semestre 1983, pp. 67-82.<\/p>\n

    Dan Streible, \u00ab The State of Orphan Films: Editor\u2019s Introduction \u00bb, The Moving Image<\/em>, vol. 9, n\u00b0 1, printemps 2009, pp. VI-XIX.<\/p>\n

    Beno\u00eet Turquety, Inventer le cin\u00e9ma. \u00c9pist\u00e9mologie : probl\u00e8mes, machines<\/em>, Lausanne, L\u2019\u00c2ge d\u2019Homme, 2014.<\/p>\n

    \u2013, \u00ab Comprendre le cin\u00e9ma (amateur) : \u00e9pist\u00e9mologie et technologie \u00bb, in Val\u00e9rie Vignaux et Beno\u00eet Turquety (dir.), L\u2019amateur en cin\u00e9ma \u2013 Un autre paradigme. Histoire, esth\u00e9tique, marges et institutions<\/em>, Paris, AFRHC, 2016, pp. 16-26.<\/p>\n

    Haidee Wasson et Charles R. Acland, \u00ab Introduction: Utility and Cinema \u00bb, in Charles R. Acland et Haidee Wasson (dir.), Useful Cinema<\/em>, Durham, Duke University Press, pp. 1-14.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Projets Bolex et le cin\u00e9ma amateur en Suisse Bibliographie s\u00e9lective Approches th\u00e9oriques Charles R. Acland, \u00ab Introduction: Residual Media \u00bb, in Charles R. Acland (dir.), Residual Media, Minneapolis, University of Minnesota Press, pp. XIII-XXVII. Fran\u00e7ois Albera et Maria Tortajada, \u00ab<\/p>\n","protected":false},"author":1469,"featured_media":0,"parent":1781,"menu_order":18,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-3081","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/3081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/users\/1469"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/comments?post=3081"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/3081\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/1781"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/media?parent=3081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}