{"id":1816,"date":"2015-02-16T15:03:45","date_gmt":"2015-02-16T14:03:45","guid":{"rendered":"http:\/\/wp.unil.ch\/cinematheque-unil\/?page_id=1816"},"modified":"2018-03-14T16:39:46","modified_gmt":"2018-03-14T15:39:46","slug":"histoire-des-cinematheques","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/cinematheque-unil\/projets\/une-histoire-de-la-cinematheque-suisse\/bibliographie\/histoire-des-cinematheques\/","title":{"rendered":"Histoire des cin\u00e9math\u00e8ques"},"content":{"rendered":"
    \n
  1. Projets<\/a><\/li>\n
  2. Histoire de la Cin\u00e9math\u00e8que suisse<\/a><\/li>\n
  3. Bibliographie s\u00e9lective<\/a><\/li>\n
  4. Histoire des cin\u00e9math\u00e8ques<\/a><\/li>\n<\/ol>\n
    Histoires g\u00e9n\u00e9rales et probl\u00e9matiques des archives audiovisuelles<\/h5>\n
    \n

    Raymond Borde, Les cin\u00e9math\u00e8ques<\/em>, Lausanne, L\u2019\u00c2ge d\u2019homme, 1983.<\/p>\n

    Raymond Borde et Freddy Buache, De la crise des cin\u00e9math\u00e8ques\u2026 et du monde<\/em>,\u00a0Lausanne, L\u2019\u00c2ge d\u2019homme, 1997.<\/p>\n

    Alessandro Bordina, Sonia Campanini et Andrea Mariani (dir.), L\u2019archivio\/The Archive<\/em>, Udine, Forum, 2012.<\/p>\n

    [Freddy Buache, dir.], International Federation of Film Archives – f\u00e9d\u00e9ration internationale des archives du film<\/em>, Lausanne, 1958.<\/p>\n

    Paolo Cherchi Usai, \u00ab\u00a0La Cineteca di Babele\u00a0\u00bb, in Gian Piero Brunetta (dir.), Storia del cinema mondiale<\/em>, vol. V\u00a0: Teorie, strumenti<\/em>, Torino, Einaudi, coll. \u00ab\u00a0Grandi Opere\u00a0\u00bb, 2001.<\/p>\n

    Paolo Cherchi Usai, Francis David, Alexander Horvath et Michael Loebenstein (dir.), Film Curatorship: Archives, Museums, and the Digital Marketplace<\/em>, Vienne, Synema\/\u00d6sterreichisches Filmmuseum, 2008.<\/p>\n

    Giovanna Fossati, From Grain to Pixel. The Archival Life of Film in Transition<\/em>, Amsterdam\u00a0: Amsterdam University Press, 2009.<\/p>\n

    Marie Frappat, Cin\u00e9math\u00e8ques \u00e0 l\u2019italienne. Conservation du patrimoine cin\u00e9matographique en Italie<\/em>, Paris, L\u2019Harmattan, 2006.<\/p>\n

    Jacques Guyot et Thierry Rolland, Les archives audiovisuelles. Histoire, culture, politique<\/em>, Paris, Armand Colin, 2011.<\/p>\n

    Malte Hagener, \u00ab Institutions of Film Culture: Festivals and Archives as Network Nodes \u00bb, in : Malte Hagener (dir.) : The Emergence of Film Culture. Knowledge Production, Institution Building and the Fate of the Avant-garde in Europe, 1919-1945<\/em>, New York, Oxford : Berghahn Books, 2014.<\/p>\n

    Penelope Houston, Keepers of the Frame: The Film Archives<\/em>, Londres, British Film Institute, 1994.<\/p>\n

    Heike Klippel (dir.), \u00ab The Art of Programming \u00bb. Film, Programm und Kontext<\/em>, M\u00fcnster, Lit Verlag, 2008.<\/p>\n

    \u00c9ric Le Roy, Cin\u00e9math\u00e8ques et archives du film<\/em>, Paris, Armand Colin, 2013.<\/p>\n

    Patrick Olmeta, Les Cin\u00e9math\u00e8ques\u00a0: le patrimoine cin\u00e9matographique en France, 1898-1993<\/em>, th\u00e8se de doctorat d\u2019histoire sous la direction d\u2019Andr\u00e9 Nouschi, Nice, 1995.<\/p>\n

    Laurent V\u00e9ray, Les images d\u2019archives face \u00e0 l\u2019histoire. De la conservation \u00e0 la cr\u00e9ation<\/em>, Paris, SC\u00c9R\u00c9N\/CNDP\/CRDP, 2011.<\/p>\n

    Val\u00e9rie Vignaux (dir.), \u00ab Archives \u00bb, 1895 revue de l\u2019association fran\u00e7aise de recherche sur l\u2019histoire du cin\u00e9ma<\/em>, n\u00b0 41, octobre 2003.<\/p>\n<\/div>\n

    Ouvrages sp\u00e9cifiques<\/h5>\n
    \n

    \u00ab\u00a0La Cin\u00e9math\u00e8que Fran\u00e7aise, recherche de la v\u00e9rit\u00e9\u00a0\u00bb, Les Cahiers de la cin\u00e9math\u00e8que<\/em>, n\u00b0 22, avril 1977.<\/p>\n

    Les Cahiers de la Cin\u00e9math\u00e8que<\/em>, n\u00b0 23-24, No\u00ebl 1977.<\/p>\n

    \u00ab\u00a0Sur la naissance de la Cin\u00e9math\u00e8que fran\u00e7aise. La parole est \u00e0 Jean Mitry\u00a0\u00bb, Archives<\/em>, n\u00b0 7, septembre-octobre 1987.<\/p>\n

    Les Archives fran\u00e7aises du film. Histoire, collections, restaurations 1969-2009<\/em>, Paris, Centre national de la cin\u00e9matographie, 2009.<\/p>\n

    Paula Amad, Counter-Archive. Film, the Everyday and Albert Kahn\u2019s Archives de la plan\u00e8te<\/em>, New York, Columbia University Press, 2010.<\/p>\n

    Pierre Barbin, La Cin\u00e9math\u00e8que fran\u00e7aise. Inventaires et l\u00e9gendes (1936-1986)<\/em>, Paris, Vuibert, 2005.<\/p>\n

    Raymond Borde et Charles Perrin, Les Offices du cin\u00e9ma \u00e9ducateur et la survivance du muet. 1925-1940<\/em>, Lyon, Presses universitaires de Lyon, 1992.<\/p>\n

    Francesco Casetti (dir.), La Cineteca italiana : una storia milanese<\/em>, Milan, Il Castoro, 2005.<\/p>\n

    Emmanuelle Devos, La cin\u00e9math\u00e8que de la Ville de Paris. Les id\u00e9es et les faits (1906-1938)<\/em>, m\u00e9moire de ma\u00eetrise en \u00e9tudes cin\u00e9matographiques, Universit\u00e9 Paris 3, 1996.<\/p>\n

    Christophe Dupin et Geoffrey Nowell-Smith (dir.), The British Film Institute, the Government and Film Culture, 1933-2000<\/em>, Manchester\/New-York, Manchester University Press, 2012.<\/p>\n

    Steven Higgins, Still Moving: The Film and Media Collections of the Museum of Modern Art<\/em>, New York, Museum of Modern Art, 2006.<\/p>\n

    Alexander Horwath (dir.), F\u00fcnfzig Jahre \u00d6sterreichisches Filmmuseum 1964-2014<\/em>, Wien, \u00d6sterreichisches Filmmuseum, SYNEMA – Gesellschaft f\u00fcr Film und Medien, 2014, 3 vol.<\/p>\n

    St\u00e9phanie-Emmanuelle Louis, Le mus\u00e9e au pluriel. Faire voir le patrimoine cin\u00e9matographique en France \u00e0 l\u2019heure de l\u2019expansion cin\u00e9phile (1944-1968)<\/em>, th\u00e8se de doctorat d\u2019histoire sous la direction de Christian Delage, EHESS, Paris, 2013.<\/p>\n

    Laurent Mannoni, Histoire de la Cin\u00e9math\u00e8que fran\u00e7aise<\/em>, Paris, Gallimard, 2006.<\/p>\n

    Glenn Myrent (dir.), Mus\u00e9e du cin\u00e9ma Henri Langlois<\/em>, Paris, \u00c9ditions Cin\u00e9math\u00e8que Fran\u00e7aise, 1984.<\/p>\n

    Patrick Olmeta, La Cin\u00e9math\u00e8que fran\u00e7aise de 1936 \u00e0 nos jours<\/em>, Paris, CNRS, 2000.<\/p>\n

    Dominique Pa\u00efni (dir.), Le mus\u00e9e imaginaire d\u2019Henri Langlois<\/em>, Paris, Flammarion\/La Cin\u00e9math\u00e8que fran\u00e7aise, 2014.<\/p>\n

    B\u00e9atrice de Pastre-Robert, \u00ab Enfer, amn\u00e9sie, r\u00e9demption : une histoire du fonds de la cin\u00e9math\u00e8que scolaire Robert-Lynen \u00bb, in Monique Dubost, Fran\u00e7oise Massit-Foll\u00e9a, B\u00e9trice de Pastre-Robert (dir.), Cin\u00e9ma p\u00e9dagogique et scientifique : \u00e0 la red\u00e9couverte des archives<\/em>, Paris, ENS \u00c9ditions, 2004.<\/p>\n

    Haidee Wasson, Museum Movies: the Museum of Modern Art and the Birth of Art Cinema<\/em>, Berkeley\/Los Angeles, University of California Press, 2005.<\/p>\n<\/div>\n

    Les \u00ab pionniers \u00bb : biographies, correspondances et autres \u00e9crits<\/h5>\n
    \n

    Raymond Borde, \u00ab\u00a0Histoire de la Cin\u00e9math\u00e8que de Toulouse\u00a0\u00bb, Archives<\/em>, n\u00b0 30-31, mars-avril 1990.<\/p>\n

    Bernard Chard\u00e8re, Un demi-si\u00e8cle, ici, dans la culture<\/em>, Lyon, Al\u00e9as, 2001.<\/p>\n

    Anne Head (dir.), A True Love for Cinema. Jacques Ledoux, 1921-1988<\/em>, La Haye, Universitaire Pers Rotterdam, 1988.<\/p>\n

    Georges-Patrick Langlois et Glenn Myrent, Henri Langlois, premier citoyen du cin\u00e9ma<\/em>, Paris, Deno\u00ebl, 1986, [ouvrage r\u00e9\u00e9dit\u00e9 en 1990 chez Ramsay].<\/p>\n

    Henri Langlois, \u00c9crits de cin\u00e9ma (1931-1977)<\/em>, textes r\u00e9unis, pr\u00e9sent\u00e9s et annot\u00e9s par Bernard Benoliel et Bernard Eisenschitz, Paris, Flammarion, 2014.<\/p>\n

    Donata Pesenti Compagnoni, Maria Adriana Prolo<\/em>, Turin, Museo Nazionale del Cinema\/Fondazione Maria Adriana Prolo, 2002.<\/p>\n

    Richard Roud, Henri Langlois\u00a0: l\u2019homme de la Cin\u00e9math\u00e8que<\/em> [A Passion for Films. Henri Langlois and the Cin\u00e9math\u00e8que Fran\u00e7aise<\/em>], Paris, Pierre Belfond, 1985.<\/p>\n

    Robert Sitton, Lady in the Dark. Iris Barry and the Art of Film<\/em>, New York, Columbia University Press, 2014.<\/p>\n

    Sergio Toffetti (dir.), Le dragon et l\u2019alouette. Correspondance, 1948-1979<\/em>, Turin, Museo Nazionale del Cinema\/Fondazione Maria Adriana Prolo, 2002.<\/p>\n<\/div>\n

    Contexte : cin\u00e9-clubs et institutions<\/h5>\n
    \n

    Christophe Gauthier, La passion du cin\u00e9ma. Cin\u00e9philes, cin\u00e9-clubs et salles sp\u00e9cialis\u00e9es \u00e0 Paris de 1920 \u00e0 1929<\/em>, Paris, AFRHC\/\u00c9cole des Chartes, 1999.<\/p>\n

    Laurent Jullier et Jean-Marc Leveratto, Cin\u00e9philes et cin\u00e9philies. Une histoire de la qualit\u00e9 cin\u00e9matographique<\/em>, Paris, Armand Colin, 2010.<\/p>\n

    Dimitri Vezyroglou (dir.), Le cin\u00e9ma\u00a0: une affaire d\u2019\u00c9tat 1945-1970<\/em>, Paris, La Documentation Fran\u00e7aise, 2014.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Projets Histoire de la Cin\u00e9math\u00e8que suisse Bibliographie s\u00e9lective Histoire des cin\u00e9math\u00e8ques Histoires g\u00e9n\u00e9rales et probl\u00e9matiques des archives audiovisuelles Raymond Borde, Les cin\u00e9math\u00e8ques, Lausanne, L\u2019\u00c2ge d\u2019homme, 1983. Raymond Borde et Freddy Buache, De la crise des cin\u00e9math\u00e8ques\u2026 et du monde,\u00a0Lausanne, L\u2019\u00c2ge<\/p>\n","protected":false},"author":1469,"featured_media":0,"parent":191,"menu_order":26,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-1816","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/1816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/users\/1469"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/comments?post=1816"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/1816\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/pages\/191"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/cinematheque-unil\/wp-json\/wp\/v2\/media?parent=1816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}