{"id":22988,"date":"2025-03-27T22:24:23","date_gmt":"2025-03-27T21:24:23","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?p=22988"},"modified":"2025-04-04T15:16:36","modified_gmt":"2025-04-04T13:16:36","slug":"la-visite-du-futur-imparfait","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/ateliercritique\/2025\/03\/la-visite-du-futur-imparfait\/","title":{"rendered":"La visite du futur imparfait"},"content":{"rendered":"

La visite du futur imparfait<\/h2>\n\n

Conception et jeu par Yvan Richardet \/ La Grange \u2013 Centre \/ Arts et Science \/ UNIL \/ Du 11 mars au 15 mai 2025 \/ Textes cr\u00e9atifs par Orane Gigon, Maxime Grandjean, Killian Lachat, Lucie Ortet, Hadrien Halter, Loris Ferrari, Muireann Walsh et C\u00e9lia Reymond . <\/p><\/div>\n\n\n

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En lien avec le spectacle d\u00e9ambulatoire <\/em>La Visite du futur imparfait, propos\u00e9 \u00e0 la Grange par Yvan Richardet, l’Atelier critique a collabor\u00e9 avec l’Atelier d’\u00e9criture litt\u00e9raire (dir. J\u00e9r\u00f4me Meizoz). Les textes ci-dessous sont des cr\u00e9ations originales libres \u00e0 partir du spectacle. Elles en imaginent une prolongation ou une variante, exploitent l’univers cr\u00e9\u00e9, ou adoptent un point de vue d\u00e9plac\u00e9 sur le spectacle. <\/em><\/p>\n\n\n\n

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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Orane Gigon<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\"gigon<\/figure>\n\n\n\n
\"gigon<\/figure>\n\n\n\n
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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Orane Gigon<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Maxime Grandjean<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\"maxime<\/figure>\n\n\n\n
\"maxime<\/figure>\n\n\n\n
\"maxime<\/figure>\n\n\n\n
\"maxime<\/figure>\n\n\n\n
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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Maxime Grandjean<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Killian Lachat<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\"killian<\/figure>\n\n\n\n
\"killian<\/figure>\n\n\n\n
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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Killian Lachat<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Lucie Ortet<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\"ortet<\/figure>\n\n\n\n
\"ortet<\/figure>\n\n\n\n
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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Lucie Ortet<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Hadrien Halter<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\"halter<\/figure>\n\n\n\n
\"halter<\/figure>\n\n\n\n
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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Hadrien Halter<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Loris Ferrari<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\"ferrari<\/figure>\n\n\n\n
\"ferrari<\/figure>\n\n\n\n
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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Loris Ferrari<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Muireann Walsh<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\"walsh<\/figure>\n\n\n\n
\"walsh<\/figure>\n\n\n\n
\"walsh<\/figure>\n\n\n\n
\"walsh<\/figure>\n\n\n\n
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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Muireann Walsh<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par C\u00e9lia Reymond<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\"reymond<\/figure>\n\n\n\n
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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par C\u00e9lia Reymond<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Laurie Boissenin<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\"laurie<\/figure>\n\n\n\n
\"laurie<\/figure>\n\n\n\n
\"laurie<\/figure>\n\n\n\n
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11 mars 2025<\/p>\n<\/div>\n\n\n\n

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Par Laurie Boissenin<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Voir la page du spectacle<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Conception et jeu par Yvan Richardet \/ La Grange \u2013 Centre \/ Arts et Science \/ UNIL \/ Du 11 mars au 15 mai 2025 \/ Textes cr\u00e9atifs par Orane Gigon, Maxime Grandjean, Killian Lachat, Lucie Ortet, Hadrien Halter, Loris Ferrari, Muireann Walsh et C\u00e9lia Reymond .<\/p>\n","protected":false},"author":1002847,"featured_media":22987,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[274,34,5,38],"tags":[316,305,318,320,303,304,317,314,315],"class_list":["post-22988","post","type-post","status-publish","format-standard","has-post-thumbnail","category-creation-libre","category-expired","category-la-grange","category-spectacle","tag-celia-reymond","tag-hadrien-halter","tag-killian-lachat","tag-laurie-boissenin","tag-loris-ferrari","tag-lucie-ortet","tag-maxime-grandjean","tag-muireann-walsh","tag-orane-gigon"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/posts\/22988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002847"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=22988"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/posts\/22988\/revisions"}],"predecessor-version":[{"id":23097,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/posts\/22988\/revisions\/23097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media\/22987"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=22988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/categories?post=22988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/tags?post=22988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}