{"id":7282,"date":"2015-11-16T15:12:50","date_gmt":"2015-11-16T14:12:50","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=7282"},"modified":"2025-02-06T17:05:42","modified_gmt":"2025-02-06T16:05:42","slug":"justine-favre","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/justine-favre\/","title":{"rendered":"Justine Favre"},"content":{"rendered":"<p>En master de philosophie et de fran\u00e7ais moderne.\u00a0Aucune affinit\u00e9 particuli\u00e8re avec le th\u00e9\u00e2tre, mais aime \u00e0 se frotter aux\u00a0objets culturels les plus divers. A la recherche d&rsquo;exp\u00e9riences esth\u00e9tiques\u00a0limites, et avide de belles choses. Et puis, j&rsquo;aime bien \u00e9crire.<\/p>\n<h4>Les critiques de Justine Favre :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-7770 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-les-halles tag-justine-favre\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2016\/02\/neons-never-ever-oh-noisy-shadows-vacuum\/\" target=\"_self\" >NEONS, never ever, Oh ! Noisy Shadows &amp; Vacuum<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Concept, chor\u00e9graphie, texte de Philippe Saire \/ par la Compagnie Philippe Saire \/ TLH \/ le 30 janvier 2016 \/ Critique par Justine Favre. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-7434 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-justine-favre tag-nadia-hachemi\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2015\/11\/conference-de-choses-lintegrale\/\" target=\"_self\" >Conf\u00e9rence de choses &#8211; L&rsquo;int\u00e9grale<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Fran\u00e7ois Gremaud \/ avec Pierre Mifsud \/ 2b company \/ L&rsquo;Arsenic \/ 15 novembre 2015 \/ Critiques par Nadia Hachemi et Justine Favre. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-7395 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-la-grange category-spectacle tag-justine-favre tag-waqas-mirza\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2015\/11\/freres-ennemis-la-thebaide\/\" target=\"_self\" >Fr\u00e8res ennemis (La Th\u00e9ba\u00efde)<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Jean Racine \/ mise en sc\u00e8ne C\u00e9dric Dorier \/ La Grange de Dorigny \/ du 11 au 15 novembre 2015 \/ Critiques par Waqas Mirza et Justine Favre. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>En master de philosophie et de fran\u00e7ais moderne.\u00a0Aucune affinit\u00e9 particuli\u00e8re avec le th\u00e9\u00e2tre, mais aime \u00e0 se frotter aux\u00a0objets culturels les plus divers. A la recherche d&rsquo;exp\u00e9riences esth\u00e9tiques\u00a0limites, et avide &hellip; <\/p>\n","protected":false},"author":1001220,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-7282","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/7282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001220"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=7282"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/7282\/revisions"}],"predecessor-version":[{"id":22275,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/7282\/revisions\/22275"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=7282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}