{"id":7176,"date":"2015-10-26T07:53:20","date_gmt":"2015-10-26T06:53:20","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=7176"},"modified":"2025-02-06T17:57:33","modified_gmt":"2025-02-06T16:57:33","slug":"marie-reymond","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/marie-reymond\/","title":{"rendered":"Marie Reymond"},"content":{"rendered":"<h4>Les critiques de Marie Reymond :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-8251 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-jorat tag-emilie-roch tag-marie-reymond\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2016\/06\/chapeau-le-costume\/\" target=\"_self\" >Chapeau, le costume!<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Victorien Kissling, Alain Mettral et Daniel Cornu \/ mise en sc\u00e8ne Yasmine Saegesser \/ Th\u00e9\u00e2tre du Jorat \/ 26 juin 2016 \/ Critiques par \u00c9milie Roch et Marie Reymond. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-8216 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-teatre-du-grutli tag-marie-reymond tag-nadia-hachemi\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2016\/05\/presentation-de-saison\/\" target=\"_self\" >Pr\u00e9sentation de saison<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Lionel Chiuch \/ mise en sc\u00e8ne de Lionel Chiuch et Fr\u00e9d\u00e9ric Polier \/ Th\u00e9\u00e2tre du Gr\u00fctli \/ Du 24 mai au 12 juin 2016 \/ Critiques par Marie Reymond et Nadia Hachemi. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-8091 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-le-petit-theatre category-spectacle tag-marie-reymond tag-waqas-mirza\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2016\/04\/sugungga\/\" target=\"_self\" >Sugungga<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception YoungSoon Cho Jacquet \/ par la Cie Nuna \/ Le Petit Th\u00e9\u00e2tre \/ du 13 au 24 avril 2016 \/ Critiques par Waqas Mirza et Marie Reymond. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-7741 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-teatre-du-grutli tag-jonathan-hofer tag-marie-reymond\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2016\/01\/le-conte-dhiver\/\" target=\"_self\" >Le Conte d\u2019hiver<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De William Shakespeare \/ mise en sc\u00e8ne Fr\u00e9d\u00e9ric Polier \/ Th\u00e9\u00e2tre du Gr\u00fctli \/ du 26 janvier au 14 f\u00e9vrier 2016 \/ Critiques par Jonathan Hofer et Marie Reymond. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-7511 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-le-reflet category-spectacle tag-marie-reymond tag-waqas-mirza\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2015\/11\/le-nozze-di-figaro\/\" target=\"_self\" >Le nozze di Figaro<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Wolfgang Amadeus Mozart, \u00e0 partir du livret de Lorenzo da Ponte \/ mise en sc\u00e8ne Galin Stoev \/ direction musicale Alexis Kossenko \/ Th\u00e9\u00e2tre du Reflet (Vevey) \/ 24 novembre 2015 \/ Critiques par Waqas Mirza et Marie Reymond. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-7167 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-passage tag-camille-logoz tag-marie-reymond\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2015\/10\/la-cerisaie\/\" target=\"_self\" >La Cerisaie<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019Anton Tchekhov \/ par la Cie du Passage et Cie G. Bouillon \/ Th\u00e9\u00e2tre du Passage (Neuch\u00e2tel) \/ du 22 au 25 octobre 2015 \/ Critiques par Camille Logoz et Marie Reymond. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Marie Reymond :<\/p>\n","protected":false},"author":1001220,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-7176","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/7176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001220"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=7176"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/7176\/revisions"}],"predecessor-version":[{"id":22338,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/7176\/revisions\/22338"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=7176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}