{"id":6933,"date":"2015-10-10T15:27:33","date_gmt":"2015-10-10T13:27:33","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=6933"},"modified":"2025-02-06T17:43:03","modified_gmt":"2025-02-06T16:43:03","slug":"alice-moraz","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/alice-moraz\/","title":{"rendered":"Alice Moraz"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignright\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2015\/10\/aliceMoraz.jpg\"><img decoding=\"async\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2015\/10\/aliceMoraz-152x200.jpg\" alt=\"aliceMoraz\" class=\"wp-image-6943\" \/><\/a><\/figure>\n<\/div>\n\n\n<p>Qu\u2019est-ce que le th\u00e9\u00e2tre sinon un formidable moyen de se glisser dans la peau de quelqu\u2019un d\u2019autre? M\u00eame si en tant qu\u2019\u00e9tudiante de master en anglais et en espagnol, j\u2019aurais plut\u00f4t tendance \u00e0 analyser et d\u00e9cortiquer le texte, la repr\u00e9sentation est pour moi ce qui donne vraiment sens \u00e0 une pi\u00e8ce. C\u2019est donc pour d\u00e9couvrir un aspect plus pratique et moins acad\u00e9mique du th\u00e9\u00e2tre que j\u2019ai choisi de participer \u00e0 l\u2019Atelier critique. En esp\u00e9rant pouvoir mettre des mots sur ce qui m\u2019a touch\u00e9e ou interpell\u00e9e, apprendre la technique particuli\u00e8re de la critique th\u00e9\u00e2trale et peut-\u00eatre m\u00eame donner envie d\u2019aller voir un spectacle. Bonne lecture&nbsp;!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Les critiques d&rsquo;Alice Moraz :<\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-10818 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-le-petit-theatre category-spectacle tag-alice-moraz tag-celine-conus\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2016\/12\/miss-poppins\/\" target=\"_self\" >Miss Poppins<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The Divine Company \/ adaptation et mise en sc\u00e8ne Stefania Pinnelli \/ Le Petit Th\u00e9\u00e2tre \/ du 7 au 31 d\u00e9cembre 2016 \/ Critiques par C\u00e9line Conus et Alice Moraz.\u00a0 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-10732 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-tkm-theatre-kleber-meleau tag-alice-moraz tag-celine-conus\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2016\/12\/la-comedie-des-erreurs\/\" target=\"_self\" >La Com\u00e9die des erreurs<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">William Shakespeare \/ mise en sc\u00e8ne de Matthias Urban \/ TKM- Th\u00e9\u00e2tre Kl\u00e9ber-M\u00e9leau, Lausanne \/ du 1 au 22 d\u00e9cembre 2016 \/ Critiques par C\u00e9line Conus et Alice Moraz.\u00a0 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-10492 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-passage tag-alice-moraz tag-jonathan-hofer\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2016\/11\/le-chant-du-cygne\/\" target=\"_self\" >Le chant du cygne<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019Anton Tchekhov \/ mise en sc\u00e8ne Robert Bouvier \/ Th\u00e9\u00e2tre du Passage \/ du 2 au 6 novembre \/ Critiques par Alice Moraz et Jonathan Hofer.\u00a0 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-10363 post type-post status-publish format-standard has-post-thumbnail category-creation-libre category-critique category-expired category-spectacle tag-alice-moraz tag-ivan-garcia tag-jeremy-berthoud tag-valmir-rexhepi\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2016\/10\/fete-du-theatre\/\" target=\"_self\" >F\u00eate du Th\u00e9\u00e2tre<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Gen\u00e8ve \/ du 11 au 16\u00a0octobre 2016 \/ Critiques par J\u00e9r\u00e9my Berthoud, Alice Moraz, Ivan Garcia et Valmir Rexhepi. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-7244 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-carouge tag-alice-moraz tag-elisa-picci\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2015\/10\/shake\/\" target=\"_self\" >Shake<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s La nuit des rois \/ de William Shakespeare \/ mise en sc\u00e8ne Dan Jemmett \/ Th\u00e9\u00e2tre de Carouge \/ du 27 octobre au 15 novembre \/ Critiques par Alice Moraz et Elisa Picci. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-7073 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-friscenes-fribourg category-spectacle tag-alice-moraz tag-chantal-zumwald tag-emilie-roch tag-josefa-terribilini tag-lauriane-pointet tag-nadia-hachemi tag-valmir-rexhepi\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2015\/10\/friscenes-2015\/\" target=\"_self\" >FriSc\u00e8nes 2015<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Festival international de th\u00e9\u00e2tre Frisc\u00e8nes \/ Nouveau Monde (Fribourg) \/ du 19 au 25 octobre 2015 \/ Critiques par Nadia Hachemi, Lauriane Pointet, Emilie Roch, Josefa Terribilini, Valmir Rexhepi, Alice Moraz et Chantal Zumwald. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-6875 post type-post status-publish format-standard has-post-thumbnail category-critique category-equilibre-nuithonie category-expired category-spectacle tag-alice-moraz tag-elisa-picci\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2015\/10\/le-noshow\/\" target=\"_self\" >Le Noshow<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Mise en sc\u00e8ne Alexandre Fecteau \/ Equilibre-Nuithonie\/ Du 7 au 10 octobre 2015 \/ Critiques par Elisa Picci et Alice Moraz . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Qu\u2019est-ce que le th\u00e9\u00e2tre sinon un formidable moyen de se glisser dans la peau de quelqu\u2019un d\u2019autre? M\u00eame si en tant qu\u2019\u00e9tudiante de master en anglais et en espagnol, j\u2019aurais &hellip; <\/p>\n","protected":false},"author":1001220,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-6933","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/6933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001220"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=6933"}],"version-history":[{"count":3,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/6933\/revisions"}],"predecessor-version":[{"id":22322,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/6933\/revisions\/22322"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=6933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}