{"id":5845,"date":"2015-02-26T15:46:00","date_gmt":"2015-02-26T14:46:00","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=5845"},"modified":"2025-02-06T17:12:01","modified_gmt":"2025-02-06T16:12:01","slug":"anais-gasser","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/anais-gasser\/","title":{"rendered":"Ana\u00efs Gasser"},"content":{"rendered":"<h4>Les critiques de Ana\u00efs Gasser :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-6197 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-maison-saint-gervais category-spectacle tag-anais-gasser tag-joanna-bravo-carmona\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2015\/04\/othello\/\" target=\"_self\" >Othello<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Shakespeare \/ Mise en sc\u00e8ne d\u2019Eric Salama \/du 15 au 30 avril 2015 \/ Th\u00e9\u00e2tre St-Gervais (Gen\u00e8ve) \/ Critiques par Ana\u00efs Gasser et Joanna Bravo Carmona . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-6162 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-la-grange category-spectacle tag-anais-gasser tag-joanna-bravo-carmona\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2015\/03\/berthollet\/\" target=\"_self\" >Berthollet<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Charles-Ferdinand Ramuz \/ Mise en sc\u00e8ne par Mathieu Bertholet \/ du 26 au 28 mars 2015 \/ La Grange de Dorigny (Lausanne) \/ Critiques par Ana\u00efs Gasser et Joanna Bravo Carmona . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Ana\u00efs Gasser :<\/p>\n","protected":false},"author":1001119,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-5845","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/5845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001119"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=5845"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/5845\/revisions"}],"predecessor-version":[{"id":22284,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/5845\/revisions\/22284"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=5845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}