{"id":4032,"date":"2014-03-13T18:37:51","date_gmt":"2014-03-13T17:37:51","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=4032"},"modified":"2025-02-06T17:18:57","modified_gmt":"2025-02-06T16:18:57","slug":"delphine-gasche","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/delphine-gasche\/","title":{"rendered":"Delphine Gasche"},"content":{"rendered":"<p align=\"justify\">Etudiante en Master en Lettres \u00e0 l\u2019Universit\u00e9 de Lausanne, je suis \u00e9galement passionn\u00e9e par le monde de la culture, de l\u2019actualit\u00e9 et des m\u00e9dias. Passion qui m\u2019a pouss\u00e9e \u00e0 int\u00e9grer plusieurs m\u00e9dias estudiantins, tels que <em>L\u2019auditoire<\/em> (journal), Fr\u00e9quence Banane (radio) et L\u2019Atelier Critique. Ces diff\u00e9rentes exp\u00e9riences m\u2019ont permis d\u2019affiner mes capacit\u00e9s de synth\u00e8se, d\u2019analyse et de critique. Et de d\u00e9terminer la voie que je souhaite suivre plus tard : le journalisme.<\/p>\n<h4>Les critiques de Delphine Gasche :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-4593 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-deborah-strebel tag-delphine-gasche\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2014\/05\/c-est-une\/\" target=\"_self\" >C\u2019est une affaire entre le ciel et moi<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">d\u2019apr\u00e8s Dom Juan de Moli\u00e8re \/ direction artistique et mise en sc\u00e8ne Christian Geffroy Schlittler \u2013 Agence Louis Fran\u00e7ois Pinagot \/ Th\u00e9\u00e2tre Arsenic \u00e0 Lausanne \/ du 13 au 18 mai 2014 \/ Critiques par Delphine Gasche et Deborah Strebel. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-4530 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-delphine-gasche tag-jonas-guyot tag-maryke-oosterhoff\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2014\/05\/kouta\/\" target=\"_self\" >Kouta<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">d\u2019apr\u00e8s la trilogie de Massa Makan Diabat\u00e9 \/ mise en sc\u00e8ne Hassane Kassi Kouyat\u00e9 \/ Th\u00e9\u00e2tre de Vidy \u00e0 Lausanne \/ du 6 au 10 mai 2014 \/ Critiques par Maryke Oosterhoff, Jonas Guyot et Delphine Gasche. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-4023 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-delphine-gasche tag-lisa-tagliabue\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2014\/03\/misterioso\/\" target=\"_self\" >Misterioso-119<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">de Koffi Kwahul\u00e9 \/ mise en sc\u00e8ne C\u00e9dric Dorier \/ Th\u00e9\u00e2tre de Vidy \u00e0 Lausanne \/ du 11 au 30 mars 2014 \/ Critiques par Delphine Gasche et Lisa Tagliabue. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Etudiante en Master en Lettres \u00e0 l\u2019Universit\u00e9 de Lausanne, je suis \u00e9galement passionn\u00e9e par le monde de la culture, de l\u2019actualit\u00e9 et des m\u00e9dias. Passion qui m\u2019a pouss\u00e9e \u00e0 int\u00e9grer &hellip; <\/p>\n","protected":false},"author":1420,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-4032","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/4032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1420"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=4032"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/4032\/revisions"}],"predecessor-version":[{"id":22295,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/4032\/revisions\/22295"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=4032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}