{"id":3203,"date":"2014-02-22T21:13:12","date_gmt":"2014-02-22T20:13:12","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=3203"},"modified":"2025-02-06T16:36:41","modified_gmt":"2025-02-06T15:36:41","slug":"marie-laurence-asselin","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/marie-laurence-asselin\/","title":{"rendered":"Marie-Laurence Asselin"},"content":{"rendered":"\n<p>\u00a0<\/p>\n<h4>Les critiques de Marie-Laurence Asselin :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-1011 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-des-osses category-spectacle tag-jonas-guyot tag-marie-laurence-asselin\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2013\/11\/laveris\/\" target=\"_self\" >Laverie Paradis<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">de Claude-Inga Barbey \/ mise en sc\u00e8ne S\u00e9verine Bujard \/ Th\u00e9\u00e2tre des Osses \u00e0 Fribourg \/ du 8 novembre au 1er d\u00e9cembre \/ Critiques par Marie-Laurence Asselin et Jonas Guyot. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-509 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-des-osses category-spectacle tag-marie-laurence-asselin\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2013\/10\/amant\/\" target=\"_self\" >L&rsquo;Amant<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">d&rsquo;Harold Pinter \/ mise en sc\u00e8ne Raoul Teuscher \/ Th\u00e9\u00e2tre Les Osses \u00e0 Fribourg \/ du 11 au 27 octobre 2013 \/ Critique par Marie-Laurence Asselin. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Les critiques de Marie-Laurence Asselin :<\/p>\n","protected":false},"author":1420,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-3203","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/3203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1420"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=3203"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/3203\/revisions"}],"predecessor-version":[{"id":22235,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/3203\/revisions\/22235"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=3203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}