{"id":23611,"date":"2026-10-06T11:45:24","date_gmt":"2026-10-06T09:45:24","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=23611"},"modified":"2026-10-08T11:56:47","modified_gmt":"2026-10-08T09:56:47","slug":"zoe-van-mal","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/zoe-van-mal\/","title":{"rendered":"Zo\u00e9 van Mal"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Zo\u00e9 van Mal<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Danseuse de formation et \u00e9tudiante \u00e0 l\u2019Universit\u00e9 de Lausanne, j\u2019ai trouv\u00e9 dans l\u2019Atelier critique un cadre pour observer, analyser et partager les pratiques de la sc\u00e8ne. Parce que tenter de prolonger le \u00ab choc de l\u2019\u0153uvre d\u2019art \u00bb (Andr\u00e9 Bazin) me fascine, je m\u2019essaie \u00e0 l\u2019exercice de la critique afin de traduire en mots mes exp\u00e9riences des arts vivants &#8211; avec une affection toute particuli\u00e8re, ironie du sort, pour ceux qui se passent de paroles.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Les critiques de Zo\u00e9 van Mal<\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-23625 post type-post status-publish format-standard has-post-thumbnail category-critique category-onstage category-spectacle category-tkm-theatre-kleber-meleau tag-delphine-martinet tag-fiona-todeschini tag-heloise-margot tag-lila-michaud tag-sohane-allisson tag-zoe-van-mal\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/10\/la-visite-de-la-vieille-dame-4\/\" target=\"_self\" >La Visite de la vieille dame<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Friedrich D\u00fcrrenmatt \/ mise en sc\u00e8ne par Omar Porras \/ TKM &#8211; Th\u00e9\u00e2tre Kl\u00e9ber-M\u00e9leau (Lausanne) \/ du 22 septembre au 1er novembre 2026 \/ critiques par Delphine Martinet, Fiona Todeschini, H\u00e9lo\u00efse Margot, Lila Michaud, Sohane Allisson et Zo\u00e9 van\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Zo\u00e9 van Mal Danseuse de formation et \u00e9tudiante \u00e0 l\u2019Universit\u00e9 de Lausanne, j\u2019ai trouv\u00e9 dans l\u2019Atelier critique un cadre pour observer, analyser et partager les pratiques de la sc\u00e8ne. Parce &hellip; <\/p>\n","protected":false},"author":1003187,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"class_list":["post-23611","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1003187"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=23611"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23611\/revisions"}],"predecessor-version":[{"id":23645,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23611\/revisions\/23645"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=23611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}