{"id":23592,"date":"2026-10-06T11:17:48","date_gmt":"2026-10-06T09:17:48","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=23592"},"modified":"2026-10-07T16:18:48","modified_gmt":"2026-10-07T14:18:48","slug":"heloise-margot","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/heloise-margot\/","title":{"rendered":"H\u00e9lo\u00efse Margot"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">H\u00e9lo\u00efse Margot<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"604\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/10\/heloise-margot.jpg\" alt=\"h\u00e9loise margot\" class=\"wp-image-23590\" style=\"aspect-ratio:1.001673502758391;width:224px;height:auto\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/10\/heloise-margot.jpg 605w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/10\/heloise-margot-200x200.jpg 200w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/10\/heloise-margot-170x170.jpg 170w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u00c9tudiante&nbsp;en Master en philosophie et en \u00e9tudes th\u00e9\u00e2trale \u00e0 l\u2019Universit\u00e9 de Lausanne, je suis passionn\u00e9e de philosophie, de th\u00e9\u00e2tre et de cin\u00e9ma. J\u2019appr\u00e9cie particuli\u00e8rement la pratique du th\u00e9\u00e2tre, je suis rentr\u00e9e dans ce monde en tant que com\u00e9dienne tout d\u2019abord, puis comme metteuse en sc\u00e8ne. Ces pratiques m\u2019ont rendue sensible au jeu des com\u00e9diens, \u00e0 la mise en sc\u00e8ne et \u00e0 la dramaturgie. J\u2019aime raconter des histoires et en voir, je suis&nbsp;particuli\u00e8rement sensible aux adaptations, notamment de textes antiques. J\u2019aime \u00e9galement beaucoup \u00e9crire et communiquer : trouver la fa\u00e7on d\u2019atteindre les gens et de me faire comprendre.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Les critiques d&rsquo;H\u00e9lo\u00efse Margot<\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-23673 post type-post status-publish format-standard has-post-thumbnail category-critique category-onstage category-spectacle category-theatre-les-halles tag-heloise-margot\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/10\/samoubiytsa-vaudeville-sovietique\/\" target=\"_self\" >Samoubiytsa, vaudeville sovi\u00e9tique<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s Nicola\u00ef Edrman \/ mise en sc\u00e8ne par St\u00e9phane Albelda \/ Th\u00e9\u00e2tre Les Halles (Sierre) \/ du 23 au 31 octobre 2026 \/ critiques par Delphine Martinet et H\u00e9lo\u00efse Margot . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23664 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-loup tag-heloise-margot tag-sohane-allisson\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/10\/les-dix-petites-anarchistes\/\" target=\"_self\" >Les dix petites anarchistes<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s Daniel De Roulet \/ mise en sc\u00e8ne par Fanny Brunet &amp; Carole Schafroth \/ Th\u00e9\u00e2tre du Loup (Gen\u00e8ve) \/ du 6 au 18 octobre 2026 \/ critique(s) par H\u00e9lo\u00efse Margot et Sohane Allisson . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23625 post type-post status-publish format-standard has-post-thumbnail category-critique category-onstage category-spectacle category-tkm-theatre-kleber-meleau tag-delphine-martinet tag-fiona-todeschini tag-heloise-margot tag-lila-michaud tag-sohane-allisson tag-zoe-van-mal\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/10\/la-visite-de-la-vieille-dame-4\/\" target=\"_self\" >La Visite de la vieille dame<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Friedrich D\u00fcrrenmatt \/ mise en sc\u00e8ne par Omar Porras \/ TKM &#8211; Th\u00e9\u00e2tre Kl\u00e9ber-M\u00e9leau (Lausanne) \/ du 22 septembre au 1er novembre 2026 \/ critiques par Delphine Martinet, Fiona Todeschini, H\u00e9lo\u00efse Margot, Lila Michaud, Sohane Allisson et Zo\u00e9 van\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>H\u00e9lo\u00efse Margot \u00c9tudiante&nbsp;en Master en philosophie et en \u00e9tudes th\u00e9\u00e2trale \u00e0 l\u2019Universit\u00e9 de Lausanne, je suis passionn\u00e9e de philosophie, de th\u00e9\u00e2tre et de cin\u00e9ma. J\u2019appr\u00e9cie particuli\u00e8rement la pratique du th\u00e9\u00e2tre, &hellip; <\/p>\n","protected":false},"author":1003187,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"class_list":["post-23592","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1003187"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=23592"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23592\/revisions"}],"predecessor-version":[{"id":23640,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23592\/revisions\/23640"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=23592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}