{"id":23559,"date":"2026-10-06T09:26:28","date_gmt":"2026-10-06T07:26:28","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=23559"},"modified":"2026-10-06T12:24:15","modified_gmt":"2026-10-06T10:24:15","slug":"lila-michaud","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/lila-michaud\/","title":{"rendered":"Lila Michaud"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Lila Michaud<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"229\" height=\"233\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/10\/lila-michaud.jpg\" alt=\"lila michaud\" class=\"wp-image-23562\" style=\"aspect-ratio:0.9828258348902077;width:217px;height:auto\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/10\/lila-michaud.jpg 229w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/10\/lila-michaud-197x200.jpg 197w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/10\/lila-michaud-167x170.jpg 167w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Je suis actuellement \u00e9tudiante en Master de langue et litt\u00e9rature fran\u00e7aises avec une sp\u00e9cialisation en dramaturgie. Le th\u00e9\u00e2tre a toujours fait partie de ma vie, notamment gr\u00e2ce \u00e0 mon environnement familial, et j\u2019ai aujourd\u2019hui envie d\u2019approfondir cette passion avec mes \u00e9tudes. Je suis particuli\u00e8rement int\u00e9ress\u00e9e par les dimensions sociale et militante que peut prendre le th\u00e9\u00e2tre. Parall\u00e8lement \u00e0 mes \u00e9tudes universitaires, je travaille aupr\u00e8s d\u2019adolescents en rupture scolaire. Mon projet professionnel serait de pouvoir, \u00e0 terme, faire dialoguer ces deux domaines en explorant les possibilit\u00e9s offertes par le th\u00e9\u00e2tre comme outil social et \u00e9ducatif. L\u2019atelier critique est pour moi un moyen de d\u00e9couvrir une nouvelle mani\u00e8re d\u2019interagir avec le monde du th\u00e9\u00e2tre tout en aiguisant mon \u0153il de spectatrice et en assistant \u00e0 de nombreuses mises en sc\u00e8nes.<\/p>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-23557 post type-post status-publish format-standard has-post-thumbnail category-critique category-onstage category-spectacle category-theatre-de-carouge tag-lila-michaud\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/10\/la-menagerie-de-verre-2\/\" target=\"_self\" >La M\u00e9nagerie de verre<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Tennessee Williams \/ mise en sc\u00e8ne par Jean Liermier \/ Th\u00e9\u00e2tre de Carouge (Gen\u00e8ve) \/ du 25 septembre au 18 octobre 2026 \/ critique par Lila Michaud . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lila Michaud Je suis actuellement \u00e9tudiante en Master de langue et litt\u00e9rature fran\u00e7aises avec une sp\u00e9cialisation en dramaturgie. Le th\u00e9\u00e2tre a toujours fait partie de ma vie, notamment gr\u00e2ce \u00e0 &hellip; <\/p>\n","protected":false},"author":1003187,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"footnotes":""},"class_list":["post-23559","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1003187"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=23559"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23559\/revisions"}],"predecessor-version":[{"id":23621,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23559\/revisions\/23621"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=23559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}