{"id":23382,"date":"2026-02-12T14:41:30","date_gmt":"2026-02-12T13:41:30","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=23382"},"modified":"2026-02-12T14:57:16","modified_gmt":"2026-02-12T13:57:16","slug":"opera-de-lausanne","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/theatres-partenaires\/opera-de-lausanne\/","title":{"rendered":"Op\u00e9ra de Lausanne"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.opera-lausanne.ch\/\"><img loading=\"lazy\" decoding=\"async\" width=\"209\" height=\"241\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/02\/opera-lausanne_logo-1.png\" alt=\"op\u00e9ra lausanne logo\" class=\"wp-image-23383\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/02\/opera-lausanne_logo-1.png 209w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/02\/opera-lausanne_logo-1-173x200.png 173w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/02\/opera-lausanne_logo-1-147x170.png 147w\" sizes=\"auto, (max-width: 209px) 100vw, 209px\" \/><\/a><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Critiques par spectacles jou\u00e9s dans ce th\u00e9\u00e2tre :<\/h4>\n\n\n\n\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-23259 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-opera-de-lausanne category-spectacle tag-ilian-guesmia\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/10\/don-quichotte\/\" target=\"_self\" >Don Quichotte<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Jules Massenet, livret de Henri Cain, d&rsquo;apr\u00e8s Miguel de Cervantes \/ Mise en sc\u00e8ne par Bruno Ravella et direction musicale par Laurent Campellone \/ Op\u00e9ra de Lausanne \/ Du 5 au 12 octobre 2025 \/ Critique par Ilian Guesmia\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Critiques par spectacles jou\u00e9s dans ce th\u00e9\u00e2tre :<\/p>\n","protected":false},"author":1002847,"featured_media":0,"parent":2713,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-23382","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002847"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=23382"}],"version-history":[{"count":3,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23382\/revisions"}],"predecessor-version":[{"id":23391,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23382\/revisions\/23391"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2713"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=23382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}