{"id":23248,"date":"2025-10-12T19:29:12","date_gmt":"2025-10-12T17:29:12","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=23248"},"modified":"2025-10-20T17:58:02","modified_gmt":"2025-10-20T15:58:02","slug":"mathys-lonfat","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/mathys-lonfat\/","title":{"rendered":"Mathys Lonfat"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/10\/mathys_lonfat-768x1024.jpeg\" alt=\"mathys lonfat\" class=\"wp-image-23284\" style=\"object-fit:cover;width:300px;height:300px\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/10\/mathys_lonfat-768x1024.jpeg 768w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/10\/mathys_lonfat-150x200.jpeg 150w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/10\/mathys_lonfat-128x170.jpeg 128w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/10\/mathys_lonfat.jpeg 900w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading\">Les critiques de Mathys Lonfat : <\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-23461 post type-post status-publish format-standard has-post-thumbnail category-critique category-onstage category-spectacle category-theatre-de-carouge tag-felix-blandin tag-mathys-lonfat\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/03\/le-tartuffe\/\" target=\"_self\" >Le Tartuffe<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Moli\u00e8re \/ Mise en sc\u00e8ne par Jean Liermier \/ Th\u00e9\u00e2tre de Carouge (Gen\u00e8ve) \/ Du 3 mars au 2 avril 2026 \/ Critiques par Mathys Lonfat et F\u00e9lix Blandin . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23341 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-spot-sion tag-mathys-lonfat\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/stek\/\" target=\"_self\" >Stek<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par la compagnie Intrepidus \/ Le Spot (Sion) \/ Du 15 au 16 novembre 2025 \/ Critique par Mathys Lonfat . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23331 post type-post status-publish format-standard has-post-thumbnail category-critique category-onstage category-spectacle category-theatre-de-vidy tag-hadrien-halter tag-mathys-lonfat tag-maud-seem\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/la-distance\/\" target=\"_self\" >La Distance<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Tiago Rodrigues \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 13 au 23 novembre 2025 \/ Critiques par Hadrien Halter, Maud Seem et Mathys Lonfat . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23326 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-mathys-lonfat\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/vudu-3318-blixen\/\" target=\"_self\" >Vud\u00fa (3318) Blixen<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Ang\u00e9lica Liddell \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 7 au 9 novembre 2025 \/ Critique par Mathys Lonfat . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23255 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-ilian-guesmia tag-mathys-lonfat tag-maud-seem tag-maxime-grandjean tag-muireann-walsh\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/10\/bovary-madame\/\" target=\"_self\" >Bovary Madame<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Gustave Flaubert \/ Mise en sc\u00e8ne par Christophe Honor\u00e9 \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 17 septembre au 8 octobre 2025 \/ Critiques par Ilian Guesmia, Muireann Walsh, Mathys Lonfat et Maud Seem . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Mathys Lonfat :<\/p>\n","protected":false},"author":1002847,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-23248","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002847"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=23248"}],"version-history":[{"count":3,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23248\/revisions"}],"predecessor-version":[{"id":23286,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23248\/revisions\/23286"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=23248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}